Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 367 results for Juliana Séraphim
Sort by:
Juliana Séraphim
Miguel Angel Asturins
ca. 1984
Juliana Séraphim
Yaruhari Kawabara
ca. 1984
Juliana Séraphim
Miguel Angel Asturins
ca. 1984
Juliana Séraphim
Yaruhari Kawabara
ca. 1984
The Treatyse of  Fysshynge wyth an Angle from the book of Saint Albans, Juliana Berners  British, Illustrated book, New York, C. Scribner's Sons, 1903
Juliana Berners
William Loring Andrews
1903
Skippet, Seraphim Masi  American, Silver and silver gilt, American
Seraphim Masi
ca. 1825–52
Multiple artists/makers
1872
Black-on-Black Jar, Maria Martínez  Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American
Maria Martínez
Julián Martínez
1919–20
Multiple artists/makers
1865
Composed Armor, Julian Arrechia  Spanish, Steel, copper alloy (latten), leather, Italian
Julian Arrechia
Raymond Bartel
ca. 1450–60 and later, restored and composed in the 1920s
The Factory Village, Julian Alden Weir  American, Oil on canvas, American
Julian Alden Weir
1897
Fruit, Julian Alden Weir  American, Oil on canvas, American
Julian Alden Weir
ca. 1888
The Green Bodice, Julian Alden Weir  American, Oil on canvas, American
Julian Alden Weir
by 1898
Idle Hours, Julian Alden Weir  American, Oil on canvas, American
Julian Alden Weir
1888
The Red Bridge, Julian Alden Weir  American, Oil on canvas, American
Julian Alden Weir
1895
Pumps, Sultana  Italian, leather, Italian
Sultana
1954–58
"It's Not My Memory of It": three recollected documents, Julia Meltzer  American, Single-channel digital video, color, sound, 25 min.
Julia Meltzer
David Thorne
2003
Tankstelle [Gas Station], Julian Faulhaber  German, Chromogenic print
Julian Faulhaber
2008
Ithaca, Julian Schnabel  American, Oil and broken dinnerware on wood
Julian Schnabel
1983
Archetypal Painting for A.G., Julian Schnabel  American, Acrylic and modeling paste on canvas
Julian Schnabel
1975–76
Study for "Shrimp Scow on Barnegat Bay", Julian Levi  American, Wash and ink with graphite on illustration board
Julian Levi
1939
Untitled, Julian Lethbridge  British, Oil on canvas
Julian Lethbridge
1991–92
Shrimp Scow on Barnegat Bay, Julian Levi  American, Oil on canvas
Julian Levi
1939
Obsession II, Julian Stanczak  American, born Poland, Acrylic on canvas
Julian Stanczak
1965
Untitled, Julian Lethbridge  British, Acrylic, graphite, and brush and black ink on paper
Julian Lethbridge
1988
Untitled, Julian Lethbridge  British, Acrylic, graphite, and ink on paper
Julian Lethbridge
1988
Untitled, Julian Lethbridge  British, Acrylic, graphite, and brush and black ink on paper
Julian Lethbridge
1988
Bones and Trumpets Rubbing Against Each Other Towards Infinity, Julian Schnabel  American, Plaster, glazed and unglazed ceramic, cervidae antlers, cervidae leg/hoof, oil paint and wax on wood.
Julian Schnabel
1981
Good as Gold, Julian Hatton  American, Oil on canvas
Julian Hatton
2001
Untitled, Julian Lethbridge  British, Oil on canvas
Julian Lethbridge
2003–4
Textile length, Julian Tomchin  American, Silk
Julian Tomchin
Chardon Marché
1967
Textile length, Julian Tomchin  American, Silk, textralized Antron nylon
Julian Tomchin
Chardon Marché
1967
Portrait of God (from the Mutant Kings series), Julian Schnabel  American, Oil, dirt, and wax on canvas tarpaulin
Julian Schnabel
1981
Spoon, Jurian Blanck Jr.  American, Silver, American
Jurian Blanck Jr.
1699
Spoon, Jurian Blanck Jr.  American, Silver, American
Jurian Blanck Jr.
1670–90
Beaker, Jurian Blanck Jr.  American, Silver, American
Jurian Blanck Jr.
ca. 1683
Mantel clock, Julien Le Roy  French, Chantilly soft-paste porcelain mounted on gilt bronze, flowers of soft- and hard-paste porcelain; clock face of white enameled metal, French, Paris with French, Chantilly case
Julien Le Roy
Chantilly
ca. 1745–49
Mantel clock (pendule de cheminée), Julien Le Roy  French, Case: gilded and patinated bronze on a base of oak veneered with ebony with gilded-bronze mounts; Dial: white enamel with black numerals; Movement: brass and steel, French, Paris
Multiple artists/makers
ca. 1757–60
Zoe, Maid of Athens, Julia Margaret Cameron  British, born India, Albumen silver print from glass negative
Julia Margaret Cameron
1866
Sampler, Julia Ann Fitch  American, Silk embroidery on linen, American
Julia Ann Fitch
1807