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1-42 of 20,156 results for Goya (Francisco de Goya y Lucientes)
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Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799
The Disasters of War
Goya (Francisco de Goya y Lucientes)
1937
A False Bacchus Crowning Drunkards, Goya (Francisco de Goya y Lucientes) Spanish, Etching
A False Bacchus Crowning Drunkards
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Isabel de Bourbon on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Isabel de Bourbon on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Philip IV on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Philip IV on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf known as el Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Aesop, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Aesop, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Menippus, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Menippus, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf El Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf El Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Don Baltasar Carlos on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint
Don Baltasar Carlos on horseback, after Velázquez
Multiple artists/makers
1778
Baltasar Carlos on horseback, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint printed in black ink
Baltasar Carlos on horseback
Multiple artists/makers
1778
Margaret of Austria on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Margaret of Austria on horseback, after Velázquez
Multiple artists/makers
1778
Philip III, King of Spain on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Philip III, King of Spain on horseback, after Velázquez
Multiple artists/makers
1778
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series, Goya (Francisco de Goya y Lucientes) Spanish, Offset lithograph, letterpress
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
Goya (Francisco de Goya y Lucientes)
Real Academia de Nobles Artes de San Fernando
1863
An old woman spinning, spindle in her right hand, distaff in her left, Goya (Francisco de Goya y Lucientes) Spanish, Pen lithograph
An old woman spinning, spindle in her right hand, distaff in her left
Goya (Francisco de Goya y Lucientes)
1819
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback, Goya (Francisco de Goya y Lucientes) Spanish, Heliogravure with traces of green watercolor
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
Goya (Francisco de Goya y Lucientes)
ca. 1830–50 (?)
Maja and an officer; folio 22 (verso) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
Maja and an officer; folio 22 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
Portrait of a Young Man, Goya (Francisco de Goya y Lucientes) Spanish, Lithograph
Portrait of a Young Man
Goya (Francisco de Goya y Lucientes)
ca. 1820
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint (proof impression)
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
Goya (Francisco de Goya y Lucientes)
1810
Plate 25 from "La Tauromaquia": They loose dogs on the bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 25 from "La Tauromaquia": They loose dogs on the bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo), Goya (Francisco de Goya y Lucientes) Spanish, Aquatint
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
Goya (Francisco de Goya y Lucientes)
1799