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Showing 80 results for Gregorius Gunesch
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Tankard, Gregorius Gunesch, Gilded silver, Hungarian, Nagyszeben
Tankard
Gregorius Gunesch
late 16th century
Margarita Philosophica, Urs Graf Swiss, Woodcut
Margarita Philosophica
Multiple artists/makers
16 March 1504 or 17 April 1504
Fasciculo di medicina, Johannes de Ketham German, Woodcut
Fasciculo di medicina
Multiple artists/makers
February 5, 1493 [modern style, 1494]
Historiae
Multiple artists/makers
March 8, 1494
Queer power! : a time travelling coloring book, Chitra Ganesh American
Queer power! : a time travelling coloring book
Chitra Ganesh
2021
Enthroned Virgin, Goro di Gregorio Italian, Terracotta, Italian
Enthroned Virgin
Goro di Gregorio
first half 14th century
Untitled, Ganesh Haloi Indian, Oil paint on paper mounted to paper board
Untitled
Ganesh Haloi
ca. 1995
Untitled, Ganesh Haloi Indian, Oil paint on paper
Untitled
Ganesh Haloi
ca. 1995
Clock-watch, Jeremie Gregorie British, Silver, British, London
Clock-watch
Jeremie Gregorie
ca. 1670
God the Father, Gregorio Fernández Spanish, Wood, painted and gilt over gesso, Spanish
God the Father
Gregorio Fernández
16th–17th century
Mandora, Gregori Ferdinand Wenger German, Maple, spruce, ebony, German
Mandora
Gregori Ferdinand Wenger
1726
Section of the procession with a figure holding a banner with the Lamb of God, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section of the procession with Saint Christopher at center, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section of the procession with Christ riding on a triumphal chariot at left, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section with an angel holding a cross at upper right and with Adam and Eve leading the procession, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
Section of the procession with a female figures holding banners, from "The Triumph of Christ"
Titian (Tiziano Vecellio)
Gregorio de Gregoriis
1517
The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso), Gregorio Pagani Italian, Black chalk (recto); black chalk, pen and brown ink (verso)
The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso)
Gregorio Pagani
1592
Draped Male Figure Standing in a Niche, Gregorio Lazzarini Italian, Pen and brown ink, brush with brown and gray wash, on light brown washed paper
Draped Male Figure Standing in a Niche
Gregorio Lazzarini
1655–1730
Mary, Queen of Scots (from "Teatro Belgico, overo ritratti historici, chronologici, politici, e geografici, délie sette provincie unité," volume I, page 412), Gregorio Leti Italian, Engraving
Mary, Queen of Scots (from "Teatro Belgico, overo ritratti historici, chronologici, politici, e geografici, délie sette provincie unité," volume I, page 412)
Gregorio Leti
Mary, Queen of Scots
1690
Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso), Gregorio Pagani Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on blue paper (recto); black chalk (verso); squared in black chalk
Holy Family with the Infant St. John the Baptist (recto); large-scale cropped sketches of draperies and legs (verso)
Gregorio Pagani
1590–92
Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving; first state of two
Self-portrait in a Turkish Outfit
Multiple artists/makers
18th century
Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving
Self-portrait in a Turkish Outfit
Multiple artists/makers
18th century
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop, Carlo Gregori Italian, Etching
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop
Carlo Gregori
Giovanni Domenico Campiglia
1740–59
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Etching and engraving
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Giovanni Domenico Campiglia
1734
Epistole eroiche di P. Ovidio Nasone, Ovid Roman
Epistole eroiche di P. Ovidio Nasone
Multiple artists/makers
1762
Design for an Overdoor Decoration (recto); Rinceaux (verso), Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari
ca. 1670–90
Achilles and the Daughters of Lycomedes, Gregorio de' Ferrari Italian, Pen and brown ink, highlighted with white, over black chalk, on brownish paper
Achilles and the Daughters of Lycomedes
Gregorio de' Ferrari
1647–1726
The Ascension of the Virgin, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown and gray wash
The Ascension of the Virgin
Gregorio de' Ferrari
1667–1726
Susanna and the Elders, Gregorio de' Ferrari Italian, Pen and brown ink, over traces of black chalk or graphite
Susanna and the Elders
Gregorio de' Ferrari
1647–1726
Ceiling Design with the Presentation in the Temple, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper
Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari
1647–1726
Study for Emperor Heraclius Carrying the Cross into Jerusalem, Gregorio de' Ferrari Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for Emperor Heraclius Carrying the Cross into Jerusalem
Gregorio de' Ferrari
1647–1726
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso), Gregorio de' Ferrari Italian, Brush and white gouache over black chalk on gray prepared paper (recto and verso)
Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)
Gregorio de' Ferrari
1647–1726
Il paradiso cantica per la solenne professione fra le monache scalze in Bologna di Suor Beatrice Teresa del Crocefisso...
Gregorio Malisardi
Eredi di Sarti
1698
Elevated Bridge, Rodingsmärkt, from "Hamburger Brückern" (Hamburg Bridges)
Rolf Nesch
1932
Christ appearing to Mary Magdalene, two angels at the right
Multiple artists/makers
1741–43
The tears or repentence of St Peter, the cross on which Christ will be crucified being carried in the background
Multiple artists/makers
1757