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Showing 5,097 results for Leonardo da Vinci
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A Bear Walking, Leonardo da Vinci  Italian, silverpoint on light buff prepared paper
Leonardo da Vinci
ca. 1482–85
The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)  Dutch, Red chalk
Rembrandt (Rembrandt van Rijn)
1634–35
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci  Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Leonardo da Vinci
1510–13
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci  Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Leonardo da Vinci
1480–85
Leonardo da Vinci (1452–1519), Antonio Berini, Glass and gold, Italian, Rome
Antonio Berini
early 19th century
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", Leonardo da Vinci  Italian, Aquatint and etching
Leonardo da Vinci
1786
Léonard-Girard Hérard
Paris Mint
17th and 20th century
Madonna and Child Enthroned with Saints, Raphael (Raffaello Sanzio or Santi)  Italian, Oil and gold on wood
Raphael (Raffaello Sanzio or Santi)
ca. 1504
The Head of a Grotesque Man in Profile Facing Right, Leonardo da Vinci  Italian, Pen and brown ink, on off-white paper (now darkened)
Leonardo da Vinci
after 1500
Head of a Man in Profile Facing to the Left, Leonardo da Vinci  Italian, Pen and brown ink, over soft black chalk
Leonardo da Vinci
1490–94
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci  Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
Leonardo da Vinci
ca. 1506–8
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci  Italian, Pen and brown ink (recto and verso)
Leonardo da Vinci
1496
Traitté de la Peinture, Leonardo da Vinci  Italian, Printed book
Multiple artists/makers
1651
Divina proportione, Leonardo da Vinci  Italian, Book with woodcut illustrations
Multiple artists/makers
June 1, 1509
Luigi Cossa
19th century
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
Leonardo da Vinci
Giovanni Antonio da Brescia
ca. 1580–1620
Multiple artists/makers
1780–1830
Multiple artists/makers
1682–95
Diana the Huntress, Giampietrino (Giovanni Pietro Rizzoli)  Italian, Oil on wood
Giampietrino (Giovanni Pietro Rizzoli)
Allegory of Painting (The Death of Leonardo da Vinci), Giuseppe Cades  Italian, Etching
Giuseppe Cades
Leonardo da Vinci
ca. 1780–99
Portrait of a Man, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)  Italian, Oil on wood
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
shortly after 1497
The Death of Leonardo da Vinci, Joseph Théodore Richomme  French, Etching and engraving
Multiple artists/makers
ca. 1825
Saints Peter, Martha, Mary Magdalen, and Leonard, Correggio (Antonio Allegri)  Italian, Oil on canvas
Correggio (Antonio Allegri)
ca. 1515
The Adoration of the Magi, Quinten Massys  Netherlandish, Oil on wood
Quinten Massys
1526
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer  German, Woodcut
Albrecht Dürer
Leonardo da Vinci
before 1521
Head of Christ, Fernando Yáñez de la Almedina  Spanish, Oil on poplar
Fernando Yáñez de la Almedina
ca. 1506
The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan
Caradosso (Cristoforo Caradosso Foppa)
Leonardo da Vinci
16th century
The Penitent Saint Mary Magdalen, Terracotta with remains of gesso and gilding, Italian, Florence
Italian, Florence
late 16th–early 17th century
Madonna and Child, Andrea del Verrocchio  Italian, Tempera and gold on wood
Andrea del Verrocchio
ca. 1470
Head of a man with serious expression, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1644–52
Head of a bald, sinewy man looking downwards, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1648
Head studies, Wenceslaus Hollar  Bohemian, Etching; second state of two; later printing
Wenceslaus Hollar
Leonardo da Vinci
1645
Male head in profile to left with muscles exposed, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1660
Skull in profile to right, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1645
Ecorche head of a man in profile to left, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1660
Grotesque old man with flattened nose in profile to left, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1644–52
Male torso from neck to hip in profile to left, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1645
Head of an old man wearing cap in profile to left, Wenceslaus Hollar  Bohemian, Etching; only state
Wenceslaus Hollar
Leonardo da Vinci
1644–52
Man with doleful expression to left with hand emerging from cloak, Wenceslaus Hollar  Bohemian, Etching;  first state of two
Wenceslaus Hollar
Leonardo da Vinci
1644–52