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Showing 76 results for Lafarge

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Parasol, Lafarge, silk, wood, metal, marble, enamel, French — Parasol
Lafarge
1890–99

Peonies Blown in the Wind, John La Farge American, Leaded opalescent glass, American — Peonies Blown in the Wind
John La Farge
ca. 1880

Flintlock Sporting Gun of Empress Margarita Teresa of Spain (1651–1673), Jacques Lamarre French, Steel, wood (burl walnut), silver, copper alloy, gold, Austrian, Vienna — Flintlock Sporting Gun of Empress Margarita Teresa of Spain (1651–1673)
Jacques Lamarre
ca. 1670–73

Nocturne, John La Farge American, Watercolor, gouache, and charcoal on off-white wove paper
adhered to wove paper, American — Nocturne
John La Farge
ca. 1885

Side chair (one of a pair), Jean-Baptiste III Lelarge French, Carved and gilded beechwood, French, Paris — Side chair (one of a pair)
Jean-Baptiste III Lelarge
ca. 1775–80

Side chair (one of a pair), Jean-Baptiste III Lelarge French, Carved and gilded beechwood, French, Paris — Side chair (one of a pair)
Jean-Baptiste III Lelarge
ca. 1775–80

Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York, John La Farge American, Leaded opalescent glass, cloisonne glass, copper wire, paint, American — Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York
John La Farge
1908–9

Orange Branch, John La Farge American, Oil on canvas, American — Orange Branch
John La Farge
ca. 1883

The Muse of Painting, John La Farge American, Oil on canvas, American — The Muse of Painting
John La Farge
1870

Stained Glass, John La Farge American, Leaded opalescent glass, American — Stained Glass
John La Farge
ca. 1881–82

Autumn Study, View over Hanging Rock, Newport, R.I., John La Farge American, Oil on canvas, American — Autumn Study, View over Hanging Rock, Newport, R.I.
John La Farge
1868

Portrait of the Painter, John La Farge American, Oil on wood panel, American — Portrait of the Painter
John La Farge
1859

Firescreen, John La Farge American, Leaded opalescent glass, brass, American — Firescreen
John La Farge
1884

Porringer with cover (Écuelle), Philippe Lafourge, Silver, French, Toulouse — Porringer with cover (Écuelle)
Philippe Lafourge
1759

La croix rouge, Lucien Laforge French, Color lithograph — La croix rouge
Lucien Laforge
n.d.

La marraine, Lucien Laforge French, Color lithograph — La marraine
Lucien Laforge
n.d.

Essais de Gravûre: Livre Premier, Livre Second, Livre Troisieme, R. Lafage French, Engraving — Essais de Gravûre: Livre Premier, Livre Second, Livre Troisieme
Multiple artists/makers
1703–8

Transom window from the entrance hall of the Worsham-Rockefeller House

John La Farge

ca. 1881–82

Daybed (duchesse en bateau), Jean-Baptiste II Lelarge French, Carved and gilded beechwood, silk velvet upholstery, brass casters, French — Daybed (duchesse en bateau)
Jean-Baptiste II Lelarge
1770

Wild Roses and Irises, John La Farge American, Gouache and watercolor on white wove paper, American — Wild Roses and Irises
John La Farge
1887

The Island of Moorea Looking across the Strait from Tahiti, January 1891, John La Farge American, Watercolor, gouache and graphite on heavy tan wove paper, American — The Island of Moorea Looking across the Strait from Tahiti, January 1891
John La Farge
1891

Paradise Rocks—Study at Paradise, Newport, Rhode Island, John La Farge American, Watercolor, gouache and gum arabic on white wove paper, American — Paradise Rocks—Study at Paradise, Newport, Rhode Island
John La Farge
1884

Sheep Porcupine Island, Bar Harbor, Maine, Evening Study, August 29, 1896, John La Farge American, Watercolor and gouache on off-white wove paper laid down on
off-white wove paper., American — Sheep Porcupine Island, Bar Harbor, Maine, Evening Study, August 29, 1896
John La Farge
1896

Angel Sealing the Servants of God (Study for the Anna, Margaret Sherman and Gertrude Van Dalfsen Memorial Window, Trinity Church, Buffalo, N.Y.), John La Farge American, Graphite on tracing paper, American — Angel Sealing the Servants of God (Study for the Anna, Margaret Sherman and Gertrude Van Dalfsen Memorial Window, Trinity Church, Buffalo, N.Y.)
John La Farge
1889

A Bacchante, John La Farge American, Gouache, watercolor, and graphite on off-white wove paper, American — A Bacchante
John La Farge
1897

Portrait of Faase, the Taupo, or Official Virgin, of Fagaloa Bay, and Her Duenna, Samoa, John La Farge American, Watercolor and gouache and graphite on off-white Japan-type paper, American — Portrait of Faase, the Taupo, or Official Virgin, of Fagaloa Bay, and Her Duenna, Samoa
John La Farge
1891 (?)

"Welcome": Study for a Window, John La Farge American, Graphite, fixative layer, on off-white wove paper, laid down on pulpboard, American — "Welcome": Study for a Window
John La Farge
1909

Girls Carrying a Canoe, Vaiala in Samoa, John La Farge American, Watercolor, gouache, and graphite on off-white wove paper, American — Girls Carrying a Canoe, Vaiala in Samoa
John La Farge
1891

The Recording of Precedents: Confucius and His Pupils Collate and Transcribe Documents in Their Favorite Grove; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul, John La Farge American, Gouache, watercolor, gum arabic, and graphite on tan wove paper, American — The Recording of Precedents: Confucius and His Pupils Collate and Transcribe Documents in Their Favorite Grove; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul
John La Farge
1903

The Relation of the Individual to the State: Socrates and His Friends Discuss "The Republic," as in Plato's Account; Color Study for Mural, Supreme Court Room, Saint Paul, Minnesota State Capitol, Saint Paul, John La Farge American, Gouache, watercolor, and graphite on light tan wove paper, American — The Relation of the Individual to the State: Socrates and His Friends Discuss "The Republic," as in Plato's Account; Color Study for Mural, Supreme Court Room, Saint Paul, Minnesota State Capitol, Saint Paul
John La Farge
1903

Marine, John La Farge American, Watercolor and gouache on off-white wove paper, American — Marine
John La Farge
1883 (?)

The Strange Thing Little Kiosai Saw in the River, John La Farge American, Watercolor and gouache on Japanese tissue laid down on white wove paper, American — The Strange Thing Little Kiosai Saw in the River
John La Farge
1897

Three Saints (Alternate Study for Chapel Windows, Caldwell House, Newport), John La Farge American, Watercolor and gouache on white wove paper mounted on gray pulpboard, with cut-out "mat" of off-white laid paper, American — Three Saints (Alternate Study for Chapel Windows, Caldwell House, Newport)
John La Farge
ca. 1886–87

Double Study of Dawn, Moorea Seen across the Water, Tahiti, John La Farge American, Watercolor, gouache and graphite on laid paper, American — Double Study of Dawn, Moorea Seen across the Water, Tahiti
John La Farge
1891

Study for Glass (Celtic Jeweled Cross in Arabesque), John La Farge American, Watercolor and graphite on heavy white paper mounted on tan cardboard, American — Study for Glass (Celtic Jeweled Cross in Arabesque)
John La Farge
ca. 1881–82

Stained Glass Lunette from the Cornelius Vanderbilt II House, New York, John La Farge American, Leaded opalescent glass, American — Stained Glass Lunette from the Cornelius Vanderbilt II House, New York
John La Farge
ca. 1880–82

The Adjustment of Conflicting Interests: Count Raymond of Toulouse Swears at the Altar to Observe the Liberties of the City;ì Color Study for Mural, Supreme Court Room, Minnesota State Capitol,ì Saint Paul, John La Farge American, Gouache, watercolor, and graphite on white wove paper, American — The Adjustment of Conflicting Interests: Count Raymond of Toulouse Swears at the Altar to Observe the Liberties of the City;ì Color Study for Mural, Supreme Court Room, Minnesota State Capitol,ì Saint Paul
John La Farge
1903

A Brittany Beadle—Sketch from Nature, John La Farge American, Watercolor and gouache with graphite on brown wove paper, American — A Brittany Beadle—Sketch from Nature
John La Farge
1856

The Great Statue of Amida Buddha at Kamakura, Known as the Daibutsu, from the Priest's Garden, John La Farge American, Watercolor and gouache on off-white wove paper, American — The Great Statue of Amida Buddha at Kamakura, Known as the Daibutsu, from the Priest's Garden
John La Farge
1887

The Moral and Divine Law: Moses Receives the Law on Mount Sinai; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul, John La Farge American, Watercolor, gouache with gum arabic, and graphite on olive-green wove paper, American — The Moral and Divine Law: Moses Receives the Law on Mount Sinai; Color Study for Mural, Supreme Court Room, Minnesota State Capitol, Saint Paul
John La Farge
1903