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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 88 results for Manuel Alvarez Bravo
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Retrato póstumo
Manuel Alvarez Bravo
1935
Los Obstaculos
Manuel Alvarez Bravo
1939, printed ca. 1976
El Soñador
Manuel Alvarez Bravo
1931
Obrero en huelga asesinado
Manuel Alvarez Bravo
1934, printed ca. 1976
Los Agachados
Manuel Alvarez Bravo
1934, printed ca. 1975
La de las Bellas Artes
Manuel Alvarez Bravo
1931, printed 1960s
La Buena Fama Durmiendo
Manuel Alvarez Bravo
1939, printed ca. 1970s
Niño Orinando
Manuel Alvarez Bravo
1927
Visitación
Manuel Alvarez Bravo
1964–65, printed ca. 1965
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Still from the film 'Enemigos' (1933) from the portfolio 'Homenaje a Gabriel Figueroa'
Gabriel Figueroa
1990
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
The Immaculate Conception
Guido Reni
1627
Saint Paul standing, facing left
Santiago Alvarez
1862 [reprinted 1938]
The Vision of Saint John
El Greco (Domenikos Theotokopoulos)
ca. 1608–14
Interior, Cape Cod
Walker Evans
1931
View of Toledo
El Greco (Domenikos Theotokopoulos)
ca. 1599–1600
[Cinema Entrance with Movie Poster ("A Farewell to Arms"), Havana]
Walker Evans
1933
Cinema
Walker Evans
1933, printed ca. 1970
Citizen in Downtown Havana
Walker Evans
1933
Scarborough, New York
Walker Evans
1931
Room in Louisiana Plantation House
Walker Evans
March 1935
[Votive Candles, New York City]
Walker Evans
1929–30
People in Downtown Havana
Walker Evans
1933
The Adoration of the Shepherds
El Greco (Domenikos Theotokopoulos)
ca. 1605–10
Portrait of an Old Man
El Greco (Domenikos Theotokopoulos)
ca. 1595–1600
Plate 38 from "Los Caprichos": Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
1799
The Adoration of the Shepherds
El Greco (Domenikos Theotokopoulos) and Workshop
ca. 1612–14
Skeleton wearing a hat and carrying a towel
José Guadalupe Posada
ca. 1880–1910
A group of men sweeping the street
José Guadalupe Posada
ca. 1880–1910
A man holding a bottle and guitar and another man with both hands raised, from a broadside entitled 'Versos de lino matadas', published by Antonio Vanegas Arroyo
José Guadalupe Posada
ca. 1880–1910
Jesús Bruno Martinez escaping from jail, from a broadside entitled 'La Fuga de Jesús Bruno Martinez de la Gárcel de Belen'
José Guadalupe Posada
ca. 1880–1910
A man on a bicyle running over people, from a broadside entitled 'La Bicicleta'
José Guadalupe Posada
ca. 1880–1910
Skeleton standing in a pulpit, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
Skeleton sitting on a chair and reading a newspaper, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
A group of people looking at Mexico City
José Guadalupe Posada
ca. 1880–1910
Skeleton firing a canon, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
Skeleton playing the guitar, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.
José Guadalupe Posada
ca. 1889–1895
License Photo Studio, New York
Walker Evans
1934
Chaos during an earthquake
José Guadalupe Posada
ca. 1894