Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,826 results for Jacopo Confortini

Sort by:

Figure of a Cleric in Half-Length, Jacopo Confortini Italian, Red and black chalk, on gray-beige paper — Figure of a Cleric in Half-Length
Jacopo Confortini
1600–1699

Alternate Study for the Head of a Youth (Formerly a Pentimento Pasted to 1975.131.21)., Jacopo Confortini Italian, Red and black chalk on light brown paper — Alternate Study for the Head of a Youth (Formerly a Pentimento Pasted to 1975.131.21).
Jacopo Confortini
1600–1699

Deacon Saint (Stephen or Lawrence), Jacopo Confortini Italian, Red and black chalk — Deacon Saint (Stephen or Lawrence)
Jacopo Confortini
ca. 1640–50

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577

The Finding of Moses, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti)
1560s?

The Miracle of the Loaves and Fishes, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti)
ca. 1545–50

Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti)
1550s

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

Paris, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua — Paris
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524

Flora and Zephyr, Jacopo Amigoni Italian, Oil on canvas — Flora and Zephyr
Jacopo Amigoni
1730s

Bona Sforza (1493–1557), Queen of Poland, Giovanni Jacopo Caraglio Italian, Sardonyx, with inlaid gold and silver details; mounted in 19th century frame as a pendant in gold, with enamel, pearl and ruby, Polish, Krakow cameo with French frame — Bona Sforza (1493–1557), Queen of Poland
Giovanni Jacopo Caraglio
cameo ca. 1530–40, frame 19th century

Six Angels, Jacopo di Cione Italian, Tempera on wood, gold ground — Six Angels
Jacopo di Cione
ca. 1365

Scenes from the Story of the Argonauts, Jacopo di Arcangelo (called Jacopo del Sellaio) Italian, Tempera on wood, gilt ornaments — Scenes from the Story of the Argonauts
Jacopo di Arcangelo (called Jacopo del Sellaio)
ca. 1465

The Virgin Adoring the Child with the Infant Saint John the Baptist, Jacopo di Arcangelo (called Jacopo del Sellaio) Italian, Tempera and gold on wood — The Virgin Adoring the Child with the Infant Saint John the Baptist
Jacopo di Arcangelo (called Jacopo del Sellaio)
late 1480s

Door knocker, Jacopo Sansovino (Jacopo Tatti) Italian, Bronze, British, after Italian original — Door knocker
Jacopo Sansovino (Jacopo Tatti)
19th century, after 16th century original

Door ornament, Jacopo Sansovino (Jacopo Tatti) Italian, Bronze, British, after Italian original — Door ornament
Jacopo Sansovino (Jacopo Tatti)
19th century, after 16th century original

Madonna and Child with St. John, Jacopo Sansovino (Jacopo Tatti) Italian, Bronze, dark brown patina, Italian, Venice — Madonna and Child with St. John
Jacopo Sansovino (Jacopo Tatti)
mid-16th century

Reclining Male Figure, Jacopo Tintoretto (Jacopo Robusti) Italian, Black chalk on blue paper; squared in black chalk. — Reclining Male Figure
Jacopo Tintoretto (Jacopo Robusti)
1560s

Pieta, Jacopo Sansovino (Jacopo Tatti) Italian, Silvered copper alloy. — Pieta
Jacopo Sansovino (Jacopo Tatti)
model second quarter of the 16th century (19th century silvering)

Assumption of the Virgin, Jacopo Sansovino (Jacopo Tatti) , Venice(?) Italian, Copper alloy with a warm light brown patina under a dark brown lacquer or wax. — Assumption of the Virgin
Jacopo Sansovino (Jacopo Tatti)
ca. 1560

Bishop (Saint Augustine?), Jacopo Sansovino (Jacopo Tatti) Italian, Bronze, Italian, possibly Florence — Bishop (Saint Augustine?)
Jacopo Sansovino (Jacopo Tatti)
1550–1600

Bishop (Saint Ambrose?), Jacopo Sansovino (Jacopo Tatti) Italian, Bronze, Italian, possibly Florence — Bishop (Saint Ambrose?)
Jacopo Sansovino (Jacopo Tatti)
1550–1600

The Institution of the Rosary, Jacopo Sansovino (Jacopo Tatti) Italian, Silver, Italian, Venice — The Institution of the Rosary
Jacopo Sansovino (Jacopo Tatti)
16th century

Coronation of the Virgin, Jacopo Sansovino (Jacopo Tatti) Italian, Bronze, Northern Italian — Coronation of the Virgin
Jacopo Sansovino (Jacopo Tatti)
1500–1599

Pluto, Giovanni Battista di Jacopo Italian, Bronze, probably French — Pluto
Giovanni Battista di Jacopo
mid-17th century

Pluto and Cerberus, Giovanni Battista di Jacopo Italian, Bronze, French — Pluto and Cerberus
Giovanni Battista di Jacopo
early 17th century

The Crucifixion, Jacopo Palma the Younger Italian, Oil on canvas — The Crucifixion
Jacopo Palma the Younger

Portrait of a Lady, Jacopo Amigoni Italian, Black, white, and red chalk, with pastel on brownish paper — Portrait of a Lady
Jacopo Amigoni
1729–39

The Arrival in Venice, from Alexandria, of the Relics of Saint John the Alsgiver in 1247, Jacopo Marieschi Venetian, Pen and brown ink, gray wash, with pencil underdrawing — The Arrival in Venice, from Alexandria, of the Relics of Saint John the Alsgiver in 1247
Jacopo Marieschi
ca. 1743

Allegory of Avarice, Jacopo Ligozzi Italian, Oil on canvas — Allegory of Avarice
Jacopo Ligozzi

Madonna and Child, Jacopo Bellini Italian, Tempera on wood, gold ground — Madonna and Child
Jacopo Bellini
probably 1440s

Snuffbox, Jacopo Amigoni Italian, Enameled copper, British, South Staffordshire — Snuffbox
Jacopo Amigoni
ca. 1765–1770

Two Studies of a Seated Male Nude, Jacopo da Pontormo (Jacopo Carucci) Italian, Black chalk — Two Studies of a Seated Male Nude
Jacopo da Pontormo (Jacopo Carucci)
mid-16th century

Spinario (boy pulling a thorn from his foot), Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially gilt (hair) and silvered (eyes), Italian, Mantua — Spinario (boy pulling a thorn from his foot)
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled: 1496, cast: ca. 1501

Barbute, Jacopo da Cannobio, called Bichignola Italian, Brescia, Steel, Italian, Brescia — Barbute
Jacopo da Cannobio, called Bichignola
ca. 1460

The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola Italian, Wood, Italian — The Finding of Moses
Jacopo [Giacomo] Barozzi da Vignola
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century

Emperor Antoninus Pius, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, partially oil-gilt, silver inlay, on serpentinite socle, Italian, Mantua — Emperor Antoninus Pius
Antico (Pier Jacopo Alari Bonacolsi)
1519–24

Satyr, Antico (Pier Jacopo Alari Bonacolsi) Italian, Bronze, with remains of dark brown lacquer, Italian, Mantua — Satyr
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1510–ca. 1520

Armorer's vise, Jacopo da Ferrara Italian, Iron, Northern Italian — Armorer's vise
Jacopo da Ferrara
1588