Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Gregorio de' Ferrari

Sort by:

Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper — Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726

Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso) — Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90

Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso) — Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726

Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk — Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726

Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper — Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726

The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash — The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726

Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite — Susanna and the Elders
Gregorio de' Ferrari
1647–1726

Pair of mirrored double doors, Lorenzo de Ferrari, Lindenwood, carved and gilded; mirrored glass panels, walnut, pine, Italian, Genoa — Pair of mirrored double doors
Lorenzo de Ferrari
ca. 1743–44

Brother Gregorio Belo of Vicenza, Lorenzo Lotto Italian, Oil on canvas — Brother Gregorio Belo of Vicenza
Lorenzo Lotto
1547

Enthroned Virgin, Goro di Gregorio Italian, Terracotta, Italian — Enthroned Virgin
Goro di Gregorio
first half 14th century

Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari Italian, Pen and ink in two shades of brown, over black chalk. — Madonna and Child with Saints Martin and Maurice (?)
Gaudenzio Ferrari
ca. 1530

God the Father, Gregorio Fernández Spanish, Wood, painted and gilt over gesso, Spanish — God the Father
Gregorio Fernández
16th–17th century

Saints John the Evangelist and Lawrence, Defendente Ferrari Italian, Oil on wood — Saints John the Evangelist and Lawrence
Defendente Ferrari

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres French, Oil on canvas — Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres
1851–53

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas — Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650

Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux, Jean de Liège Franco-Netherlandish, Marble with lead inlays, French — Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux
Jean de Liège
ca. 1381

Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving — Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646

CAYC : [gacetilla], Centro de Arte y Comunicación — CAYC : [gacetilla]
Centro de Arte y Comunicación
November 3rd, 1974

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

De Florum Cultura, Giovanni Battista Ferrari Italian, Engraving, woodcut — De Florum Cultura
Multiple artists/makers
1633

The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers Franco-Netherlandish, Tempera, gold, and ink on vellum, French — The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers
1405–1408/1409

Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz Mexican, Oil on canvas, New Spain (present-day Mexico) — Portrait of Sor Juana de Nuestra Señora de Guadalupe
Domingo Ortiz
1797

Honoré de Balzac, Auguste Rodin French, Terracotta, French — Honoré de Balzac
Auguste Rodin
1891

Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink — Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44

Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso), Lorenzo de' Ferrari Italian, Brush and brown wash, over black chalk (recto); faint study of a lunette and spandrel, in black chalk (verso) — Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso)
Lorenzo de' Ferrari
1680–1744

Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)
Lorenzo de' Ferrari
1680–1744

Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso) — Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)
Lorenzo de' Ferrari
1680–1744

The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso) — The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744

Left Half of a Wall Decoration for a Chapel, Francesco Ferrari Italian, Pen, brown ink and wash with touches of blue and green wash, over black chalk — Left Half of a Wall Decoration for a Chapel
Francesco Ferrari
ca. 1690

The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso)

Gregorio Pagani

1592

Draped Male Figure Standing in a Niche, Gregorio Lazzarini Italian, Pen and brown ink, brush with brown and gray wash, on light brown washed paper — Draped Male Figure Standing in a Niche
Gregorio Lazzarini
1655–1730

Mary, Queen of Scots (from "Teatro Belgico, overo ritratti historici, chronologici, politici, e geografici, délie sette provincie unité," volume I, page 412), Gregorio Leti Italian, Engraving — Mary, Queen of Scots (from "Teatro Belgico, overo ritratti historici, chronologici, politici, e geografici, délie sette provincie unité," volume I, page 412)
Gregorio Leti
Mary, Queen of Scots
1690

Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso), Gregorio Pagani Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on blue paper (recto); black chalk (verso); squared in black chalk — Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso)
Gregorio Pagani
1590–92

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec French, Oil on cardboard — The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge
Henri de Toulouse-Lautrec
1892

Circus Sideshow (Parade de cirque), Georges Seurat French, Oil on canvas — Circus Sideshow (Parade de cirque)
Georges Seurat
1887–88

Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas — Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67

L'art de composer et de peindre l'éventail, l'écran, le paravent : ouvrage orné de 16 aquarelles et 112 dessins de l'auteur, Gustave Fraipont French — L'art de composer et de peindre l'éventail, l'écran, le paravent : ouvrage orné de 16 aquarelles et 112 dessins de l'auteur
Gustave Fraipont
Henri Laurens
1893

Histoire secrette de Neron, ov, Le festin de Trimalcion, traduit de Petrone, avec des notes historiques par M. Lavaur ..., M. (Guillaume de) Lavaur French — Histoire secrette de Neron, ov, Le festin de Trimalcion, traduit de Petrone, avec des notes historiques par M. Lavaur ...
M. (Guillaume de) Lavaur
Petronius Arbiter
1726

Saint James the Greater, Gil de Siloe Spanish, Alabaster with paint and gilding, Spanish — Saint James the Greater
Gil de Siloe
1489–93