Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

Showing 446 results for Goya

Sort by:

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas — Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas — Don Bernardo de Iriarte (1735–1814)
Goya

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas — Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya

María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas — María Luisa of Parma (1751–1819), Queen of Spain
Goya

A City on a Rock, Goya Spanish, Oil on canvas — A City on a Rock
Goya

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799

The Disasters of War

Goya (Francisco de Goya y Lucientes)

1937

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint — Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
1799

Plate 44 from "Los Caprichos": They spin finely (Hilan delgado), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin — Plate 44 from "Los Caprichos": They spin finely (Hilan delgado)
Goya (Francisco de Goya y Lucientes)
1799

If he is guilty, let him die quickly (Si es deliquente qe, muera presto), Goya (Francisco de Goya y Lucientes) Spanish, Etching — If he is guilty, let him die quickly (Si es deliquente qe, muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (printed around 1859)

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
Goya (Francisco de Goya y Lucientes)
1799

Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
Goya (Francisco de Goya y Lucientes)
1799

Old woman on a swing (Vieja columpiándose), Goya (Francisco de Goya y Lucientes) Spanish, Etching — Old woman on a swing (Vieja columpiándose)
Multiple artists/makers
1824–28 (printed 1972)

Old man on a swing (Viejo columpiándose), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Old man on a swing (Viejo columpiándose)
Multiple artists/makers
1824–28 (printed 1972)

Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)
Goya (Francisco de Goya y Lucientes)
1799

Old woman on a swing, Goya (Francisco de Goya y Lucientes) Spanish, Facsimile — Old woman on a swing
Goya (Francisco de Goya y Lucientes)
n.d.

Plate 1 from "Los Caprichos": Self-portrait, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint and burin — Plate 1 from "Los Caprichos": Self-portrait
Goya (Francisco de Goya y Lucientes)
1799

Isabel of Bourbon, Queen of Spain on horseback, after Veláquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching — Isabel of Bourbon, Queen of Spain on horseback, after Veláquez
Goya (Francisco de Goya y Lucientes)
1778

Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint — Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)
Goya (Francisco de Goya y Lucientes)
1799

Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)
Goya (Francisco de Goya y Lucientes)
1799

Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)
Goya (Francisco de Goya y Lucientes)
1799

Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint — Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
Goya (Francisco de Goya y Lucientes)
1799

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin — Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)
Goya (Francisco de Goya y Lucientes)
1799

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint — Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
Goya (Francisco de Goya y Lucientes)
1799