Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Jean Jacques François Le Barbier

Sort by:

Sully at the Feet of Henri IV from a set of The History of France, Jean Jacques François Le Barbier French, Wool, silk (22-23 warps per inch, 9-10 per cm.), French, Paris — Sully at the Feet of Henri IV from a set of The History of France
Multiple artists/makers
1788–92

America from a set of The Four Continents, Jean Jacques François Le Barbier French, Wool, silk (19-21 warps per inch, 8 per cm.), French, Beauvais — America from a set of The Four Continents
Multiple artists/makers
designed ca. 1786, woven 1790–91

Five-fold screen, Jean Jacques François Le Barbier French, Panels: oil and canvas; frame: gilt wood; lining: silk taffeta, French — Five-fold screen
Jean Jacques François Le Barbier
panels ca. 1790, frame 19th century

Europe from a set of The Four Continents, Jean Jacques François Le Barbier French, Wool, silk (19-21 warps per inch, 8 per cm.), French, Beauvais — Europe from a set of The Four Continents
Multiple artists/makers
designed ca. 1786, woven 1790–91

Africa from a set of The Four Continents, Jean Jacques François Le Barbier French, Wool, silk (19-21 warps per inch, 8 per cm.), French, Beauvais — Africa from a set of The Four Continents
Multiple artists/makers
designed ca. 1786, woven 1790–91

Asia from a set of The Four Continents, Jean Jacques François Le Barbier French, Wool, silk (19-21 warps per inch, 8 per cm.), French, Beauvais — Asia from a set of The Four Continents
Multiple artists/makers
designed ca. 1786, woven 1790–91

Bacchanal, Jean Jacques François Le Barbier French, Black chalk, pen and brown ink, brush and brown and gray wash with touches of watercolor — Bacchanal
Jean Jacques François Le Barbier
ca. 1765–66

Design for a Torchère, Jean Jacques François Le Barbier French, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink with brush and green wash — Design for a Torchère
Jean Jacques François Le Barbier
ca. 1770–90

The End of the Python, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.

Multiple artists/makers

1805

The End of the Python, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.

Multiple artists/makers

1805

Tête d'Ange, Gilles Demarteau French, Stipple engraving printed in red ink — Tête d'Ange
Gilles Demarteau
Jean Jacques François Le Barbier
18th century

The Horatii, Jean Marie Leroux French, Etching — The Horatii
Multiple artists/makers
1852

America, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — America
Multiple artists/makers
designed ca. 1786, woven 1790–91; settee frame second half 19th century

Settee, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Settee
Multiple artists/makers
designed ca. 1786, woven 1790–91; settee frame second half 19th century

America, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — America
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

America, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — America
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Armchair, Beauvais, Carved and gilded wood; wool, silk, French, Beauvais — Armchair
Multiple artists/makers
designed ca. 1786, woven 1790–91; chair frame second half 19th century

Vue des restes du Pont qui conduisoit à la maison de Mécénas à Tivoli

Claude Augustin Duflos le Jeune

Jean Jacques François Le Barbier

18th century

Vue d'une Cascade sur les bords du Tibre près de Rome

Claude Augustin Duflos le Jeune

Jean Jacques François Le Barbier

18th century

Mechanical table, Jean-François Oeben French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French — Mechanical table
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63

Haystacks: Autumn, Jean-François Millet French, Oil on canvas — Haystacks: Autumn
Jean-François Millet
ca. 1874

General Washington, Charles Willson Peale American, Etching and engraving — General Washington
Multiple artists/makers
1820

Double-Barreled Flintlock Shotgun, François Pirmet French, Steel, wood (walnut), silver, gold, French, Paris — Double-Barreled Flintlock Shotgun
François Pirmet
Jean Le Clerc
dated 1809

The Toilette of Venus, François Boucher French, Oil on canvas — The Toilette of Venus
François Boucher
1751

Benjamin Franklin

Multiple artists/makers

ca. 1800

Vielle à Roue, François le Jeune French, Maple, pear wood, ebony, ivory, mother-of-pearl, French — Vielle à Roue
François le Jeune
1760–80

Chimneypiece (cheminée), François Joseph Belanger French, Verde di Levanto marble; patinated bronze and gilt bronze, French, Paris — Chimneypiece (cheminée)
Multiple artists/makers
1784

Snuffbox, Jean-François Garand French, Gold, enamel, French, Paris — Snuffbox
Jean-François Garand
1751–52

The Louis XV Room, Jean-François Roumier, Carved, painted and gilded oak, French, Paris — The Louis XV Room
Jean-François Roumier
ca. 1720–25, with later additions

Autumn Landscape with a Flock of Turkeys, Jean-François Millet French, Oil on canvas — Autumn Landscape with a Flock of Turkeys
Jean-François Millet
1872–73

Calling the Cows Home, Jean-François Millet French, Oil on wood — Calling the Cows Home
Jean-François Millet
ca. 1872