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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Giovanni Francesco Camocio

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Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture, Giuseppe Arcimboldo Italian, Engraving — Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture
Multiple artists/makers
after 1569

The Instruments of Human Sustenance (Humani Victus Instrumenta): Cooking, Giuseppe Arcimboldo Italian, Engraving — The Instruments of Human Sustenance (Humani Victus Instrumenta): Cooking
Multiple artists/makers
after 1569

Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas — Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri)
1619

Hermaphrodite, Giovanni Francesco Susini Italian, Bronze, Italian, Florence — Hermaphrodite
Giovanni Francesco Susini
1639

The Last Kiss of Romeo and Juliet, Giovanni Beltrami Italian, Rock crystal; gilt bronze, Italian — The Last Kiss of Romeo and Juliet
Giovanni Beltrami
Francesco Hayez
crystal 1824, frame possibly contemporary

The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas — The Vocation of Saint Aloysius (Luigi) Gonzaga
Guercino (Giovanni Francesco Barbieri)
ca. 1650

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Madonna and Child, Giovanni Bellini Italian, Oil on wood — Madonna and Child
Giovanni Bellini
late 1480s

Man and Woman Striding Toward the Left, Giovanni Francesco Caroto and, Point of the brush and gray ink, heightened with white, on paper washed with blue., Italian — Man and Woman Striding Toward the Left
Giovanni Francesco Caroto
Giovanni Battista Caroto
early 16th century

Trees, Giovanni Francesco Grimaldi Italian, Pen, sepia ink and wash with white gouache heightening on blue paper — Trees
Giovanni Francesco Grimaldi
Claude Lorrain (Claude Gellée)
ca. 1650

Wild Boar, Giovanni Francesco Susini Italian, Bronze, Italian, Florence — Wild Boar
Giovanni Francesco Susini
late 17th century

Venus chastening Cupid, Giovanni Francesco Susini Italian, Bronze, Italian, Florence — Venus chastening Cupid
Giovanni Francesco Susini
Late 19th century

Lioness, Giovanni Francesco Susini Italian, Bronze, probably Italian — Lioness
Giovanni Francesco Susini
17th–18th century

The Sacrifice of Polyxena, Giovanni Francesco Romanelli Italian, Oil on canvas — The Sacrifice of Polyxena
Giovanni Francesco Romanelli

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449

Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

A Seated Saint Reading from a Book, Francesco Botticini (Francesco di Giovanni) Italian, Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or early 16th century. — A Seated Saint Reading from a Book
Francesco Botticini (Francesco di Giovanni)
Alesso Baldovinetti
late 15th century

Madonna and Child Enthroned with Saints and Angels, Francesco Botticini (Francesco di Giovanni) Italian, Tempera on wood — Madonna and Child Enthroned with Saints and Angels
Francesco Botticini (Francesco di Giovanni)
1493–95

Saint Sebastian, Francesco Botticini (Francesco di Giovanni) Italian, Tempera and oil on wood — Saint Sebastian
Francesco Botticini (Francesco di Giovanni)

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

Istruzione elementare per gli studiosi della scultura, Francesco Carradori Italian — Istruzione elementare per gli studiosi della scultura
Francesco Carradori
1802

Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal, Francesco Guardi Italian, Pen and brown ink, light brown wash, on two sheets of paper, joined. — Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi
1780–93

A Seated Young Woman Looking Over Her Shoulder, Guercino (Giovanni Francesco Barbieri) (?) Italian, Pen and brown ink — A Seated Young Woman Looking Over Her Shoulder
Guercino (Giovanni Francesco Barbieri)
early–mid-17th century

Brisé fan with depiction of allegorical figure of Music, Francesco Bartolozzi Italian, Pierced, gilded, and painted ivory; painted paper; printed and painted silk ribbon; glass, British — Brisé fan with depiction of allegorical figure of Music
Francesco Bartolozzi
Giovanni Battista Cipriani
last quarter 18th century

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Rapier of Emperor Charles V (1500–1558), Francesco Negroli , and his brothers Italian, Steel, gold, silver, wood, Italian, Milan — Rapier of Emperor Charles V (1500–1558)
Francesco Negroli
ca. 1550–53

Young bull, Francesco Gallo, Polychromed terracotta body with wooden legs, tail and horns, Italian, Naples — Young bull
Francesco Gallo
18th–19th century

David and Goliath, Francesco Fanelli Italian, Bronze, England, composition modeled in the 1630s — David and Goliath
Francesco Fanelli
17th century cast

Sleeping sheep, Francesco Gallo, Polychromed terracotta, metal ears, Italian, Naples — Sleeping sheep
Francesco Gallo
18th–19th century

Portrait of Antonio Canova (1757–1822), Francesco Putinati Italian, Bronze, Italian, Milan — Portrait of Antonio Canova (1757–1822)
Francesco Putinati
ca. 1822

Inkwell with three putti, Francesco Bertos Italian, Bronze, with remains of black lacquer, Italian, Padua — Inkwell with three putti
Francesco Bertos
probably 1738

Galloping horse, Francesco Fanelli Italian, Bronze, probably British — Galloping horse
Francesco Fanelli
second half of the 17th century