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Showing 7,688 results for Innocenzo Martini

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Madonna and Child, Simone Martini Italian, Tempera on wood, gold ground — Madonna and Child
Simone Martini
ca. 1326

Hercules leading Cerebus out of Hades, Hercules at center holding a wooden club and wearing lion's skin, two young boys with a shield at left with various soldiers behind them

Matthaeus Greuter

Innocenzo Martini

ca. 1620–25

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

Saint Andrew, Simone Martini Italian, Tempera on wood, gold ground — Saint Andrew
Simone Martini
ca. 1326

Alberto Martini, trentuna fantasie bizzarre e crudeli preceduto dalla diabolica imagine di Niccolò Paganini e dall'autoritratto dell'uomo palladio

Alberto Martini

Officine Grafiche Ricordi

1924

Saint Ansanus, Simone Martini Italian, Tempera on wood, gold ground — Saint Ansanus
Simone Martini
ca. 1326

The Glorification of Saint Anthony Abbot, Carlo Innocenzo Carloni Italian, Oil on canvas — The Glorification of Saint Anthony Abbot
Carlo Innocenzo Carloni

Saint John the Baptist, Innocenzo da Imola (Innocenzo Francucci), Black and white chalk — Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
Giuliano di Piero di Simone Bugiardini
early 16th century

Design for a Wall Monument, Francesco di Giorgio Martini Italian, Pen and brown ink, brush and brown wash, blue gouache, on vellum — Design for a Wall Monument
Francesco di Giorgio Martini
ca. 1490

The Nativity, Francesco di Giorgio Martini Italian, Tempera on wood — The Nativity
Francesco di Giorgio Martini

Saint Andrew, Simone Martini Italian, Tempera on wood, gold ground — Saint Andrew
Simone Martini
ca. 1317–19

Saint Bartholomew, Simone Martini Italian, Tempera on wood, gold ground — Saint Bartholomew
Simone Martini
ca. 1317–19

Saint Matthias, Simone Martini Italian, Tempera on wood, gold ground — Saint Matthias
Simone Martini
ca. 1317–19

Saint Thomas, Simone Martini Italian, Tempera on wood, gold ground — Saint Thomas
Simone Martini
ca. 1317–19

Seascape, Joseph De Martini American, Opaque watercolor on board — Seascape
Joseph De Martini
ca. 1938–39

Docks on Sunday, Joseph De Martini American, Oil on canvas — Docks on Sunday
Joseph De Martini
ca. 1941

"Ambassador" Champagne or Martini Glass, Oswald Haerdtl Austrian, Glass — "Ambassador" Champagne or Martini Glass
Oswald Haerdtl
Karlsbader Kristallglasfabriken A. G. Ludwig Moser & Söhn und Meyer’s Neffe
ca. 1925

"Ambassador" Champagne or Martini Glass, Oswald Haerdtl Austrian, Glass — "Ambassador" Champagne or Martini Glass
Oswald Haerdtl
Karlsbader Kristallglasfabriken A. G. Ludwig Moser & Söhn und Meyer’s Neffe
ca. 1925

The Man of Sorrows with Two Angels, Francesco di Giorgio Martini Italian, Tempera on wood — The Man of Sorrows with Two Angels
Francesco di Giorgio Martini
ca. 1470

Goddess of Chaste Love, Francesco di Giorgio Martini Italian, Tempera and gold on wood — Goddess of Chaste Love
Francesco di Giorgio Martini
1468–75

Saint Bernardino Preaching from a Pulpit, Francesco di Giorgio Martini Italian, Tempera on parchment — Saint Bernardino Preaching from a Pulpit
Francesco di Giorgio Martini
ca. 1470–75

St. William of Aquitaine in armor bearing a standard in his right hand and resting his left hand on a shield, a landscape beyond, Martinus Martini Swiss, Etching — St. William of Aquitaine in armor bearing a standard in his right hand and resting his left hand on a shield, a landscape beyond
Martinus Martini
Melchior Meier
ca. 1581–1610

View of the Salon of 1785, Pietro Antonio Martini Italian, Etching — View of the Salon of 1785
Pietro Antonio Martini
1785

Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of red chalk — Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top
Flaminio Innocenzo Minozzi
1735–1817

Architectural Design for a Ceiling with a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown wash, gray and blue wash over leadpoint — Architectural Design for a Ceiling with a Dome
Flaminio Innocenzo Minozzi
1755–1817

Design of a Perspective projection for an Urn, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown and gray wash over traces of black and red chalk — Design of a Perspective projection for an Urn
Flaminio Innocenzo Minozzi
n.d.

The Decapitation of a Male Saint, Carlo Innocenzo Carloni Italian, Brush and red wash, over red chalk — The Decapitation of a Male Saint
Carlo Innocenzo Carloni
1686–1775

Saint Lucy in Glory, Carlo Innocenzo Carloni Italian, Brush and red and brown wash, over red chalk — Saint Lucy in Glory
Carlo Innocenzo Carloni
1686–1775

Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, yellow, and rose wash, with a vertical line in leadpoint (in half part of the drawing) through the center to create the symmetry — Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome
Flaminio Innocenzo Minozzi
1755–1817

Designs for an Altar in a Niche, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, purple-gray and green wash, over leadpoint; vertical line in leadpoint and pen and brown ink through the center of the drawing to create the symmetry — Designs for an Altar in a Niche
Flaminio Innocenzo Minozzi
1755–1817

Design for a Trompe L'Oeil Ceiling, Flaminio Innocenzo Minozzi Italian, Pen and brown ink, brush and brown, gray, rose, green and blue wash, over traces of black chalk or leadpoint — Design for a Trompe L'Oeil Ceiling
Flaminio Innocenzo Minozzi
ca. 1750–60

Description of a Plan with Three Figures and Divan Below, Flaminio Innocenzo Minozzi Italian, Pen and brown and gray ink, brush and gray wash — Description of a Plan with Three Figures and Divan Below
Flaminio Innocenzo Minozzi
18th century

Saint Charles giving communion to the plague-stricken, Carlo Innocenzo Carloni Italian, Etching; second state of two — Saint Charles giving communion to the plague-stricken
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75

Power, represented by a woman seated on clouds holding a crown and surrounded by putti, Carlo Innocenzo Carloni Italian, Etching; first state of two — Power, represented by a woman seated on clouds holding a crown and surrounded by putti
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75

Academic Study, seen from the back, Carlo Innocenzo Carloni Italian, Etching — Academic Study, seen from the back
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75

Wealth, represented by a woman seated on clouds and surrounded by putti, one of whom is pouring coins, Carlo Innocenzo Carloni Italian, Etching; first state of two — Wealth, represented by a woman seated on clouds and surrounded by putti, one of whom is pouring coins
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75

Putti holding flowers, Carlo Innocenzo Carloni Italian, Etching; first state of two — Putti holding flowers
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75

The Annunciation to Saint Joseph, Carlo Innocenzo Carloni Italian, Etching; second state of two — The Annunciation to Saint Joseph
Carlo Innocenzo Carloni
Johann Daniel Herz the Elder
1725–75

Termosiris Teaching Telemachus to Follow the Example of Apollo, Pietro Antonio Martini Italian, Etching and Engraving — Termosiris Teaching Telemachus to Follow the Example of Apollo
Multiple artists/makers

The Morning Toilet (La Petite Toilette), from "Le Monument du Costume", Pietro Antonio Martini Italian, Etching and engraving — The Morning Toilet (La Petite Toilette), from "Le Monument du Costume"
Pietro Antonio Martini
Jean Michel Moreau le Jeune
1745–97