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1-42 of 527 results for Giovanni Pietro Possenti
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The Flaying of Marsyas, Giovanni Pietro Possenti Italian, Etching
The Flaying of Marsyas
Giovanni Pietro Possenti
mid-17th century
The forge of Vulcan with smiths striking an anvil with hammers, while Mars and Venus embrace in the heavens above, Giovanni Pietro Possenti Italian, Etching
The forge of Vulcan with smiths striking an anvil with hammers, while Mars and Venus embrace in the heavens above
Giovanni Pietro Possenti
1640–59
The Labors of Hercules, a three-headed monster at right
Giovanni Pietro Possenti
ca. 1640–59
Saint Michael, Pietro di Giovanni d'Ambrogio Italian, Tempera and silver on wood, gold ground
Saint Michael
Pietro di Giovanni d'Ambrogio
mid-1430s
Saint Nicholas of Bari, Pietro di Giovanni d'Ambrogio Italian, Tempera and silver on wood, gold ground
Saint Nicholas of Bari
Pietro di Giovanni d'Ambrogio
mid-1430s
Diana the Huntress, Giampietrino (Giovanni Pietro Rizzoli) Italian, Oil on wood
Diana the Huntress
Giampietrino (Giovanni Pietro Rizzoli)
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary, Giovanni Pietro da Cemmo Italian, Tempera, ink and gold on parchment; leather binding, Italian
Manuscript Illumination with Joseph Sold by His Brothers in an Initial V, from an Antiphonary
Giovanni Pietro da Cemmo
ca. 1490
Saint Francis Receiving the Stigmata, Lo Spagna (Giovanni di Pietro) Italian, Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown.
Saint Francis Receiving the Stigmata
Lo Spagna (Giovanni di Pietro)
early 16th century
Cupid riding a goat accompanied by two satyrs, landscape in the background, Giovanni Pietro da Birago Italian, Engraving
Cupid riding a goat accompanied by two satyrs, landscape in the background
Circle of Giovanni Pietro da Birago
Possibly by Giovanni Antonio da Brescia
ca. 1500–1505
Admiranda romananum antiquitatum ac veteris sculpturae vestigia, Pietro Santi Bartoli Italian
Admiranda romananum antiquitatum ac veteris sculpturae vestigia
Pietro Santi Bartoli
After Giovanni Pietro Bellori
Publisher Giovanni Giacomo De Rossi
1693
The Last Supper, with a Spaniel, Giovanni Pietro da Birago Italian, Engraving
The Last Supper, with a Spaniel
Attributed to Giovanni Pietro da Birago
After Leonardo da Vinci
ca. 1500
Jephthah's daughter kneeling by the sacrificial altar, with her father standing at right, Pietro Monaco Italian, Etching and engraving
Jephthah's daughter kneeling by the sacrificial altar, with her father standing at right
Pietro Monaco
After Giovanni Ghisolfi
1730–50
Jael hammering a tent peg into the temple of the sleeping Sisera, to the right a servant hides behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni, Pietro Monaco Italian, Etching and engraving
Jael hammering a tent peg into the temple of the sleeping Sisera, to the right a servant hides behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
After Giovanni Battista Pittoni
Publisher Pietro Monaco
ca. 1730–39
Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni, Pietro Monaco Italian, Etching and engraving
Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
After Giovanni Battista Pittoni
Publisher Pietro Monaco
ca. 1730–39
Moses defending the daughters of Jethro, Pietro Monaco Italian, Etching and engraving
Moses defending the daughters of Jethro
Artist and publisher Pietro Monaco
After Giovanni Antonio Fumiani
1732–50
Daniel argues with the elders while Susanna stands at left, Pietro Monaco Italian, Etching and engraving
Daniel argues with the elders while Susanna stands at left
Artist and publisher Pietro Monaco
After Giovanni Antonio Fumiani
1732–50
One of the Sons of Noah who Goes to Populate a Part of the Earth (Uno de figli di Noè che va a popolare una parte della terra), Pietro Monaco Italian, Etching
One of the Sons of Noah who Goes to Populate a Part of the Earth (Uno de figli di Noè che va a popolare una parte della terra)
Artist and publisher Pietro Monaco
Intermediary draftsman Giovanni Domenico Tiepolo
After Giovanni Benedetto Castiglione (Il Grechetto)
1743–63
Departure of David the Shepherd from the House of His Father (Partenza di David pastore dalla casa paterna), Pietro Monaco Italian, Etching
Departure of David the Shepherd from the House of His Father (Partenza di David pastore dalla casa paterna)
Artist and publisher Pietro Monaco
Intermediary draftsman Giovanni Battista Piva (Biva)
After Giovanni Benedetto Castiglione (Il Grechetto)
1743–63
The Sacrifice of Iphigenia, Pietro Testa Italian, Etching with drypoint
The Sacrifice of Iphigenia
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1640–42
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
Publisher Giovanni Giacomo De Rossi
1637–38
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, Pietro Testa Italian, Etching
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1635–37
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1631–37
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Pietro Testa Italian, Etching
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1630–31
The Holy Family attended by Angels, Pietro Testa Italian, Etching
The Holy Family attended by Angels
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1642–44
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning, Pietro Testa Italian, Etching
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1640
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right, Pietro Testa Italian, Etching
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right
Pietro Testa
Publisher Giovanni Giacomo De Rossi
1631–37
The Holy Family fed by Angels, Pietro Testa Italian, Etching
The Holy Family fed by Angels
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1642–44
Ajax, front view, from "Oeuvre de Canova: Recueil de Statues...", Pietro Fontana Italian, Engraving and etching
Ajax, front view, from "Oeuvre de Canova: Recueil de Statues..."
Pietro Fontana
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
A Satyr Holding a Violin, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Satyr Holding a Violin, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta, Pietro Monaco Italian, Etching and engraving
Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta
Pietro Monaco
Intermediary draughtsman Domenico Magioto
After Giovanni Battista Piazzetta
1743–63
The miracle of the bitter water made sweet (Il Miracolo delle Acque Amare Mutate in Dolci), Pietro Monaco Italian, Etching
The miracle of the bitter water made sweet (Il Miracolo delle Acque Amare Mutate in Dolci)
Artist and publisher Pietro Monaco
After Giovanni Benedetto Castiglione (Il Grechetto)
1743–63
Esau and his family parting ways with Jacob (Esau con le mogli figli e sostanze si separa dal fratello Giacobbe), Pietro Monaco Italian, Etching
Esau and his family parting ways with Jacob (Esau con le mogli figli e sostanze si separa dal fratello Giacobbe)
Artist and publisher Pietro Monaco
After Giovanni Benedetto Castiglione (Il Grechetto)
1743–63
Jacob tending Laban's flock (Giacobbe, che pasce l'armento di Labano), Pietro Monaco Italian, Etching
Jacob tending Laban's flock (Giacobbe, che pasce l'armento di Labano)
Artist and publisher Pietro Monaco
After Giovanni Benedetto Castiglione (Il Grechetto)
1743–63
The Holy Family, Pietro Bonato Italian, Engraving
The Holy Family
Pietro Bonato
Intermediary draftsman Giovanni Tognolli
After Correggio (Antonio Allegri)
1811
Joseph and Potiphar's wife, within an ornate frame, Pietro Monaco Italian, Etching and engraving
Joseph and Potiphar's wife, within an ornate frame
Artist and publisher Pietro Monaco
Image after Carlo Cignani
Frame after Giovanni Battista Crosato
1739
Stanze di M. Pietro Aretino, Pietro Aretino Italian, Printed book with woodcut illustrations
Stanze di M. Pietro Aretino
Author Pietro Aretino
Printmaker Cutting attributed to Giovanni Britto
Publisher Francesco Marcolini da Forli
January 23, 1537
Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila Italian, Etching and engraving
Annibale Carracci Introduces Painting to Apollo and Minerva
Pietro Aquila
After Carlo Maratti
Publisher Giovanni Giacomo De Rossi
1674