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More than 10,000 results for Giovanni Battista Natali III

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Two Alternative Designs for a Mirror Stand, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash, over traces of graphite or black chalk — Two Alternative Designs for a Mirror Stand
Giovanni Battista Natali III
1698–1765

Designs for Mirror Frames and Sconces, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over graphite or black chalk — Designs for Mirror Frames and Sconces
Giovanni Battista Natali III
1698–1765

Design for Mirror Frame, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk — Design for Mirror Frame
Giovanni Battista Natali III
ca. 1720–40

Two Alternative Designs for a Mirror or Screen with Family Coat of Arms, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk — Two Alternative Designs for a Mirror or Screen with Family Coat of Arms
Giovanni Battista Natali III
1698–1765

Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk (recto); Pen and brown ink (verso) — Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso)
Giovanni Battista Natali III
1698–1765

Design for a Table, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk — Design for a Table
Giovanni Battista Natali III
1698–1765

Design for a Frame in the Form of a Cartouche (Mirror?), Giovanni Battista Natali III Italian, Pen and brown ink, brush and brown wash — Design for a Frame in the Form of a Cartouche (Mirror?)
Giovanni Battista Natali III
1698–1765

Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment), Giovanni Battista Natali III Italian, Pen and brown ink, brush with blue-gray and brown wash, over traces of graphite or black chalk — Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment)
Giovanni Battista Natali III
1698–1765

Fragmentary Sketches of Various Ornament, Giovanni Battista Natali III Italian, Graphite, pen and brown ink, brush with brown and gray wash — Fragmentary Sketches of Various Ornament
Giovanni Battista Natali III
1698–1765

Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite (recto); pen and brown ink (verso) — Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso)
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?)
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and brown wash, on yellow-brown paper — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash — Design for Stage Set
Giovanni Battista Natali III
1698–1765

Design for a Portable Screen, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk — Design for a Portable Screen
Giovanni Battista Natali III
1698–1765

Design for a Canopy (recto). Design for an Armchair (verso), Giovanni Battista Natali III Italian, Pen and ink, brush and gray wash — Design for a Canopy (recto). Design for an Armchair (verso)
Giovanni Battista Natali III
1698–1765

Design for a Stage Set: Stairway and Arcades Leading to a Salone, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash, over graphite or black chalk — Design for a Stage Set: Stairway and Arcades Leading to a Salone
Giovanni Battista Natali III
1698–1765

Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash — Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables
Giovanni Battista Natali III
1698–1765

Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso), Giovanni Battista Natali III Italian, Pen and gray ink, brush with brown and gray wash (recto); graphite or black chalk (verso) — Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso)
Giovanni Battista Natali III
1698–1765

Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso) — Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso)
Giovanni Battista Natali III
1718–65

Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso) — Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso)
Giovanni Battista Natali III
1718–65

Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults, Giovanni Battista Natali III Italian, Pen and gray ink, brush with brown and gray wash — Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults
Giovanni Battista Natali III
1698–1765

Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso), Giovanni Battista Natali III Italian, Brush and gray ink, brush and gray wash — Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso)
Giovanni Battista Natali III
1698–1765

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk. — Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740

Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni Italian, Printed book, London: J. Murray, 1820 — Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Giovanni Battista Belzoni
1820

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence — Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82

The Adoration of the Magi, Giovanni Battista Tiepolo Italian, Oil on canvas — The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas — The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s

Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

The Battle of Vercellae, Giovanni Battista Tiepolo Italian, Oil on canvas — The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29

The Capture of Carthage, Giovanni Battista Tiepolo Italian, Oil on canvas — The Capture of Carthage
Giovanni Battista Tiepolo
1725–29

Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760