Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Jean Hughes Taraval

Sort by:

Bacchus and Ariadne, Jean Hughes Taraval French, Black and white chalk — Bacchus and Ariadne
Jean Hughes Taraval
18th century

One-way ticket, Langston Hughes American — One-way ticket
Multiple artists/makers
1949

John Watts, Robert Ball Hughes American, Bronze, American — John Watts
Robert Ball Hughes
E. Gruet
ca. 1830, cast by 1906

Slop bowl, Wood and Hughes American, Silver, American — Slop bowl
Wood and Hughes
1862–63

Profile Bust of George Washington

Robert Ball Hughes

1835–55

Creampot, Wood and Hughes American, Silver, American — Creampot
Wood and Hughes
1862–63

Sugar bowl, Wood and Hughes American, Silver, American — Sugar bowl
Wood and Hughes
1862–63

Teapot, Wood and Hughes American, Silver, American — Teapot
Wood and Hughes
1862–63

Coffee Service, Helen Hughes Dulany American, Stainless steel, Bakelite — Coffee Service
Helen Hughes Dulany
1934

Vase, Wood and Hughes American, Silver, American — Vase
Wood and Hughes
ca. 1863

Tea Spoon, Wood and Hughes American, Silver, American — Tea Spoon
Wood and Hughes
ca. 1870

Slip, Daphne Hughes, synthetic, British — Slip
Daphne Hughes
ca. 1967

How Do You Sleep At Night?, Shara Hughes American, Oil and acrylic on canvas — How Do You Sleep At Night?
Shara Hughes
2017

Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt Dutch, Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel, French, Paris — Small desk with folding top (bureau brisé)
Alexandre-Jean Oppenordt
Jean Berain
ca. 1685

Wood and Hughes

ca. 1875

Cabinet, Jean Brandely French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris — Cabinet
Multiple artists/makers
1867

The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet French, Tempera and gold leaf on parchment — The Right Hand of God Protecting the Faithful against the Demons
Jean Fouquet
ca. 1452–1460

Armor of Infante Luis, Prince of Asturias (1707–1724), Jean Drouart French, Steel, gold, brass, silk, cotton, metallic yarn, paper, French, Paris — Armor of Infante Luis, Prince of Asturias (1707–1724)
Jean Drouart
dated 1712

The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle French, Grisaille, tempera, and ink on vellum, French — The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle
ca. 1324–28

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Mechanical table, Jean-François Oeben French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French — Mechanical table
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63

La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris — La Crainte des Traits de l'Amour
Jean-Louis Lemoyne
1739–40

Drop-front secretary (Secrétaire en armoire), Jean Henri Riesener French, Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original), French, Paris — Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
1783

Sabine Houdon (1787–1836), Jean Antoine Houdon French, White marble on gray marble socle, French, Paris — Sabine Houdon (1787–1836)
Jean Antoine Houdon
1788

Ugolino and His Sons, Jean-Baptiste Carpeaux French, Saint-Béat marble, French, Paris — Ugolino and His Sons
Jean-Baptiste Carpeaux
1865–67

Winter, Jean Antoine Houdon French, Bronze, French, Paris — Winter
Jean Antoine Houdon
1787

Soap Bubbles, Jean Siméon Chardin French, Oil on canvas — Soap Bubbles
Jean Siméon Chardin
ca. 1733–34

Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard French, Oil on canvas — Marie Emilie Coignet de Courson (1716–1806) with a Dog
Jean Honoré Fragonard
ca. 1769

Guitar, Jean-Baptiste Voboam French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French — Guitar
Jean-Baptiste Voboam
1697

Haystacks: Autumn, Jean-François Millet French, Oil on canvas — Haystacks: Autumn
Jean-François Millet
ca. 1874

Bashi-Bazouk, Jean-Léon Gérôme French, Oil on canvas — Bashi-Bazouk
Jean-Léon Gérôme
1868–69

Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux, Jean de Liège Franco-Netherlandish, Marble with lead inlays, French — Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux
Jean de Liège
ca. 1381

Reliquary Shrine, Jean de Touyl French, Gilded silver, translucent enamel, paint, French — Reliquary Shrine
Jean de Touyl
ca. 1325–50

Bag, Ethel L. Wilson Hughes, silk, wool, American — Bag
Ethel L. Wilson Hughes
ca. 1930

Evening pouch, Ethel L. Wilson Hughes, silk, glass, American — Evening pouch
Ethel L. Wilson Hughes
ca. 1930

Scarf, Ethel L. Wilson Hughes, Silk, pigment, American — Scarf
Ethel L. Wilson Hughes
ca. 1920

Evening pouch, Ethel L. Wilson Hughes, glass, linen, American — Evening pouch
Ethel L. Wilson Hughes
ca. 1920

Stole, Ethel L. Wilson Hughes, Silk, glass beads, paint, American — Stole
Ethel L. Wilson Hughes
ca. 1920

The Virgin Annunciate, Jean Guillaumet French, White limestone with traces of polychromy, French, Bourbon — The Virgin Annunciate
Jean Guillaumet
Jean Hey (called Master of Moulins)
ca. 1500

Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm, Louis Gustave Taraval French, Pen and gray ink, brush and brown, gray, and colored wash, heightened with white, with framing lines in pen and brown ink on paper strips framing the drawing sheet — Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm
Louis Gustave Taraval
ca. 1770–94