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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 94 results for Kishi Eiko

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KE-5 (Recollected Vistas in Clay), Kishi Eiko Japanese, Shigaraki stoneware with colored clay chamotte, Japan — KE-5 (Recollected Vistas in Clay)
Kishi Eiko
2011

Reception by the Japanese of the Americans at Yokohama, Sensai Eiko, Diptych of woodblock prints; ink and color on paper, Japan — Reception by the Japanese of the Americans at Yokohama
Sensai Eiko
1870s

Watermill in the Mountains, Kishi Ganryo Japanese, Hanging scroll; ink and color on silk, Japan — Watermill in the Mountains
Kishi Ganryo
19th century

Tiger, Tigress and Cub, Kishi Chikudō Japanese, Pair of six-panel folding screens; ink and color on silk, Japan — Tiger, Tigress and Cub
Kishi Chikudō
1892

Jurōjin, Gan Ku (Kishi Ganku) Japanese, Hanging scroll; ink and color on silk, Japan — Jurōjin
Gan Ku (Kishi Ganku)
1838

Essentials of Painting (Ehon hitsuyō), Nakaji Sadatoshi Japanese, Woodblock-printed book; ink and color on paper, Japan — Essentials of Painting (Ehon hitsuyō)
Nakaji Sadatoshi
Kishi Tengaku
1751

Work #9, Aiko Miyawaki Japanese, Brass — Work #9
Aiko Miyawaki
1968

Hasta la victoria siempre

Antonio "Ñiko" Perez Gonzalez

So salgo, llego…si llego, entro…si entro, triunfo / Fidel

Antonio "Ñiko" Perez Gonzalez

1971/1974

Septiembre 30/Octubre 6: Semana mundial de solidaridad con los pueblos de Asia

Antonio "Ñiko" Perez Gonzalez

1967

Semana Solidaridad con America Latina

Antonio "Ñiko" Perez Gonzalez

1968

Set of Sword Fittings (Mitokoromono)

Gotō Eijō

late 16th–early 17th century

Sword-Grip Ornaments (Menuki)

Gotō Eijō

late 16th–early 17th century

Knife Handle (Kozuka)

Gotō Eijō

late 16th–early 17th century

Knife Handle (Kozuka)

Gotō Eijō

late 16th–early 17th century

Set of Sword Fittings (Mitokoromono) with Two Additional Knife Handles (Kozuka) and a Pair of Grip Ornaments (Menuki)

Gotō Eijō

late 16th–early 17th century

Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編, Ōishi Matora 大石真虎 Japanese, Woodblock printed book; ink and color on paper, Japan — Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編
Ōishi Matora 大石真虎
1829, (Bunsei 12)

Real Figures of the King of Mountains (Sannō shinkei) 山王真形, Ōishi Shūga 大石周我, Ink and color on paper, Japan — Real Figures of the King of Mountains (Sannō shinkei) 山王真形
Ōishi Shūga 大石周我
Spring 1822

Su Shi (Dongpo) in a Bamboo Hat and Clogs, Zuigan Ryūsei Japanese, Hanging scroll; ink on paper, Japan — Su Shi (Dongpo) in a Bamboo Hat and Clogs
Multiple artists/makers
before 1460

Knife Handle (Kozuka), Gotō Eijō Japanese, Copper-gold alloy (shakudō), gold, copper, Japanese — Knife Handle (Kozuka)
Gotō Eijō
late 16th–early 17th century

Knife Handle (Kozuka), Gotō Eijō Japanese, Gold, copper-gold alloy (shakudō), silver, Japanese — Knife Handle (Kozuka)
Gotō Eijō
17th century

Wine pot, Kin Hiko, Iron with gold inlay, Japan — Wine pot
Kin Hiko
18th century?

"Burner Dye" (fabric no. 9-361), Reiko Sudo Japanese, Stainless steel, cotton — "Burner Dye" (fabric no. 9-361)
Reiko Sudo
Nuno Corporation
2000

One Hundred Boys, Kano Einō Japanese, Pair of six-panel folding screens; ink, color, and gold on paper, Japan — One Hundred Boys
Kano Einō
17th century

Kamaitachi #1, Eikoh Hosoe Japanese, Gelatin silver print — Kamaitachi #1
Eikoh Hosoe
1968

Armor-Plaited Jar Flower Basket (Hanakago), Kadota Nikō Japanese, Smoked timber bamboo, timber bamboo, and rattan, Japan — Armor-Plaited Jar Flower Basket (Hanakago)
Kadota Nikō
1980s

Landscape in Blue and Green, Okuhara Seiko Japanese, Hanging scroll; ink and color on silk, Japan — Landscape in Blue and Green
Okuhara Seiko
1899

Currency, Iron, Kissi peoples — Currency
Kissi peoples
20th century

Knife Handle (Kozuka), Akichika Oishi Japanese, Copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, copper, Japanese — Knife Handle (Kozuka)
Akichika Oishi
late 18th–early 19th century

Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)
Chōbunsai Eishi
ca. 1794–95

Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
, Chōbunsai Eishi Japanese, Pentaptych of woodblock prints; ink and color on paper, Japan — Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge
Chōbunsai Eishi
ca. 1792

A Girl with a Fan, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Girl with a Fan
Chōbunsai Eishi
ca. 1780

Fuji no Uraha, Chōbunsai Eishi Japanese, Two sheets from a triptych of woodblock prints; ink and color on paper, Japan — Fuji no Uraha
Chōbunsai Eishi
ca. 1790

Geisha Preparing for an Entertainment, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Geisha Preparing for an Entertainment
Chōbunsai Eishi
ca. 1794

A Man and a Girl Walking in the Rice Fields, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Man and a Girl Walking in the Rice Fields
Chōbunsai Eishi
ca. 1780

The Yoshiwara Parade in Autumn, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Yoshiwara Parade in Autumn
Chōbunsai Eishi
ca. 1793

Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara, Chōbunsai Eishi Japanese, Triptych of woodblock prints (trimmed); ink and color on paper, Japan — Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara
Chōbunsai Eishi
ca. 1794

A Cherry-Viewing Excursion by a Noble Lady and Attendants, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Cherry-Viewing Excursion by a Noble Lady and Attendants
Chōbunsai Eishi
ca. 1797

Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei), Chōbunsai Eishi Japanese, Diptych of woodblock prints; ink and color on paper, Japan — Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Chōbunsai Eishi
1797–99

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons), Chōbunsai Eishi Japanese, Triptych of hanging scrolls; ink, color, and gold on silk, Japan — Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)
Chōbunsai Eishi
early 19th century