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Showing 98 results for Koikawa Harumasa

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Girl and Lover in Snow, Koikawa Harumasa Japanese, Woodblock print; ink and color on paper, Japan — Girl and Lover in Snow
Koikawa Harumasa
early 19th century

Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession

, Kajikawa Japanese, Two cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji lacquer ground<br/>Netsuke: ivory; Ryūgūjō (The Dragon King's undersea palace) in a clam<br/>Ojime: agate bead, Japan — Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession
Kajikawa
Hanabusa Itchō
late 18th–early 19th century

Mirror With the Design of a Nine-Tailed Fox, Harukawa Goshichi Japanese, Woodblock print (surimono); ink and color on paper, Japan — Mirror With the Design of a Nine-Tailed Fox
Harukawa Goshichi

Case (Inrō) with Design of Cherry-Blossom Viewing, Kajikawa School, Lacquer decorated with togidashi sprinkled and polished lacquer; Ojime: stone bead with silver bird inlay; Netsuke: metal button engraved with figure of Fukurokuju, Japan — Case (Inrō) with Design of Cherry-Blossom Viewing
Kajikawa School
late 18th–19th century

Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse), Kajikawa School, Gold and silver maki-e with mother-of-pearl inlay and black lacquer; Ojime: agate bead; Netsuke: metal king of hell, Japan — Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse)
Kajikawa School
19th century

Case (Inrō) with Design of Six Immortal Poets, Kajikawa School, Gold and silver maki-e with black and red lacquer relief and mother-of-pearl inlay; Ojime: bronze Bodhidharma; Netsuke: carved lacquer Chinese children and auspicious symbols, Japan — Case (Inrō) with Design of Six Immortal Poets
Kajikawa School
19th century

Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves, Kajikawa Katsuhira Japanese, Nashiji (pear-skin) lacquer decorated with togidashi sprinkled and polished lacquer and metal inlay; Ojime: metal drum inlaid with gold; Netsuke: carved wood figure, Japan — Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves
Kajikawa Katsuhira
Hagiya Katsuhira
late 18th–19th century

Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse), Kajikawa Hidetaka Japanese, Lacquer, roiro, gold, brown and red togidashi, nashiji; Netsuke: fukurokuju<br/>Interior: nashiji and fundame, Japan — Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse)
Kajikawa Hidetaka
18th–19th century

Inrō with Treasure Boat, Kajikawa Bunryūsai Japanese, Gold and black lacquer and nashiji ground with gold and silver hiramaki-e, red lacquer, and mother-of-pearl inlay<br/>Netsuke: kingfisher; carved ivory <br/>Ojime: Chinese children; porcelain (Kutani ware, Japan — Inrō with Treasure Boat
Kajikawa Bunryūsai
19th century

Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria, Kajikawa School, Gold and silver maki-e on black lacquer, Japan — Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria
Kajikawa School
19th century

Case (Inrō) with Design of Maple Leaves beside Inscriptions, Kajikawa School, Lacquer, cherry bark, gold hiramakie; Interior: plain and roiro, Japan — Case (Inrō) with Design of Maple Leaves beside Inscriptions
Kajikawa School
19th century

Okinawa 001, Osamu James Nakagawa American, Inkjet print — Okinawa 001
Osamu James Nakagawa
2008

Okinawa 009, Osamu James Nakagawa American, Inkjet print — Okinawa 009
Osamu James Nakagawa
2008

Kadena, Okinawa, Shomei Tomatsu Japanese, Gelatin silver print — Kadena, Okinawa
Shomei Tomatsu
1972

Kōrin's Painting Style (Kōrin gashiki), Aikawa Minwa Japanese, Set of two Woodblock printed books; ink and color on paper, Japan — Kōrin's Painting Style (Kōrin gashiki)
Aikawa Minwa
1818

The Actor Otani Hiroji as Honda Harunaga, Torii Kiyomasu I Japanese, Woodblock print; ink and color on paper, Japan — The Actor Otani Hiroji as Honda Harunaga
Torii Kiyomasu I
ca. 1745

Armor (<i>Gusoku</i>), Bamen Tomotsugu Japanese, Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory, Japanese, Toyohara, Echizen province — Armor (Gusoku)
Bamen Tomotsugu
18th century

Case (Inrō) with Design of God of Longevity (Jurōjin) Seated beside His Stag (obverse) Hotei (Putai) Asleep (reverse)

Yasumasa Ekisei

late 19th century

Costumes and Customs in Japan

Ogawa Kazumasa

1892?

Jane Fonda 1 (Barbarella)

Yasumasa Morimura

1995

Audrey Hepburn 1 (Tiffany's)

Yasumasa Morimura

1995

Silvia Kristel 4 (Emmanuelle)

Yasumasa Morimura

1995

In praise of Velasquez: Distinguished ones in confinement

Yasumasa Morimura

2013

Robe, Resist-dyed and painted (bingata) silk crepe, Japan (Okinawa, Ryūkyū Islands) — Robe
Japan (Okinawa, Ryūkyū Islands)
19th century

Kali, the wrathful protector (Shri Shri Kali) (recto); Kali (verso), G. C. Dass (recto), Recto: Lithograph with watercolor on paper; Verso: lithograph, printed in black, West Bengal, Kolkata — Kali, the wrathful protector (Shri Shri Kali) (recto); Kali (verso)
G. C. Dass
Unidentified artist
ca. 1880–85 (recto); ca. 1875–85 (verso)

Dress, Issey Miyake Japanese, polyester, Japanese — Dress
Issey Miyake
Yasumasa Morimura
fall/winter 1996–97

Untitled, [Koza, Okinawa]

Shomei Tomatsu

1969

The Harimaya at Shinyoshiwara Emonzaka Nihonzutsumi, Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan — The Harimaya at Shinyoshiwara Emonzaka Nihonzutsumi
Utagawa Hiroshige
ca. 1835–42

Blade and Mounting for a Dagger (Tantō), Kuniyoshi Japanese, Steel, wood, copper-gold alloy (shakudō), copper-silver alloy (shibuichi), gold, lacquer, rayskin (samé), silk, abalone shell, silver, Japanese — Blade and Mounting for a Dagger (Tantō)
Multiple artists/makers
blade, dated 1525; mounting, 19th century

Case (Inrō) with Design of Court Lady in Boat with Drum (obverse); Geese Taking Flight (reverse), Shibayama Shokasai Japanese, Lacquer, kinji, gold hiramakie, kirigane, nashiji, metal, ivory, raden inlay; Interior: nashiji and fudame, Japan — Case (Inrō) with Design of Court Lady in Boat with Drum (obverse); Geese Taking Flight (reverse)
Shibayama Shokasai
Kajikawa School
19th century

Lakshmi, goddess of prosperity (Shri Shri Lakshmi, Lithograph with watercolor on paper, India, Kolkata, West Bengal — Lakshmi, goddess of prosperity (Shri Shri Lakshmi
India, Kolkata, West Bengal
ca. 1880

Krishna (Shri Shri Guranga Avatara), Chromolithographic on paper, India, Kolkata, West Bengal — Krishna (Shri Shri Guranga Avatara)
India, Kolkata, West Bengal
1895

Shiva as Lord of the Universe in Benares (Kashi Vishvanatha) , Lithograph with watercolor on paper, India, Kolkata, West Bengal — Shiva as Lord of the Universe in Benares (Kashi Vishvanatha)
India, Kolkata, West Bengal
ca. 1880–1900

Durga holding the infant Krishna (Deva Gostha), Chromolithograph on paper, India, Kolkata, West Bengal — Durga holding the infant Krishna (Deva Gostha)
India, Kolkata, West Bengal
ca. 1885–95

Diptych of Kali / Tara, wrathful protectors, Calcutta Art Studio, Chromolithographic on paper, India, Kolkata, West Bengall — Diptych of Kali / Tara, wrathful protectors
Calcutta Art Studio
1885–90

Krishna as the Lord of the World (Shri Shri Jagannatha), Chromolithographic on paper, India, Kolkata, West Bengal — Krishna as the Lord of the World (Shri Shri Jagannatha)
India, Kolkata, West Bengal
ca. 1890

Kali, the wrathful protector, Chromolithograph with watercolor on paper, Indial, Kolkata, West Bengal — Kali, the wrathful protector
Indial, Kolkata, West Bengal
ca. 1879

Jagadhatri, a benign form of Durga-Kali, Lithograph with watercolor on paper, India, Kolkata, West Bengal — Jagadhatri, a benign form of Durga-Kali
India, Kolkata, West Bengal
1878–83

Ganesha transcribing the Mahabharata (Shri Shri Ganesh), Lithograph with watercolor on paper, India, Kolkata, West Bengal — Ganesha transcribing the Mahabharata (Shri Shri Ganesh)
India, Kolkata, West Bengal
1878–83

Matangi, an esoteric form of Parvati, Sasadhar Banarjee Indian, Lithograph with watercolor on paper, India, Kolkata, West Bengal — Matangi, an esoteric form of Parvati
Sasadhar Banarjee
ca. 1880–85