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Showing 446 results for Goya

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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas — Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

A City on a Rock, Goya Spanish, Oil on canvas — A City on a Rock
Goya

Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas — Don Bernardo de Iriarte (1735–1814)
Goya

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas — Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya

María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas — María Luisa of Parma (1751–1819), Queen of Spain
Goya

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799

The Disasters of War

Goya (Francisco de Goya y Lucientes)

1937

Don Quichotte, Félix Bracquemond French, Etching; second state of two — Don Quichotte
Félix Bracquemond
Goya (Francisco de Goya y Lucientes)
1860

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
Goya (Francisco de Goya y Lucientes)
1799

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
Goya (Francisco de Goya y Lucientes)
1799

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió), Goya (Francisco de Goya y Lucientes) Spanish, Etching,burnished lavis, drypoint, burin, burnisher — Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint — Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin, burnisher — Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas), Goya (Francisco de Goya y Lucientes) Spanish, Etching — Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished lavis, drypoint, burin — Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin — Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid
Goya (Francisco de Goya y Lucientes)
1816

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint — Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
Goya (Francisco de Goya y Lucientes)
1816

If he is guilty, let him die quickly (Si es deliquente qe, muera presto), Goya (Francisco de Goya y Lucientes) Spanish, Etching — If he is guilty, let him die quickly (Si es deliquente qe, muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (printed around 1859)

Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin, burnisher — Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)
Goya (Francisco de Goya y Lucientes)
1799

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin — Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)
Goya (Francisco de Goya y Lucientes)
1799

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
Goya (Francisco de Goya y Lucientes)
1799

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
Goya (Francisco de Goya y Lucientes)
1816