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More than 10,000 results for Jan van Orley

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Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Flora from a set of the Triumph of the Gods
Multiple artists/makers
first half 18th century

The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist — The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood — The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15

Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood — Virgin and Child with Angels
Bernard van Orley
ca. 1518

The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood — The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15

The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp — The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp — The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels — The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Multiple artists/makers
1525–1535

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

Virgin and Child in a Niche, Jan van Eyck Netherlandish, Oil on wood — Virgin and Child in a Niche
Jan van Eyck
ca. 1440–50

View of Haarlem and the Haarlemmer Meer, Jan van Goyen Dutch, Oil on wood — View of Haarlem and the Haarlemmer Meer
Jan van Goyen
1646

The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — August from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels — Saint Veronica
Bernard van Orley
ca. 1525

The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515

October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — October from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood — Four Scenes from the Passion
Bernard van Orley

Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels — Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532

Merry Company on a Terrace, Jan Steen Dutch, Oil on canvas — Merry Company on a Terrace
Jan Steen
ca. 1670

Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969, Jan van der Marck — Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969
Jan van der Marck
Museum of Contemporary Art, Chicago
1969

Figure-top spoon, Jan van Staaten, Silver, Dutch, Hoorn — Figure-top spoon
Jan van Staaten
1879

Sugar sifter, Jan van Wijk, Silver, Dutch, Amsterdam — Sugar sifter
Jan van Wijk
1819

Portrait of a Woman, Jan van Ravesteyn Dutch, Oil on wood — Portrait of a Woman
Jan van Ravesteyn
1635

A Beach with Fishing Boats, Jan van Goyen Dutch, Oil on wood — A Beach with Fishing Boats
Jan van Goyen
probably 1653

A View of The Hague from the Northwest, Jan van Goyen Dutch, Oil on wood — A View of The Hague from the Northwest
Jan van Goyen
1647

Sandy Road with a Farmhouse, Jan van Goyen Dutch, Oil on wood — Sandy Road with a Farmhouse
Jan van Goyen
1627

Country House near the Water, Jan van Goyen Dutch, Oil on wood — Country House near the Water
Jan van Goyen
1646

The Pelkus Gate near Utrecht, Jan van Goyen Dutch, Oil on wood — The Pelkus Gate near Utrecht
Jan van Goyen
1646

Castle by a River, Jan van Goyen Dutch, Oil on wood — Castle by a River
Jan van Goyen
1647

River View with a Village Church, Jan van Goyen Dutch, Oil on canvas — River View with a Village Church
Jan van Goyen

Glass Panel of Elijah and the Widow's Son, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish — Glass Panel of Elijah and the Widow's Son
Jan van Diependale
early 16th century

Glass Panel with Death Bed Scene, Jan van Diependale, Pot-metal glass and vitreous paint, South Netherlandish — Glass Panel with Death Bed Scene
Jan van Diependale
early 16th century