Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 148 results for Ja'far Baisunghuri

Sort by:

Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper — Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja
Ja'far Baisunghuri
Nizami
dated 835 AH/1431–32 CE

Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper — Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja
Ja'far Baisunghuri
Nizami
835 AH/1431–32 CE

"Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja, Ja'far Baisunghuri Iranian, Ink, opaque watercolor, and gold on paper — "Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja
Ja'far Baisunghuri
Nizami
835 AH/1431–32 CE

Laila and Majnun from a Khamsa (Quintet) of Nizami of Ganja

Ja'far Baisunghuri

Nizami

dated 835 AH/1431–32 CE

Tiraz Textile Fragment, Linen; plain weave, embroidered in silk — Tiraz Textile Fragment
dated 320 AH/932–33 CE

Tile from an Inscriptional Frieze, Stonepaste; modeled, inglaze painted in blue, luster-painted on opaque white glaze — Tile from an Inscriptional Frieze
dated 734 AH/1334 CE

"Muhammad Revives the Sick Boy", Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq, Ink, opaque watercolor, and gold on paper — "Muhammad Revives the Sick Boy", Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq
1550s

"Coffin of Imam 'Ali", Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq, Ink, opaque watercolor, and gold on paper — "Coffin of Imam 'Ali", Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq
mid-1550s–early 1560s

Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper; lacquer binding — Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Nizami
Maulana Azhar
ca. 1430

Tile from a Frieze, Stonepaste; molded, luster-painted, and glazed — Tile from a Frieze
dated 734 AH/1334 CE

Two Reverse Glass Paintings: Abdallah and al-Yamina on a Horse; Two Horsemen, Painted on glass — Two Reverse Glass Paintings: Abdallah and al-Yamina on a Horse; Two Horsemen
possibly 1950s–60s

Jaguar, Anna Hyatt Huntington American, Bronze, American — Jaguar
Anna Hyatt Huntington
John Williams
1906–7; cast 1926

Snarling Jaguar, Arthur Putnam American, Bronze, American — Snarling Jaguar
Arthur Putnam
Putnam and Storey
1906, cast 1909

A Jaguar, Edward Kemeys American, Bronze, American — A Jaguar
Edward Kemeys
1885

Reaching Jaguar, Anna Hyatt Huntington American, Bronze, American — Reaching Jaguar
Anna Hyatt Huntington
John Williams
1906–7; cast 1926

Jaguar Pendant, Gold, Chiriquí — Jaguar Pendant
Chiriquí
11th–16th century

Love Is The Message, The Message Is Death, Arthur Jafa American, Single-channel digital video, color, sound, 7 min., 25 sec. — Love Is The Message, The Message Is Death
Arthur Jafa
2016

Necklace with jaguar teeth-shaped beads, Mixtec (Ñuu Savi) artist(s), Gold, Mixtec (Ñudzavui) — Necklace with jaguar teeth-shaped beads
Mixtec (Ñuu Savi) artist(s)
1325–1521 CE

Portrait of Jafar Khan, Ink, opaque watercolor, and gold on paper — Portrait of Jafar Khan
17th century

Blues: 1:00 A.M., Maryam Zafar American, Pastel and colored pencil on paper — Blues: 1:00 A.M.
Maryam Zafar
1980

Quartet I, Maryam Zafar American, Pastel, graphite and cut and pasted Japanese papers on paper — Quartet I
Maryam Zafar
1979

Jaguar Pendant, Gold, Veraguas — Jaguar Pendant
Veraguas
11th–16th century

Jaguar Sleeping, Antoine-Louis Barye French, Bronze, brown patina, French — Jaguar Sleeping
Antoine-Louis Barye
modeled late 1830s, cast probably before 1847

Jaguar Bell, Gold, Chiriqui — Jaguar Bell
Chiriqui
11th–16th century

Miniature jaguar pendant, Gold (cast), Costa Rica or Panama — Miniature jaguar pendant
Costa Rica or Panama
11th–16th century

Panorama de Jaffa, Félix Bonfils French, Albumen silver print — Panorama de Jaffa
Félix Bonfils
ca. 1880

Bowl Resting on Jaguar, Ceramic, pigment, Costa Rica — Bowl Resting on Jaguar
Costa Rica
5th–16th century

A Jaguar Devouring a Deer, Antoine-Louis Barye French, transfer watercolor on heavy wove paper — A Jaguar Devouring a Deer
Antoine-Louis Barye
after 1840

Vessel with mythological scene, Metropolitan Painter, Ceramic, slip, Maya — Vessel with mythological scene
Metropolitan Painter
600–800 CE

Tripod Vessel with Jaguar Head Feet, Ceramic, Costa Rica — Tripod Vessel with Jaguar Head Feet
Costa Rica
9th–15th century

Intérieur de la Porte de Jaffa, Félix Bonfils French, Albumen silver print — Intérieur de la Porte de Jaffa
Félix Bonfils
ca. 1870

"Bahram Gur on the Chase", Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Bahram Gur on the Chase", Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Nizami
Maulana Azhar
ca. 1430

Jérusalem, Porte de Jaffa, Intérieur, Auguste Salzmann French, Salted paper print from paper negative — Jérusalem, Porte de Jaffa, Intérieur
Auguste Salzmann
Imprimerie photographique de Blanquart-Évrard, à Lille
1854

Jérusalem, Porte de Jaffa, Inscription, Auguste Salzmann French, Salted paper print from paper negative — Jérusalem, Porte de Jaffa, Inscription
Auguste Salzmann
Imprimerie photographique de Blanquart-Évrard, à Lille
1854

Capital, near the Jaffa Gate, Jerusalem (184. Jerusalem, près de la porte de Jaffa. chap.), Joseph-Philibert Girault de Prangey French, Daguerreotype — Capital, near the Jaffa Gate, Jerusalem (184. Jerusalem, près de la porte de Jaffa. chap.)
Joseph-Philibert Girault de Prangey
1844

[Walls of Jaffa near the Jerusalem Gate], Louis Vignes French, Salted paper print from a paper negative — [Walls of Jaffa near the Jerusalem Gate]
Louis Vignes
1860

Jérusalem, Porte de Jaffa, Vue extérieure, Auguste Salzmann French, Salted paper print from paper negative — Jérusalem, Porte de Jaffa, Vue extérieure
Auguste Salzmann
Imprimerie photographique de Blanquart-Évrard, à Lille
1854

Jérusalem, Porte de Jaffa, Vue générale, Auguste Salzmann French, Salted paper print from paper negative — Jérusalem, Porte de Jaffa, Vue générale
Auguste Salzmann
Imprimerie photographique de Blanquart-Évrard, à Lille
1854

Relief with enthroned ruler, Chakalte' Guatemalan or Mexican, Limestone, paint, Maya — Relief with enthroned ruler
Chakalte'
770 CE

Crutch Dagger (Zafar Takieh, "Cushion of Victory"), Ivory, steel, Hilt, South Indian; blade, European — Crutch Dagger (Zafar Takieh, "Cushion of Victory")
Hilt, South Indian; blade, European
17th–18th century