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Showing 447 results for Goya

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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas — Don Bernardo de Iriarte (1735–1814)
Goya

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas — Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya

Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas — Ferdinand VII (1784–1833), When Prince of Asturias
Goya

María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas — María Luisa of Parma (1751–1819), Queen of Spain
Goya

A City on a Rock, Goya Spanish, Oil on canvas — A City on a Rock
Goya

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Narcisa Barañana de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañana de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

The Disasters of War

Goya (Francisco de Goya y Lucientes)

1937

Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)
Goya (Francisco de Goya y Lucientes)
1799

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
Goya (Francisco de Goya y Lucientes)
1799

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa), Goya (Francisco de Goya y Lucientes) Spanish, Etching and burnished aquatint — Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)
Goya (Francisco de Goya y Lucientes)
1799

Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin — Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)
Goya (Francisco de Goya y Lucientes)
1799

Plate 19 from "Los Caprichos": All will fall (Todos Caerán), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 19 from "Los Caprichos": All will fall (Todos Caerán)
Goya (Francisco de Goya y Lucientes)
1799

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)
Goya (Francisco de Goya y Lucientes)
1799

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin — Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
Goya (Francisco de Goya y Lucientes)
1799

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)
Goya (Francisco de Goya y Lucientes)
1799

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint — Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
Goya (Francisco de Goya y Lucientes)
1799

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)
Goya (Francisco de Goya y Lucientes)
1799

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)
Goya (Francisco de Goya y Lucientes)
1799, posthumous impression

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin — Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin — Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished lavis, drypoint, burin — Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin, drypoint, burnisher — Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1863)

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin, burnisher — Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin, burnisher — Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished lavis, drypoint, burin — Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810–20, published 1863