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More than 10,000 results for Jean Le Moyne
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Jean Le Moyne
Jean Berain
1676, 1693
Seasons and Elements (Air) (set of four), Charles Le Brun  French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris
Multiple artists/makers
ca. 1683
Flintlock Gun of Louis XIII (1601–1643), King of France, Pierre Le Bourgeois  French, Steel, brass, silver, gold, wood (walnut), mother-of-pearl, French, Lisieux
Pierre Le Bourgeois
Marin Le Bourgeois
ca. 1620
Chimneypiece (cheminée), Jean Le Pautre  French, Limestone, French, Chérac
Jean Le Pautre
ca. 1665–70
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, Jean Le Noir , and Workshop French, Tempera, grisaille, ink, and gold on vellum, French
Jean Le Noir
before 1349
Surréalisme, Jean Schuster  French
Jean Schuster
Le Terrain Vague
1968
Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt  Dutch, Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel, French, Paris
Alexandre-Jean Oppenordt
Jean Berain
ca. 1685
Study of a Valet Pouring Wine, François Le Moyne  French, Red Chalk
François Le Moyne
ca. 1723
Seated Draped Figure, François Le Moyne  French, Black chalk, heightened with white, on blue paper.
François Le Moyne
early 18th century
Head of a Bearded Man Looking Left, François Le Moyne  French, Black chalk, stumped, red chalk, pink pastel, on beige paper.
François Le Moyne
early 18th century
The Adoration of the Shepherds, François Le Moyne  French, Black chalk heightened with white on blue paper.
François Le Moyne
1720–21
Alexander and Porus, François Le Moyne  French, Brush and brown wash, heightened with white, over black chalk, on blue paper. All four in curved corners have been filled in.
François Le Moyne
early 18th century
Head of a Bearded Man in Profile to Left, François Le Moyne  French, Pastel on brown paper
François Le Moyne
early 18th century
Putti Supporting a Garland, François Le Moyne  French, Black chalk on blue paper; framing lines in pen and brown ink. A vertical strip measuring .6 cm has been added at right.
François Le Moyne
early 18th century
Standing Male Nude Seen from Below, François Le Moyne  French, Black chalk, stumping, heightened with white, on beige paper. Framing lines in pen and brown ink.
François Le Moyne
ca. 1730
Studies of Hands and Feet, François Le Moyne  French, Red and black chalk, heightened with white, on beige paper. Framing lines in pen and brown ink. Lined.
François Le Moyne
Antoine Watteau
early 18th century
The Flight into Egypt, François Le Moyne  French, Black chalk, heightened with white, on blue paper; framing lines in pen and brown ink
François Le Moyne
early 18th century
View of Rome, François Le Moyne  French, Red chalk
François Le Moyne
1724
[Large Figures on the North Porch, Chartres Cathedral], Henri-Jean-Louis Le Secq  French, Salted paper print from paper negative
Henri-Jean-Louis Le Secq
1852
The Jabach Family, Charles Le Brun  French, Oil on canvas
Charles Le Brun
ca. 1660
Seasons and Elements (Fire) (set of four), Charles Le Brun  French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Multiple artists/makers
ca. 1683
Seasons and Elements (Spring) (set of four), Charles Le Brun  French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Multiple artists/makers
ca. 1683
Seasons and Elements (Summer) (set of four), Charles Le Brun  French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.), French, Paris
Multiple artists/makers
ca. 1683
Armor of Infante Luis, Prince of Asturias (1707–1724), Jean Drouart  French, Steel, gold, brass, silk, cotton, metallic yarn, paper, French, Paris
Jean Drouart
dated 1712
Cabinet, Jean Brandely  French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris
Multiple artists/makers
1867
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet  French, Tempera and gold leaf on parchment
Jean Fouquet
ca. 1452–1460
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle  French, Grisaille, tempera, and ink on vellum, French
Jean Pucelle
ca. 1324–28
Multiple artists/makers
1666
The Repast of the Lion, Henri Rousseau (le Douanier)  French, Oil on canvas
Henri Rousseau (le Douanier)
ca. 1907
Louis XV, Jean Le Blanc  French, Gilt bronze, French
Jean Le Blanc
1715
Louis XV: Education of the King, Jean Le Blanc  French, Gilt bronze, lacquered ground, French, Paris
Jean Le Blanc
1717
Cased Pair of Percussion Target Pistols with Loading and Cleaning Accessories, Made for Henri Charles Ferdinand Marie Dieudonné d'Artois, Duke of Bordeaux, Count of Chambord (1820–1883), Jean André Prosper Henri Le Page  French, Steel, gold, wood (ebony, walnut, amboyna), silver, velvet, ivory, French, Paris
Jean André Prosper Henri Le Page
dated 1829
Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy, Jean de la Huerta  Spanish, Alabaster, French
Jean de la Huerta
Antoine Le Moiturier
ca. 1443–55
Hercules and Omphale, Saint James's Factory  British, Soft-paste porcelain, British
Multiple artists/makers
ca. 1751
Louis XV, Jean Duvivier  French, Gilt bronze, French
Jean Duvivier
Jean Le Blanc
1715–23
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Les curiositez de Paris, de Versailles, de Marly, de Vincennes, de S. Cloud, et des environs : avec les antiquitez justes & précises sur chaque sujet, et les adresses pour trouver facilement tout ce que ces lieux renferment d'agréable & d'utile : ouvrage enrichi d'un grand nombre de figures en taille douce, Georges Louis Le Rouge  French, born Hanover
Multiple artists/makers
1742
Drop-front secretary (Secrétaire en armoire), Jean Henri Riesener  French, Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original), French, Paris
Jean Henri Riesener
1783
La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris
Jean-Louis Lemoyne
1739–40
Ugolino and His Sons, Jean-Baptiste Carpeaux  French, Saint-Béat marble, French, Paris
Jean-Baptiste Carpeaux
1865–67