ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 26 results for Giovanni Battista di Lazzaro Panzera da Parma
Sort by:
Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 9: Emperor Vitellus on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10
Antonio Tempesta
1596
Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars'
Antonio Tempesta
1596
Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars'
Antonio Tempesta
1596
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio
Antonio Tempesta
1596
Christ falling on the road to Calvary, from two plates
Giovanni Battista Fontana
ca 1560–73 (re-published 1584)
The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Portraits of Celebrated Painters with Medallions from Their Best Performances
John M. Corner
1825
Vignette, Canto XXXVIII, Stanza LXXXII, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Pietro Antonio Martini
1774
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
The Coronation of the Virgin
Annibale Carracci
after 1595
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri)
ca. 1515
Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors
Benozzo Gozzoli (Benozzo di Lese di Sandro)
1481
Still Life of Grapes and Peaches
Panfilo Nuvolone
ca. 1617
Table
Italian, Rome
ca. 1775–80
Saint Roch
Francesco Francia
1502
Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67
Giuseppe Arcimboldo
1564–65