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1-42 of 11,264 results for Giovanni Battista Natali III
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Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk (recto); Pen and brown ink (verso)
Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso)
Giovanni Battista Natali III
1698–1765
Two Alternative Designs for a Mirror Stand, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash, over traces of graphite or black chalk
Two Alternative Designs for a Mirror Stand
Giovanni Battista Natali III
1698–1765
Designs for Mirror Frames and Sconces, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over graphite or black chalk
Designs for Mirror Frames and Sconces
Giovanni Battista Natali III
1698–1765
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms
Giovanni Battista Natali III
1698–1765
Design for Mirror Frame, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Design for Mirror Frame
Giovanni Battista Natali III
ca. 1720–40
Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso)
Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso)
Giovanni Battista Natali III
1718–65
Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso)
Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso)
Giovanni Battista Natali III
1718–65
Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso), Giovanni Battista Natali III Italian, Pen and gray ink, brush with brown and gray wash (recto); graphite or black chalk (verso)
Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso)
Giovanni Battista Natali III
1698–1765
Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults, Giovanni Battista Natali III Italian, Pen and gray ink, brush with brown and gray wash
Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults
Giovanni Battista Natali III
1698–1765
Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso), Giovanni Battista Natali III Italian, Brush and gray ink, brush and gray wash
Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso)
Giovanni Battista Natali III
1698–1765
Design for a Portable Screen, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk
Design for a Portable Screen
Giovanni Battista Natali III
1698–1765
Design for a Canopy (recto). Design for an Armchair (verso), Giovanni Battista Natali III Italian, Pen and ink, brush and gray wash
Design for a Canopy (recto). Design for an Armchair (verso)
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Stairway and Arcades Leading to a Salone, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash, over graphite or black chalk
Design for a Stage Set: Stairway and Arcades Leading to a Salone
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash
Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables
Giovanni Battista Natali III
1698–1765
Design for a Frame in the Form of a Cartouche (Mirror?), Giovanni Battista Natali III Italian, Pen and brown ink, brush and brown wash
Design for a Frame in the Form of a Cartouche (Mirror?)
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?)
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and brown wash, on yellow-brown paper
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for a Table, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Design for a Table
Giovanni Battista Natali III
1698–1765
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment), Giovanni Battista Natali III Italian, Pen and brown ink, brush with blue-gray and brown wash, over traces of graphite or black chalk
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment)
Giovanni Battista Natali III
1698–1765
Fragmentary Sketches of Various Ornament, Giovanni Battista Natali III Italian, Graphite, pen and brown ink, brush with brown and gray wash
Fragmentary Sketches of Various Ornament
Giovanni Battista Natali III
1698–1765
Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite (recto); pen and brown ink (verso)
Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso)
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni Italian, Printed book, London: J. Murray, 1820
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Giovanni Battista Belzoni
1820
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82
The Calling of Saint Matthew, Giovanni Battista Caracciolo Italian, Oil on canvas
The Calling of Saint Matthew
Giovanni Battista Caracciolo
ca. 1625–30
Twelve-light chandelier, Giovanni Battista Metellino Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
Twelve-light chandelier
Giovanni Battista Metellino
first quarter 18th century
Bartolomeo Bonghi (died 1584), Giovanni Battista Moroni Italian, Oil on canvas
Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni
shortly after 1553
Saint Thecla Praying for the Plague-Stricken, Giovanni Battista Tiepolo Italian, Oil on canvas
Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo Italian, Oil on canvas
The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo
ca. 1745–47
The Adoration of the Magi, Giovanni Battista Tiepolo Italian, Oil on canvas
The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s