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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 699 results for Ludovico Fogliani

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Musica Theorica

Ludovico Fogliani

Jo Antonium & Fratres de Sabio (Nicolini)

1529

The Denial of Saint Peter, Ludovico Carracci Italian, Oil on canvas — The Denial of Saint Peter
Ludovico Carracci
ca. 1616

Madonna and Child with Saints, Ludovico Carracci Italian, Oil on copper — Madonna and Child with Saints
Ludovico Carracci
1607

The Lamentation, Ludovico Carracci Italian, Oil on canvas — The Lamentation
Ludovico Carracci
ca. 1582

Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto Italian — Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata
Multiple artists/makers
1584

The Lamentation, Ludovico Mazzolino Italian, Oil on wood — The Lamentation
Ludovico Mazzolino
ca. 1514–16

Angel, Ludovico del Duca Italian, Rome, Copper alloy, with brown patina under a grayish lacquer and various spots of<br/>bright green corrosion — Angel
Ludovico del Duca
ca. 1590–1600

Candlestick (one of a pair), Ludovico Barchi, Silver, Italian, Rome — Candlestick (one of a pair)
Ludovico Barchi
1716–30

Candlestick (one of a pair), Ludovico Barchi, Silver, Italian, Rome — Candlestick (one of a pair)
Ludovico Barchi
1716–30

Snuffers and tray, Ludovico Barchi, Silver, Italian, Rome — Snuffers and tray
Ludovico Barchi
1716–30

The Adoration of the Shepherds with Saint Catherine of Alexandria, Cigoli (Ludovico Cardi) Italian, Oil on canvas — The Adoration of the Shepherds with Saint Catherine of Alexandria
Cigoli (Ludovico Cardi)
1599

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Ludovico Gonzaga III (1414–1478), Pisanello (Antonio Pisano) Italian, Bronze, Italian — Ludovico Gonzaga III (1414–1478)
Pisanello (Antonio Pisano)
1447

The Conversion of Saint Paul, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash — The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89

Ludovico Dominichi

Domenico Poggini

16th century

Ludovico Scarampi (or Mezzarota), 1402–1465, Cristoforo di Geremia Italian, Bronze, Italian — Ludovico Scarampi (or Mezzarota), 1402–1465
Cristoforo di Geremia
1461–70

Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling, Ludovico Ottavio Burnacini Italian, Etching — Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling
Ludovico Ottavio Burnacini
ca. 1650–1700

Ludovico Ariosto, Poet of Ferrara (1474–1533), Pastorino di Giovan Michele de' Pastorini, Bronze, Italian — Ludovico Ariosto, Poet of Ferrara (1474–1533)
Pastorino di Giovan Michele de' Pastorini
16th century

Allegory of Religion (God the Father above, Faith, Hope, and Charity below), Ludovico Lana Italian, Pen and brown ink, brush and brown and rose-brown wash, highlighted with white, on brownish paper — Allegory of Religion (God the Father above, Faith, Hope, and Charity below)
Ludovico Lana
1597–1646

Study for Ex-voto Picture, Ludovico Lana Italian, Pen and brown ink, brush and brown wash with faint lavender — Study for Ex-voto Picture
Ludovico Lana
1597–1646

The Last Communion of Saint Jerome, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk — The Last Communion of Saint Jerome
Ludovico Carracci
1555–1619

Roland Furieux, Poëme Héroique de l'Arioste, Ludovico Ariosto Italian, Engraving — Roland Furieux, Poëme Héroique de l'Arioste
Multiple artists/makers
1775–76

Landscape, after Lorrain, Ludovico Caracciolo Italian, Etching and aquatint — Landscape, after Lorrain
Ludovico Caracciolo
Claude Lorrain (Claude Gellée)
19th century

Il Modo de temperare le Penne..., Ludovico Arrighi Italian, Woodcuts — Il Modo de temperare le Penne...
Multiple artists/makers
1523

Seascape, after Claude Lorrain's "Liber Veritatis", Ludovico Caracciolo Italian, Etching and aquatint printed in brown ink — Seascape, after Claude Lorrain's "Liber Veritatis"
Ludovico Caracciolo
Claude Lorrain (Claude Gellée)
1815

Wilton album, folio 39b: The Virgin Nursing the Christ Child

Ludovico Carracci

Pietro Stefanoni

1592

Wilton album, folio 39c: The Virgin and Child with Angels

Ludovico Carracci

Pietro Stefanoni

1590–1605

Ludovico XV, dedication page, Jean Daullé French, Etching — Ludovico XV, dedication page
Jean Daullé
Edme Bouchardon
1739

Wilton album, folio 39a: The Virgin and Child with the Infant John the Baptist

Ludovico Carracci

Pietro Stefanoni

1602–4

Portrait of Ludovico Leoni

Ottavio Leoni (Il Padovano)

Ludovico Leoni

1625

Plate with Saint Matthew, Workshop of Ludovico and Angelo Picchi Italian, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Plate with Saint Matthew
Workshop of Ludovico and Angelo Picchi
ca. 1550–60

Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso)

Cigoli (Ludovico Cardi)

1607–13

Head of Christ, Cigoli (Ludovico Cardi) Italian, Oil paint on a sheet of paper that had previous writing by the artist in pen and brown ink (surface varnished) — Head of Christ
Cigoli (Ludovico Cardi)
1559–1613

Religion Kneeling before a Monstrance, Attended by Putti, Cigoli (Ludovico Cardi) Italian, Pen and brown ink, brush and brown wash, over black chalk — Religion Kneeling before a Monstrance, Attended by Putti
Cigoli (Ludovico Cardi)
1559–1613

Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence, Cigoli (Ludovico Cardi) Italian, Pen and brown ink, brush with brown and blue-green washes — Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence
Cigoli (Ludovico Cardi)
Bernardo Buontalenti (Bernardo delle Girandole)
1589

Design in Elevation for the Façade of a Building, Cigoli (Ludovico Cardi) Italian, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk — Design in Elevation for the Façade of a Building
Cigoli (Ludovico Cardi)
1590–1610

Turkish Camp Before a Christian City, Ludovico Ottavio Burnacini Italian, Engraving — Turkish Camp Before a Christian City
Ludovico Ottavio Burnacini
second half 17th century

Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso), Cigoli (Ludovico Cardi) Italian, Pen and brown ink, brush and brown wash, over black chalk; squared in pen and brown ink; accidental white paint stains (recto); pen and brown ink (verso) — Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)
Cigoli (Ludovico Cardi)
n.d.

On loan to The Met

Crab on a base with heads of children and lions' paws

Ludovico del Duca

late 16th century

Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl, Mathäus Küsel German, Etching — Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl
Mathäus Küsel
Ludovico Ottavio Burnacini
ca. 1660–82