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1-42 of 51 results for Koikawa Harumasa
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Girl and Lover in Snow, Koikawa Harumasa Japanese, Woodblock print; ink and color on paper, Japan
Girl and Lover in Snow
Koikawa Harumasa
early 19th century
Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession , Kajikawa Japanese, Two cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cut-out gold foil on nashiji lacquer ground<br/>Netsuke: ivory; Ryūgūjō (The Dragon King's undersea palace) in a clam<br/>Ojime: agate bead, Japan

Inrō in the Shape of Mount Fuji with a Crossing Ferry and Procession

Kajikawa
Hanabusa Itchō
late 18th–early 19th century
Mirror With the Design of a Nine-Tailed Fox, Harukawa Goshichi Japanese, Woodblock print (surimono); ink and color on paper, Japan
Mirror With the Design of a Nine-Tailed Fox
Harukawa Goshichi
Case (Inrō) with Design of Cherry-Blossom Viewing, Kajikawa School, Lacquer decorated with togidashi sprinkled and polished lacquer; Ojime: stone bead with silver bird inlay; Netsuke: metal button engraved with figure of Fukurokuju, Japan
Case (Inrō) with Design of Cherry-Blossom Viewing
Kajikawa School
late 18th–19th century
Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse), Kajikawa Hidetaka Japanese, Lacquer, roiro, gold, brown and red togidashi, nashiji; Netsuke: fukurokuju<br/>Interior: nashiji and fundame, Japan
Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse)
Kajikawa Hidetaka
18th–19th century
Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse), Kajikawa School, Gold and silver maki-e with mother-of-pearl inlay and black lacquer; Ojime: agate bead; Netsuke: metal king of hell, Japan
Case (Inrō) with Design of Imperial Cart and Flying Herons (obverse); Court Carriage and Flying Herons (reverse)
Kajikawa School
19th century
Case (Inrō) with Design of Six Immortal Poets, Kajikawa School, Gold and silver maki-e with black and red lacquer relief and mother-of-pearl inlay; Ojime: bronze Bodhidharma; Netsuke: carved lacquer Chinese children and auspicious symbols, Japan
Case (Inrō) with Design of Six Immortal Poets
Kajikawa School
19th century
Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves, Kajikawa Katsuhira Japanese, Nashiji (pear-skin) lacquer decorated with togidashi sprinkled and polished lacquer and metal inlay; Ojime: metal drum inlaid with gold; Netsuke: carved wood figure, Japan
Case (Inrō) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves
Kajikawa Katsuhira
Hagiya Katsuhira
late 18th–19th century
Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria, Kajikawa School, Gold and silver maki-e on black lacquer, Japan
Box for Incense with Design of Peonies, Iris, Morning Glories, and Wisteria
Kajikawa School
19th century
Case (Inrō) with Design of Maple Leaves beside Inscriptions, Kajikawa School, Lacquer, cherry bark, gold hiramakie; Interior: plain and roiro, Japan
Case (Inrō) with Design of Maple Leaves beside Inscriptions
Kajikawa School
19th century
Inrō with Treasure Boat, Kajikawa Bunryūsai Japanese, Gold and black lacquer and nashiji ground with gold and silver hiramaki-e, red lacquer, and mother-of-pearl inlay<br/>Netsuke: kingfisher; carved ivory <br/>Ojime: Chinese children; porcelain (Kutani ware, Japan
Inrō with Treasure Boat
Kajikawa Bunryūsai
19th century
Kōrin's Painting Style (Kōrin gashiki), Aikawa Minwa Japanese, Set of two Woodblock printed books; ink and color on paper, Japan
Kōrin's Painting Style (Kōrin gashiki)
Aikawa Minwa
1818
Dress, Issey Miyake Japanese, polyester, Japanese
Dress
Issey Miyake
Yasumasa Morimura
fall/winter 1996–97
Case (Inrō) with Design of God of Longevity (Jurōjin) Seated beside His Stag (obverse) Hotei (Putai) Asleep (reverse)
Yasumasa Ekisei
late 19th century
Costumes and Customs in Japan
Ogawa Kazumasa
1892?
Silvia Kristel 4 (Emmanuelle)
Yasumasa Morimura
1995
In praise of Velasquez: Distinguished ones in confinement
Yasumasa Morimura
2013
Audrey Hepburn 1 (Tiffany's)
Yasumasa Morimura
1995
Jane Fonda 1 (Barbarella)
Yasumasa Morimura
1995
Case (Inrō) with Design of Court Lady in Boat with Drum (obverse); Geese Taking Flight (reverse), Shibayama Shokasai Japanese, Lacquer, kinji, gold hiramakie, kirigane, nashiji, metal, ivory, raden inlay; Interior: nashiji and fudame, Japan
Case (Inrō) with Design of Court Lady in Boat with Drum (obverse); Geese Taking Flight (reverse)
Shibayama Shokasai
Kajikawa School
19th century
Blade and Mounting for a Dagger (Tantō), Kuniyoshi Japanese, Steel, wood, copper-gold alloy (shakudō), copper-silver alloy (shibuichi), gold, lacquer, rayskin (samé), silk, abalone shell, silver, Japanese
Blade and Mounting for a Dagger (Tantō)
Multiple artists/makers
blade, dated 1525; mounting, 19th century
Kali, the wrathful protector (Shri Shri Kali) (recto); Kali (verso), G. C. Dass (recto), Recto: Lithograph with watercolor on paper; Verso: lithograph, printed in black, West Bengal, Kolkata
Kali, the wrathful protector (Shri Shri Kali) (recto); Kali (verso)
G. C. Dass
Unidentified artist
ca. 1880–85 (recto); ca. 1875–85 (verso)
Lakshmi, goddess of prosperity (Shri Shri Lakshmi, Lithograph with watercolor on paper, India, Kolkata, West Bengal
Lakshmi, goddess of prosperity (Shri Shri Lakshmi
India, Kolkata, West Bengal
ca. 1880
Durga holding the infant Krishna (Deva Gostha), Chromolithograph on paper, India, Kolkata, West Bengal
Durga holding the infant Krishna (Deva Gostha)
India, Kolkata, West Bengal
ca. 1885–95
Shiva as Lord of the Universe in Benares (Kashi Vishvanatha) , Lithograph with watercolor on paper, India, Kolkata, West Bengal
Shiva as Lord of the Universe in Benares (Kashi Vishvanatha)
India, Kolkata, West Bengal
ca. 1880–1900
Krishna (Shri Shri Guranga Avatara), Chromolithographic on paper, India, Kolkata, West Bengal
Krishna (Shri Shri Guranga Avatara)
India, Kolkata, West Bengal
1895
Diptych of Kali / Tara, wrathful protectors, Calcutta Art Studio, Chromolithographic on paper, India, Kolkata, West Bengall
Diptych of Kali / Tara, wrathful protectors
Calcutta Art Studio
1885–90
Krishna as the Lord of the World (Shri Shri Jagannatha), Chromolithographic on paper, India, Kolkata, West Bengal
Krishna as the Lord of the World (Shri Shri Jagannatha)
India, Kolkata, West Bengal
ca. 1890
Tara, a form of Kali (Tara Thakoorani), Gouache and ink on paper, India, Kolkata, West Bengal
Tara, a form of Kali (Tara Thakoorani)
India, Kolkata, West Bengal
early 20th century
Durga slaying the demon Mahisha (Mahishasuramardini), Krishna Chandra, Relief print with watercolor on paper, India, Kolkata, West Bengal
Durga slaying the demon Mahisha (Mahishasuramardini)
Krishna Chandra
1850–70
Matangi, an esoteric form of Parvati, Sasadhar Banarjee Indian, Lithograph with watercolor on paper, India, Kolkata, West Bengal
Matangi, an esoteric form of Parvati
Sasadhar Banarjee
ca. 1880–85
Krishna Venugopala and Radha in a wooded glade (Shri Shri Radha Krishna), Krishnahari Das, Lithograph with watercolor on paper, India, Kolkata, West Bengal
Krishna Venugopala and Radha in a wooded glade (Shri Shri Radha Krishna)
Krishnahari Das
1880
Kali, the wrathful protector, Chromolithograph with watercolor on paper, Indial, Kolkata, West Bengal
Kali, the wrathful protector
Indial, Kolkata, West Bengal
ca. 1879
Shiva seated on the bull Nandin, Watercolor on paper, India, Kolkata, West Bengal
Shiva seated on the bull Nandin
India, Kolkata, West Bengal
late 19th century
Jagadhatri, a benign form of Durga-Kali, Lithograph with watercolor on paper, India, Kolkata, West Bengal
Jagadhatri, a benign form of Durga-Kali
India, Kolkata, West Bengal
1878–83
Ganesha transcribing the Mahabharata (Shri Shri Ganesh), Lithograph with watercolor on paper, India, Kolkata, West Bengal
Ganesha transcribing the Mahabharata (Shri Shri Ganesh)
India, Kolkata, West Bengal
1878–83
Savitri, emblematic of ideal womanhood, Lithograph, printed in black and hand-coloring with watercolor and selectively applied glaze, India, Kolkata, West Bengal
Savitri, emblematic of ideal womanhood
India, Kolkata, West Bengal
1878–83
Sketchbook of One Hundred Women (Manga hyakujo) 漫画百女, Aikawa Minwa 合川珉和 Japanese, Woodblock printed book; ink and color on paper, Japan
Sketchbook of One Hundred Women (Manga hyakujo) 漫画百女
Aikawa Minwa 合川珉和
1814, ninth month (Bunka 11)
Kōrin's painting style (Kōrin gashiki) 光琳画式, Aikawa Minwa 合川珉和 Japanese, Woodblock printed book; ink and color on paper, Japan
Kōrin's painting style (Kōrin gashiki) 光琳画式
Aikawa Minwa 合川珉和
1818, first month (Bunka 15)
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”, Morikawa Kyoriku (Kyoroku) 森川許六 Japanese, Hanging scroll; ink on paper, Japan
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”
Morikawa Kyoriku (Kyoroku) 森川許六
after 1705
Album of Thirty-Two Triptychs of Polychrome Woodblock Prints by Various Artists, Toyohara Kunichika Japanese, Album of thirty-two triptychs of woodblock prints; ink and color on paper, Japan
Album of Thirty-Two Triptychs of Polychrome Woodblock Prints by Various Artists
Multiple artists/makers
1883–86
Robe, Resist-dyed and painted (bingata) silk crepe, Japan (Okinawa, Ryūkyū Islands)
Robe
Japan (Okinawa, Ryūkyū Islands)
19th century