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Showing 7,446 results for Islamic Manuscripts
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"Men Treading Grapes", Folio from a Materia Medica of Dioscorides, Ink, opaque watercolor, and gold on paper
dated 621 AH/1224 CE
Folio with Marbled Decoration, Ink and pigments on marbled paper
19th century
Decorated Folio with Kufic Inscription, Ink, opaque watercolor, and gold on paper
18th–19th century
Stenciled Folio, Gold and opaque watercolor on stenciled paper
16th–18th century
Decorated Folio, Ink, opaque watercolor, and gold on paper
18th century
Decorated Folio, Ink, gold, and watercolor on paper
16th–17th century
Folio from a Qur'an Manuscript, Ink, gold, and watercolor on paper
dated 531 AH/1137 CE
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
Black Stork in a Landscape, Opaque watercolor on European paper
ca. 1780
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on parchment
late 13th–early 14th century
"Jonah and the Whale", Folio Probably from a Jami al-Tavarikh (Compendium of Chronicles), Ink, opaque watercolor, gold, and silver on paper
ca. 1400
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on paper
ca. 1180
Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, `Abd al-Rahman al-Sufi  Iranian, Ink and gold on paper; leather binding
`Abd al-Rahman al-Sufi
late 15th century
Qur'an, Ink and opaque watercolor on paper; embossed leather cover
19th century
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Diaries of Samuel P. Avery, Samuel Putnam Avery Sr.  American, Bound manuscript
Samuel Putnam Avery Sr.
1871–82
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
ca. 1595
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi  Iranian, Ink, opaque watercolor, and gold on paper
Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE
"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl, Ink, opaque watercolor, and gold on paper
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
931 AH/1524–25 CE
Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede  Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold
Shaikh Hamdullah ibn Mustafa Dede
ca. 1500
Folio from the "Tashkent Qur'an", Ink on parchment
late 8th–early 9th century
Qur'an Juz II, Ink, gold, and opaque watercolor on paper with leather binding
17th–18th century
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Hatifi
Suzi
dated 904 AH/1498–99 CE
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
Talismanic Scroll, Ink on paper; block-printed
11th century
Botanical Study of Indian Mulberry (Morinda citrifolia), Opaque watercolor on paper
late 18th century
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on parchment
ca. 1250–1300
Nan va Halva (Breads and Sweets), Muhammad Baha' al-Din al-'Amili  Iranian, born Syria, Ink, opaque watercolor, and gold on paper<br/>Binding: leather
Muhammad Baha' al-Din al-'Amili
ca. 1690
Book of Prayers, Surat al-Yasin and Surat al-Fath, Ahmad Nairizi  Iranian, Ink, opaque watercolor, and gold on paper<br/>Binding: lacquer
Ahmad Nairizi
Muhammad Hadi
dated 1132 AH/1719–20 CE
"Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan  Indian, Translucent and opaque watercolor, ink, and gold on paper
Muhammad Rafi Khan
ca. 1820
"Muhammad and His Followers Going to Battle," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan  Indian, Translucent and opaque watercolor, ink, and gold on paper
Muhammad Rafi Khan
ca. 1820
"The Elephant Clock", Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, Farrukh ibn `Abd al-Latif, Ink, opaque watercolor, and gold on paper
Farrukh ibn `Abd al-Latif
Badi' al-Zaman ibn al-Razzaz al-Jazari
dated 715 AH/1315 CE
The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers  Franco-Netherlandish, Tempera, gold, and ink on vellum, French
The Limbourg Brothers
1405–1408/1409
Folio from a Qur'an Manuscript, Ink on parchment
probably 9th century
Folio from a Qur'an Manuscript, Ink on parchment
probably 9th century
"Fairies Descend to the Chamber of Prince Manohar", Folio from a Gulshan-i 'Ishq (Rose Garden of Love), Ink, opaque watercolor, gold, and silver on paper
ca. 1700