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More than 10,000 results for Italian, Mantua
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Paris, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524
Emperor Antoninus Pius, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially oil-gilt, silver inlay, on serpentinite socle, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
1519–24
Satyr, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520
Spinario (boy pulling a thorn from his foot), Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially gilt (hair) and silvered (eyes), Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled: 1496, cast: ca. 1501
Mars, Venus and Cupid with Vulcan at his forge (the Mantuan Roundel), Gian Marco Cavalli  Italian, Parcel-gilt bronze with silver inlay, integrally cast gilt frame with suspension loop., Italian, Mantua
Gian Marco Cavalli
ca. 1500
Satyr and Bacchante, Bronze, Italian, Mantua
Italian, Mantua
late 15th century
Torah ark curtain, Cotton embroidery appliquéd on satin ground, reticella needle lace and milanese bobbin lace, Italian, Mantua
Italian, Mantua
1686, with other seventeenth-century elements, assembled ca. 1725
Federigo I Gonzaga, third marquess of Mantua, Bartolo Talpa  Italian, Bronze, Italian, Mantua
Bartolo Talpa
1400–1499
Pope Paul II, Cristoforo di Geremia  Italian, Bronze, Italian, Mantua
Cristoforo di Geremia
Curb Bit, Iron, tin, gold, silver, copper alloy, Italian, Mantua or Milan
Italian, Mantua or Milan
ca. 1550
Portrait of a youthful patrician, Gian Cristoforo Romano  Italian, Marble; frame: gilded wood with touches of polychrome, Northern Italian, Mantua
Gian Cristoforo Romano
ca. 1500–1510
Italian, Mantua
18th century
Standing boy, Andrea Mantegna  Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Andrea Mantegna
Andrea del Verrocchio
late 15th–early 16th century
Andromeda and the Sea Monster, Domenico Guidi  Italian, Marble, Italian, Rome
Domenico Guidi
Francesco II, Duke of Mantua and Reggio
1694
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
French
1499–1514
Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio
Italian
ca. 1530
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass.  Blown, enameled, gilt., Italian (Venice)
Italian
ca. 1500–1525
Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena
Italian, Siena
ca. 1490–1500
Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris)
Multiple artists/makers
second half 16th century and second half 19th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Italian (Tuscan)
ca. 1500–1550
Sallet in the Shape of a Lion's Head, Steel, copper, gold, glass, pigment, textile, Italian
Italian
ca. 1475–80
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
The Adoration of the Shepherds, Bartolo di Fredi  Italian, Tempera on poplar, gold ground, Italian
Bartolo di Fredi
1374
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano  Italian, Marble, Italian
Giovanni Pisano
ca. 1301, with later additions
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Rebecchino, Boxwood, rosewood, ebony, Italian
Italian
ca. 1420
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Giacomo (Jacob) Ertel
late 17th century
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Matteo Sellas
ca. 1630–50
Archlute, David Tecchler  Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian
David Tecchler
ca. 1725
Bassoon, Giosue Esposito  Naples, Maple, nickel-silver, Italian
Giosue Esposito
1881
Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian
Italian
ca. 1800
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
del Tasso
ca. 1530
Portal from the Church of San Leonardo al Frigido, Biduinus  Italian, Marble (Carrara marble), Italian
Biduinus
ca. 1175
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled  gold and diamonds.
Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95
Cassetta frame, Italian , Veneto, Poplar, Italian, Veneto
Italian
16th century
Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian
Italian
early 16th century
Canaletto Frame, Italian , Venice, Pine, Italian, Venice
Italian
early 18th century
Reverse Canaletto frame, Italian , Veneto, Carved and silver-gilt pine, silver, Italian, Veneto
Italian
ca. 1730
Cassetta Frame, Italian , Veneto, Pine, Italian, Veneto
Italian
mid-16th century