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Showing 189 results for Lazzaro Casario
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Elisabetta Bianchini Vizzani, Lazzaro Casario  Italian, Marble, Italian, Bologna
Lazzaro Casario
1589
Albarello, Lazzaro workshop, Maiolica (tin-glazed earthenware), Italian, Palermo, Sicily
Lazzaro workshop
second half 16th century
Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist, Lazzaro Tavarone  Italian, Pen and brown ink, pale brown wash, over black chalk, on gray-green paper. Squared in black chalk
Lazzaro Tavarone
1556–1641
The Sacrifice of Noah, Lazzaro Baldi  Italian, Pen and black ink, brush and gray wash; squared in red chalk
Lazzaro Baldi
1642–1703
Allegorical Female Figure Holding a Branch and a Dish, Lazzaro Tavarone  Italian, Pen and brown ink, brush and pale brown wash, highlighted with white, over black chalk, on blue paper. Faintly squared in black chalk
Lazzaro Tavarone
1556–1641
Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches, Lazzaro Tavarone  Italian, Pen and brown ink, brush and brown wash, over black chalk; squared in black chalk
Lazzaro Tavarone
1576–1641
Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration, Lazzaro Baldi  Italian, Brush and brown wash, highlighted with white, over black chalk, on brown-washed paper.  Lined
Lazzaro Baldi
1622–1703
George Szymonowitz
Lazzaro Baldi
ca. 1730
George Szymonowitz
Lazzaro Baldi
ca. 1730
George Szymonowitz
Lazzaro Baldi
ca. 1730
George Szymonowitz
Lazzaro Baldi
ca. 1730
Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 5: Emperor Claudius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio, Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 9: Emperor Vitellus on Horseback, from  'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10, Antonio Tempesta  Italian, Etching; first state of two (Bartsch)
Antonio Tempesta
Giovanni Battista di Lazzaro Panzera da Parma
1596
Christ falling on the road to Calvary, from two plates, Giovanni Battista Fontana  Italian, Etching and engraving
Multiple artists/makers
ca 1560–73 (re-published 1584)
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
workshop of Giovanni Maria Vasaro
1508
An Ear of Mud, An Ear of Paste, Abdel Hadi El-Gazzar  Egyptian, Oil on paperboard
Abdel Hadi El-Gazzar
1951
Carbine with Flintlock alla Fiorentina, Carlo Bottarelli  Italian, Steel, wood (walnut), Italian, Brescia
Carlo Bottarelli
Giovanni Lazzarino Cominazzo
ca. 1660–70
Dish (coppa), workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
workshop of Giovanni Maria Vasaro
ca. 1510–20
Roundel (tondo), workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
workshop of Giovanni Maria Vasaro
ca. 1510–20
Dish (coppa): The story of Aeneas: Queen Dido of Carthage welcomes Aeneas and his son., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
workshop of Giovanni Maria Vasaro
ca. 1520
Untitled, Enrique Castro-Cid  Chilean, Colored pencil, graphite and matte opaque paint on board
Enrique Castro-Cid
1967
Tree of Signs, Miguel Castro Leñero  Mexican, Oil and sand on canvas
Miguel Castro Leñero
1987
Giorgio Vasari
1927
Giorgio Vasari
1927
Giorgio Vasari
1927
Giorgio Vasari
1927
Portrait of a Man in a Monastic Habit, Bartolommeo Nazari (Nazzari)  Italian, Black chalk, stumped, highlighted with white, on gray-green paper
Bartolommeo Nazari (Nazzari)
1699–1758
Portrait of a Man Wearing a Wig, Bartolommeo Nazari (Nazzari)  Italian, Black chalk, stumped, highlighted with white, on gray-green paper
Bartolommeo Nazari (Nazzari)
1699–1758
Portrait of a Man in a Cap, Bartolommeo Nazari (Nazzari)  Italian, Black chalk, stumped, highlighted with white, on faded gray-green paper
Bartolommeo Nazari (Nazzari)
1699–1758
Clarinet in B-flat, Henri Selmer  French, African blackwood, nickel-silver, French
Henri Selmer
Rosario Mazzeo
ca. 1972
Aloysius Casparo/ Cesena
19th century