Храм Дендур будет закрыт с воскресенья, 26 апреля, по пятницу, 8 мая. Метрополитен-музей на Пятой авеню будет закрыт в понедельник, 4 мая.

Спланируйте свой визит
Билеты
Pусский
ПожертвоватьЧленство
Билеты
Мы работаем над переводом этой страницы как можно скорее. Спасибо за понимание.

Search for Art

1-42 of 446 results for Goya
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas
Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas
Don Bernardo de Iriarte (1735–1814)
Goya
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya
María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas
María Luisa of Parma (1751–1819), Queen of Spain
Goya
A City on a Rock, Goya Spanish, Oil on canvas
A City on a Rock
Goya
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799
The Disasters of War
Goya (Francisco de Goya y Lucientes)
1937
An old woman spinning, spindle in her right hand, distaff in her left, Goya (Francisco de Goya y Lucientes) Spanish, Pen lithograph
An old woman spinning, spindle in her right hand, distaff in her left
Goya (Francisco de Goya y Lucientes)
1819
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback, Goya (Francisco de Goya y Lucientes) Spanish, Heliogravure with traces of green watercolor
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
Goya (Francisco de Goya y Lucientes)
ca. 1830–50 (?)
Maja and an officer; folio 22 (verso) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
Maja and an officer; folio 22 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
Portrait of a Young Man, Goya (Francisco de Goya y Lucientes) Spanish, Lithograph
Portrait of a Young Man
Goya (Francisco de Goya y Lucientes)
ca. 1820
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint (proof impression)
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
Goya (Francisco de Goya y Lucientes)
1810
Plate 25 from "La Tauromaquia": They loose dogs on the bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 25 from "La Tauromaquia": They loose dogs on the bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo), Goya (Francisco de Goya y Lucientes) Spanish, Aquatint
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
Goya (Francisco de Goya y Lucientes)
1799
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
Goya (Francisco de Goya y Lucientes)
1799
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
Goya (Francisco de Goya y Lucientes)
1799
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
1799
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible), Goya (Francisco de Goya y Lucientes) Spanish, Aquatint
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Goya (Francisco de Goya y Lucientes)
1799
Plate 66 from "Los Caprichos": There it goes (Allá vá eso), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 66 from "Los Caprichos": There it goes (Allá vá eso)
Goya (Francisco de Goya y Lucientes)
1799
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual) , Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

Goya (Francisco de Goya y Lucientes)
1799