덴두르 신전은 4월 26일 일요일부터 5월 8일 금요일까지 휴관합니다. 메트로폴리탄 미술관 5번가 본관은 5월 4일 월요일에 휴관합니다.

방문 계획을 세우세요
티켓
한국어
기부하기멤버십
티켓
가능한 한 빨리 이 페이지를 번역하기 위해 노력하고 있습니다. 이해해 주셔서 감사합니다.

Search for Art

1-42 of 7,063 results for Giovanni Domenico Campiglia
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Giovanni Girolamo Frezza Italian, Engraving and etching
Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Giovanni Girolamo Frezza
Giovanni Domenico Campiglia
1734
Plate X (10): Apollo, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Giovanni Battista Jacoboni Italian, Engraving and etching
Plate X (10): Apollo, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Giovanni Battista Jacoboni
Giovanni Domenico Campiglia
1734
Plate XVII (17): A Muse, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Orsolini Italian, Engraving and etching
Plate XVII (17): A Muse, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Orsolini
Giovanni Domenico Campiglia
1734
Plate LXVIII (68): Hercules, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Marcantonio Corsi Italian, Engraving and etching
Plate LXVIII (68): Hercules, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Marcantonio Corsi
Giovanni Domenico Campiglia
1734
Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Genaro Gutiérrez Spanish, Engraving and etching
Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Genaro Gutiérrez
Giovanni Domenico Campiglia
1734
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Etching and engraving
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate LXII (62): Flora, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Girolamo Rossi the Younger Italian, Engraving and etching
Plate LXII (62): Flora, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Girolamo Rossi the Younger
Giovanni Domenico Campiglia
1734
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate IIII (4): Leda and the Swan, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Cosimo Mogalli Italian, Etching and engraving
Plate IIII (4): Leda and the Swan, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Cosimo Mogalli
Giovanni Domenico Campiglia
1734
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop, Carlo Gregori Italian, Etching
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop
Carlo Gregori
Giovanni Domenico Campiglia
1740–59
Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving; first state of two
Self-portrait in a Turkish Outfit
Multiple artists/makers
18th century
Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving
Self-portrait in a Turkish Outfit
Multiple artists/makers
18th century
The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk.
The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800
The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770
Cherubino Alberti
Multiple artists/makers
1752–62
A Dance in the Country, Giovanni Domenico Tiepolo Italian, Oil on canvas
A Dance in the Country
Giovanni Domenico Tiepolo
ca. 1755
The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo Italian, Oil on canvas
The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo
1783
The Departure of the Gondola, Giovanni Domenico Tiepolo Italian, Oil on canvas
The Departure of the Gondola
Giovanni Domenico Tiepolo
mid-1760s
Parmigianino (Francesco Mazzuoli)
Multiple artists/makers
1765
Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood
Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco
Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Il Ritratto di Venezia
Domenico Martinelli
1684
Madonna and Child, Giovanni Bellini Italian, Oil on wood
Madonna and Child
Giovanni Bellini
late 1480s
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Allegorical Figure Representing America, Giovanni Domenico Tiepolo Italian, Fresco, transferred to canvas
Allegorical Figure Representing America
Giovanni Domenico Tiepolo
Allegorical Figure Representing Asia, Giovanni Domenico Tiepolo Italian, Fresco, transferred to canvas
Allegorical Figure Representing Asia
Giovanni Domenico Tiepolo
Allegorical Figure Representing Europe, Giovanni Domenico Tiepolo Italian, Fresco, transferred to canvas
Allegorical Figure Representing Europe
Giovanni Domenico Tiepolo
The Sacrifice of Isaac, Giovanni Domenico Tiepolo Italian, Oil on canvas
The Sacrifice of Isaac
Giovanni Domenico Tiepolo
mid-1750s
Allegorical Figure Representing Africa, Giovanni Domenico Tiepolo Italian, Fresco, transferred to canvas
Allegorical Figure Representing Africa
Giovanni Domenico Tiepolo
The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk
The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right)
Giovanni Domenico Tiepolo
ca. 1770
The Baptism of Christ (with Two Ducks in the Water at Lower Right), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and gray wash
The Baptism of Christ (with Two Ducks in the Water at Lower Right)
Giovanni Domenico Tiepolo
ca. 1770–90
The Baptism of Christ (with a Woman Holding a Child Among the Spectators at the Right), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash
The Baptism of Christ (with a Woman Holding a Child Among the Spectators at the Right)
Giovanni Domenico Tiepolo
ca. 1770–90
The Baptism of Christ (with Saint John, Without his Cross, in Profile to the Right), Giovanni Domenico Tiepolo Italian, Pen and brown ink, gray wash
The Baptism of Christ (with Saint John, Without his Cross, in Profile to the Right)
Giovanni Domenico Tiepolo
ca. 1770–90
The Baptism of Christ (with Three Angels Attending Him), Giovanni Domenico Tiepolo Italian, Pen and brown-gray ink, brown-gray wash
The Baptism of Christ (with Three Angels Attending Him)
Giovanni Domenico Tiepolo
ca. 1770–90
The Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown-gray wash
The Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up)
Giovanni Domenico Tiepolo
ca. 1770–90
The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground), Giovanni Domenico Tiepolo Italian, Pen and brown ink, light brown wash
The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground)
Giovanni Domenico Tiepolo
ca. 1770–90
Christ Crowned with Thorns, Giovanni Domenico Tiepolo Italian, Pen and brown ink
Christ Crowned with Thorns
Giovanni Domenico Tiepolo
ca. 1748–72
Saint Anthony of Padua with the Christ Child, in an Interior, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash
Saint Anthony of Padua with the Christ Child, in an Interior
Giovanni Domenico Tiepolo
1770