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Showing 3,242 results for Luca Signorelli

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The Assumption of the Virgin with Saints Michael and Benedict, Luca Signorelli and Workshop Italian, Oil and gold on wood — The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli
ca. 1493–96

Madonna and Child, Luca Signorelli (Luca d'Egidio di Luca di Ventura) Italian, Oil and gold on wood — Madonna and Child
Luca Signorelli (Luca d'Egidio di Luca di Ventura)
ca. 1505–7

Head of a Man in Profile

Luca Signorelli (Luca d'Egidio di Luca di Ventura)

1490s

Madonna and Child with Two Angels, Cosimo Rosselli Italian, Tempera and gold on wood — Madonna and Child with Two Angels
Cosimo Rosselli
early 1480s

Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci) Italian, Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink. — Study of the Head of a Youth Gazing Upward
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century

Madonna and Child with Scroll, Luca della Robbia Italian, Glazed terracotta, Italian, Florence — Madonna and Child with Scroll
Luca della Robbia
ca. 1455

Virgin and Child in a niche, Luca della Robbia Italian, Glazed terracotta with gilt and painted details, Italian, Florence — Virgin and Child in a niche
Luca della Robbia
ca. 1460

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, Luca Carlevaris Italian, Oil on canvas — The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
Luca Carlevaris
ca. 1709

The Molo, Venice, Looking West, Luca Carlevaris Italian, Oil on canvas — The Molo, Venice, Looking West
Luca Carlevaris
ca. 1709

The Molo, Venice, from the Bacino di San Marco, Luca Carlevaris Italian, Oil on canvas — The Molo, Venice, from the Bacino di San Marco
Luca Carlevaris
ca. 1709

Piazza San Marco, Venice, Luca Carlevaris Italian, Oil on canvas — Piazza San Marco, Venice
Luca Carlevaris
ca. 1709

The Flight into Egypt, Luca Giordano Italian, Oil on canvas — The Flight into Egypt
Luca Giordano
1701

The Annunciation, Luca Giordano Italian, Oil on canvas — The Annunciation
Luca Giordano
1672

The Almighty with Angels, Luca Giordano Italian, Pen and brown ink, brown wash, over black chalk sketch. — The Almighty with Angels
Luca Giordano
ca. 1650–69

A Glory of Angels, Luca Giordano Italian, Pen and brown ink, brown wash, over black chalk sketch. — A Glory of Angels
Luca Giordano
ca. 1650–69

Fame, Luca Cambiaso (?) Italian, Pen and brown ink, brown wash, over traces of black chalk. — Fame
Luca Cambiaso
mid- to late 16th century

Saint Matthew and the Angel, Luca Cambiaso (?) Italian, Pen and brown ink, brown wash over traces of brown chalk (?); squared in red chalk — Saint Matthew and the Angel
Luca Cambiaso
1583–85

Madonna and Child, Luca di Tommè di Nuto Italian, Tempera on wood, transferred from wood, gold ground — Madonna and Child
Luca di Tommè di Nuto
ca. 1360–65

Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse) — Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400

A Saint, Possibly James the Greater, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera and gold on wood — A Saint, Possibly James the Greater
Spinello Aretino (Spinello di Luca Spinelli)
1384–85

Saint Philip, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera and gold on wood — Saint Philip
Spinello Aretino (Spinello di Luca Spinelli)
1384–85

Design for a Circular Border with Nine Female Figures (the Muses?), Luca Penni Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; circular outlines done with compass, and the paper is sectioned into five fragments. — Design for a Circular Border with Nine Female Figures (the Muses?)
Luca Penni
1525–35

Christ in Limbo, Luca Penni Italian, Black chalk, pen and brown ink, brush and brown wash, highlighted with brush and white gouache, on paper prepared with pale brown wash; outlines incised for transfer — Christ in Limbo
Luca Penni
ca. 1547–48

Apollo Driving the Chariot of the Rising Sun, Luca Cambiaso Italian, Pen and brown ink, brush and brown wash, over black chalk; squared in red chalk — Apollo Driving the Chariot of the Rising Sun
Luca Cambiaso
1527–85

"Luca Bassa" Lamp

Ettore Sottsass

1985

Study of Two Male Figures Fighting, Luca Cambiaso Italian, Pen and dark brown ink over graphite — Study of Two Male Figures Fighting
Luca Cambiaso
mid-16th century

Cardinal Lorenzo Magalotti receiving homage of arts and sciences, Luca Ciamberlano Italian, Engraving — Cardinal Lorenzo Magalotti receiving homage of arts and sciences
Luca Ciamberlano
1628

The Triumph of Amphitrite, Luca Cambiaso Italian, Woodcut — The Triumph of Amphitrite
Luca Cambiaso
ca. 1550–1580

Le Fabriche, e vedute di Venetia, Luca Carlevaris Italian, plates: etching — Le Fabriche, e vedute di Venetia
Luca Carlevaris
Giovanni Battista Finazzi
1703

Christ kneels and writes on the pavement at center and a woman taken in adultery by three soldiers at right, Luca Giordano Italian, Etching — Christ kneels and writes on the pavement at center and a woman taken in adultery by three soldiers at right
Luca Giordano
1653

Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
Vincenzo Scamozzi
1703

Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
Alessandro Tremignon
1703

Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
1703

Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia), Luca Carlevaris Italian, Etching — Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Luca Carlevaris
Sebastiano Serlio
1703

Christ and the Woman of Samaria at the Well, Luca Cambiaso Italian, Brush and ink — Christ and the Woman of Samaria at the Well
Luca Cambiaso
1527–85