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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,255 results for José "Fremez" Gómez Fresquet

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José "Fremez" Gómez Fresquet

ca. 1971

La modelo y la vietnamita From the series Cancion Americana

José "Fremez" Gómez Fresquet

1969

Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel — Portrait of Nicolás Matías Fernández Méndez
José Campeche
ca. 1800

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican — The Marriage of the Virgin
José Sánchez
ca. 1690

Guitar, José Massague Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Spanish — Guitar
José Massague
ca. 1755–60

Unicórnio : antologia de inéditos de autores portugueses contemporãneos, José-Augusto França Portuguese — Unicórnio : antologia de inéditos de autores portugueses contemporãneos
José-Augusto França
1951–56

Mandrágora, Braulio Arenas Chilean — Mandrágora
Multiple artists/makers
1941

Woman and Child (Maternity), from "Eight Studies by Mexican Masters of Graphic Arts" (1952), Andrea Gómez Mexican, Linocut — Woman and Child (Maternity), from "Eight Studies by Mexican Masters of Graphic Arts" (1952)
Andrea Gómez
Latin American Research Bureau, New York
ca. 1952

Belt, José Cotel French, Leather, plastic, French — Belt
José Cotel
ca. 1973

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands, Lima], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands, Lima]
José Negretti
1860s–70s

[Mining Site Chincha Islands], José Negretti Peruvian, Albumen silver print — [Mining Site Chincha Islands]
José Negretti
1860s–70s

30 dibujos constructivos : 12 reproduciones en negro y 18 en color, José Gurvich Uruguayan — 30 dibujos constructivos : 12 reproduciones en negro y 18 en color
José Gurvich
Antonio Pezzino
1952

Urutaú, José Gamarra Uruguayan, Oil on canvas — Urutaú
José Gamarra
1983

Tenor Slide Trombone in B-flat, José Ramis Spanish, Brass, Spanish — Tenor Slide Trombone in B-flat
José Ramis
early 19th century

Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink — Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700

The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?) — The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.

Broadside with 48 scenes showing different women of the world, José Noguera Spanish, Wood engraving — Broadside with 48 scenes showing different women of the world
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to the reign of Queen Isabel II, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to the reign of Queen Isabel II
José Noguera
José María Marés
1860

Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó, José Noguera Spanish, Wood engraving — Broadside with 48 scenes relating to life of the Carlist general of Spain, Ramon Cabrera y Griñó
José Noguera
José María Marés
1860

'Rear Guard' (or 'On the Road'): men and women carrying rifles and children, José Clemente Orozco Mexican, Lithograph — 'Rear Guard' (or 'On the Road'): men and women carrying rifles and children
Multiple artists/makers
1929

In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), José Guadalupe Posada Mexican, Type-metal engraving and letterpress — In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Multiple artists/makers
ca. 1890–96

A madman having visions of monsters, José Guadalupe Posada Mexican, Zincograph — A madman having visions of monsters
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A young boy cowering from a demon, illustration from 'El cuento Nniño de los dulces', José Guadalupe Posada Mexican, Zincograph — A young boy cowering from a demon, illustration from 'El cuento Nniño de los dulces'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Demons running away from a woman on a deer riding through a field of crosses, José Guadalupe Posada Mexican, Type-metal engraving — Demons running away from a woman on a deer riding through a field of crosses
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

An old man with spectacles and one hand behind his back painting on a wooden block, illustration for 'El Rey que Rabio', José Guadalupe Posada Mexican, Type-metal engraving — An old man with spectacles and one hand behind his back painting on a wooden block, illustration for 'El Rey que Rabio'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

Caricature of three toreros (legs and torso/head), José Guadalupe Posada Mexican, Type-metal engraving — Caricature of three toreros (legs and torso/head)
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A revolutionary soldier on horseback with a rifle (Heraclio Bernal), José Guadalupe Posada Mexican, Zincograph — A revolutionary soldier on horseback with a rifle (Heraclio Bernal)
José Guadalupe Posada
José Sanchez
ca. 1911 (a later impression)

Firing squad shooting a man with his left hand on his chest, José Guadalupe Posada Mexican, Type-metal engraving — Firing squad shooting a man with his left hand on his chest
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A soldier raising his rifle to hit a woman (The Fifth of May), José Guadalupe Posada Mexican, Type-metal engraving — A soldier raising his rifle to hit a woman (The Fifth of May)
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

The murder of the Chief of Police Miguel Cabrera, José Guadalupe Posada Mexican, Zincograph — The murder of the Chief of Police Miguel Cabrera
José Guadalupe Posada
José Sanchez
ca. 1910 (a later impression)

A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930), José Guadalupe Posada Mexican, Zincograph — A snake with a woman's head slithering towards a scared man, an illustration from 'The Ballad of the Snake Woman' (reprinted 1930)
José Guadalupe Posada
José Sanchez
ca. 1899 (a later impression)

A small boy being fed to vultures, an illustration to 'The King and His Three Sons', José Guadalupe Posada Mexican, Zincograph — A small boy being fed to vultures, an illustration to 'The King and His Three Sons'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A woman turning to walk away from a man, José Guadalupe Posada Mexican, Zincograph — A woman turning to walk away from a man
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A woman surrounded by demons stabbing a man to death from a broadside entitled 'Horroroso Asesinato', José Guadalupe Posada Mexican, Zincograph — A woman surrounded by demons stabbing a man to death from a broadside entitled 'Horroroso Asesinato'
José Guadalupe Posada
José Sanchez
ca. 1902 (a later impression)

A rich man giving a beggar money, José Guadalupe Posada Mexican, Zincograph — A rich man giving a beggar money
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons', José Guadalupe Posada Mexican, Type-metal engraving — A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons'
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)

A skeleton holding a knife leaping over a pile of skulls, people flee in the background, from a broadside entitled 'Las bravisimas calaveras Guatemaltecas', José Guadalupe Posada Mexican, Zincograph — A skeleton holding a knife leaping over a pile of skulls, people flee in the background, from a broadside entitled 'Las bravisimas calaveras Guatemaltecas'
José Guadalupe Posada
José Sanchez
ca. 1907 (a later impression)

Two skeletons smiling and dancing, José Guadalupe Posada Mexican, Zincograph — Two skeletons smiling and dancing
José Guadalupe Posada
José Sanchez
ca. 1880–1910 (a later impression)