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Showing 7,063 results for Giovanni Domenico Campiglia

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Plate X (10): Apollo, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Giovanni Battista Jacoboni Italian, Engraving and etching — Plate X (10): Apollo, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Giovanni Battista Jacoboni
Giovanni Domenico Campiglia
1734

Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Giovanni Girolamo Frezza Italian, Engraving and etching — Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Giovanni Girolamo Frezza
Giovanni Domenico Campiglia
1734

She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop, Carlo Gregori Italian, Etching — She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop
Carlo Gregori
Giovanni Domenico Campiglia
1740–59

Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Genaro Gutiérrez Spanish, Engraving and etching — Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Genaro Gutiérrez
Giovanni Domenico Campiglia
1734

Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching — Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734

Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching — Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734

Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Etching and engraving — Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734

Plate LXII (62): Flora, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Girolamo Rossi the Younger Italian, Engraving and etching — Plate LXII (62): Flora, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Girolamo Rossi the Younger
Giovanni Domenico Campiglia
1734

Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching — Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734

Plate IIII (4): Leda and the Swan, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Cosimo Mogalli Italian, Etching and engraving — Plate IIII (4): Leda and the Swan, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Cosimo Mogalli
Giovanni Domenico Campiglia
1734

Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching — Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734

Plate XVII (17): A Muse, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Orsolini Italian, Engraving and etching — Plate XVII (17): A Muse, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Orsolini
Giovanni Domenico Campiglia
1734

Plate LXVIII (68): Hercules, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Marcantonio Corsi Italian, Engraving and etching — Plate LXVIII (68): Hercules, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Marcantonio Corsi
Giovanni Domenico Campiglia
1734

Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving — Self-portrait in a Turkish Outfit
Multiple artists/makers
18th century

Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving; first state of two — Self-portrait in a Turkish Outfit
Multiple artists/makers
18th century

The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk. — The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770

The Burial of Punchinello, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and yellow wash, over black chalk. — The Burial of Punchinello
Giovanni Domenico Tiepolo
ca. 1800

Cherubino Alberti

Multiple artists/makers

1752–62

The Departure of the Gondola, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Departure of the Gondola
Giovanni Domenico Tiepolo
mid-1760s

Punchinellos Felling (or Planting) a Tree, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk — Punchinellos Felling (or Planting) a Tree
Giovanni Domenico Tiepolo
late 18th–early 19th century

A Dance in the Country, Giovanni Domenico Tiepolo Italian, Oil on canvas — A Dance in the Country
Giovanni Domenico Tiepolo
ca. 1755

The Glorification of the Giustiniani Family, Giovanni Domenico Tiepolo Italian, Oil on canvas — The Glorification of the Giustiniani Family
Giovanni Domenico Tiepolo
1783

Parmigianino (Francesco Mazzuoli)

Multiple artists/makers

1765

Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood — Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488

Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco — Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Madonna and Child, Giovanni Bellini Italian, Oil on wood — Madonna and Child
Giovanni Bellini
late 1480s

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk — The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right)
Giovanni Domenico Tiepolo
ca. 1770

The Baptism of Christ (with Two Ducks in the Water at Lower Right), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown and gray wash — The Baptism of Christ (with Two Ducks in the Water at Lower Right)
Giovanni Domenico Tiepolo
ca. 1770–90

The Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown-gray wash — The Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up)
Giovanni Domenico Tiepolo
ca. 1770–90

The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground), Giovanni Domenico Tiepolo Italian, Pen and brown ink, light brown wash — The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground)
Giovanni Domenico Tiepolo
ca. 1770–90

Saint Anthony of Padua with the Christ Child, in an Interior, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash — Saint Anthony of Padua with the Christ Child, in an Interior
Giovanni Domenico Tiepolo
1770

A Saint Preaching, and the Head of an Oriental, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over rough black chalk — A Saint Preaching, and the Head of an Oriental
Giovanni Domenico Tiepolo
ca. 1759

Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti, Giovanni Domenico Tiepolo Italian, Pen and two shades of brown ink, brownish gray wash — Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti
Giovanni Domenico Tiepolo
ca. 1770–90

Cupid Blindfolded in the Clouds, with Five Attendant Putti, Giovanni Domenico Tiepolo Italian, Pen and brown ink, grayish brown wash — Cupid Blindfolded in the Clouds, with Five Attendant Putti
Giovanni Domenico Tiepolo
ca. 1770–90

Frieze of Allegorical Figures, Giovanni Domenico Tiepolo Italian, Pen and light brown ink, brush and gray wash over black chalk, partly strengthened with a fine pen and dark brown ink — Frieze of Allegorical Figures
Giovanni Domenico Tiepolo
after 1770

Landscape with a Horse Held by a Page, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk; preliminary drawing on paper. — Landscape with a Horse Held by a Page
Giovanni Domenico Tiepolo
after 1770

A Leopard, Moving to the Left (on a Base), Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over traces of black chalk — A Leopard, Moving to the Left (on a Base)
Giovanni Domenico Tiepolo
mid-18th–early 19th century