Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for Giovanni Battista Natali III
Sort by:
Design for a Portable Screen, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk
Giovanni Battista Natali III
1698–1765
Design for a Canopy (recto).  Design for an Armchair (verso), Giovanni Battista Natali III  Italian, Pen and ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for a Stage Set:  Stairway and Arcades Leading to a Salone, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with brown and gray wash, over graphite or black chalk
Giovanni Battista Natali III
1698–1765
Design for a Stage Set:  Interior of a Palazzo Decorated with Large Mirrors and Console Tables, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with brown and gray wash
Giovanni Battista Natali III
1698–1765
Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso), Giovanni Battista Natali III  Italian, Brush and gray ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso), Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk (recto); Pen and brown ink (verso)
Giovanni Battista Natali III
1698–1765
Design for a Table, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Giovanni Battista Natali III
1698–1765
Design for a Frame in the Form of a Cartouche (Mirror?), Giovanni Battista Natali III  Italian, Pen and brown ink, brush and brown wash
Giovanni Battista Natali III
1698–1765
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment), Giovanni Battista Natali III  Italian, Pen and brown ink, brush with blue-gray and brown wash, over traces of graphite or black chalk
Giovanni Battista Natali III
1698–1765
Fragmentary Sketches of Various Ornament, Giovanni Battista Natali III  Italian, Graphite, pen and brown ink, brush with brown and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso), Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash, over traces of graphite (recto); pen and brown ink (verso)
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?), Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and brown wash, on yellow-brown paper
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III  Italian, Pen and brown ink, brush and gray wash
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso), Giovanni Battista Natali III  Italian, Pen and gray ink, brush with brown and gray wash (recto); graphite or black chalk (verso)
Giovanni Battista Natali III
1698–1765
Design for a Stage Sets:  Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults, Giovanni Battista Natali III  Italian, Pen and gray ink, brush with brown and gray wash
Giovanni Battista Natali III
1698–1765
Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso), Giovanni Battista Natali III  Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso)
Giovanni Battista Natali III
1698–1765
Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso), Giovanni Battista Natali III  Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso)
Giovanni Battista Natali III
1698–1765
Two Alternative Designs for a Mirror Stand, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with brown and gray wash, over traces of graphite or black chalk
Giovanni Battista Natali III
1698–1765
Designs for Mirror Frames and Sconces, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with gray and brown wash, over graphite or black chalk
Giovanni Battista Natali III
1698–1765
Design for Mirror Frame, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Giovanni Battista Natali III
ca. 1720–40
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms, Giovanni Battista Natali III  Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Giovanni Battista Natali III
1698–1765
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini  Italian, Marble, gray marble, Italian, Florence
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1752
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni  Italian, Printed book, London: J. Murray, 1820
Giovanni Battista Belzoni
1820
Bacchus and Ariadne, Giovanni Battista Tiepolo  Italian, Pen and brown ink, brown wash, over black chalk.
Giovanni Battista Tiepolo
ca. 1740
Twelve-light chandelier, Giovanni Battista Metellino  Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
Giovanni Battista Metellino
first quarter 18th century
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini  Italian, Marble with base of gray marble, Italian, Florence
Giovanni Battista Foggini
ca. 1680–82
A Female Allegorical Figure, Giovanni Battista Tiepolo  Italian, Oil on canvas, gold ground
Giovanni Battista Tiepolo
ca. 1740–50
Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Glorification of the Barbaro Family, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
ca. 1750
Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Calling of Saint Matthew, Giovanni Battista Caracciolo  Italian, Oil on canvas
Giovanni Battista Caracciolo
ca. 1625–30