Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 9,017 results for Marin Le Bourgeois

Sort by:

Flintlock Gun of Louis XIII (1601–1643), King of France, Pierre Le Bourgeois French, Steel, brass, silver, gold, wood (walnut), mother-of-pearl, French, Lisieux — Flintlock Gun of Louis XIII (1601–1643), King of France
Pierre Le Bourgeois
Marin Le Bourgeois
ca. 1620

Pair of Wheellock Pistols, Pierre Le Bourgeois French, Steel, gold, wood, silver, mother-of-pearl, French, Lisieux — Pair of Wheellock Pistols
Pierre Le Bourgeois
ca. 1610–20

He Disappeared into Complete Silence, Louise Bourgeois American, Engraving and drypoint with letterpress in a linen portfolio cover — He Disappeared into Complete Silence
Louise Bourgeois
1947

Point of Contact, Louise Bourgeois American, Bronze — Point of Contact
Louise Bourgeois
1967–68

Seasons and Elements (Air) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris — Seasons and Elements (Air) (set of four)
Multiple artists/makers
ca. 1683

Eyes, Louise Bourgeois American, Marble — Eyes
Louise Bourgeois
1982

Untitled, Louise Bourgeois American, Silicone rubber — Untitled
Louise Bourgeois
1994

The Sweet Smell of Indigo, Louise Bourgeois American, Watercolor, charcoal, and opaque watercolor on paper — The Sweet Smell of Indigo
Louise Bourgeois
1968

Storm at Saint Honoré (State VIII), Louise Bourgeois American, Engraving and drypoint on paper, A.P. 9/25 — Storm at Saint Honoré (State VIII)
Louise Bourgeois
Harlan & Weaver, Inc.
1993

A Flower in the Forest, Louise Bourgeois American, Color lithograph — A Flower in the Forest
Louise Bourgeois
Solo Impressions, Inc.
1997

Les curiositez de Paris, de Versailles, de Marly, de Vincennes, de S. Cloud, et des environs : avec les antiquitez justes & précises sur chaque sujet, et les adresses pour trouver facilement tout ce que ces lieux renferment d'agréable & d'utile : ouvrage enrichi d'un grand nombre de figures en taille douce, Georges Louis Le Rouge French, born Hanover — Les curiositez de Paris, de Versailles, de Marly, de Vincennes, de S. Cloud, et des environs : avec les antiquitez justes & précises sur chaque sujet, et les adresses pour trouver facilement tout ce que ces lieux renferment d'agréable & d'utile : ouvrage enrichi d'un grand nombre de figures en taille douce
Multiple artists/makers
1742

The Jabach Family, Charles Le Brun French, Oil on canvas — The Jabach Family
Charles Le Brun
ca. 1660

Admiral de Tourville (1642–1701), Joseph-Charles Marin French, Terracotta, French — Admiral de Tourville (1642–1701)
Joseph-Charles Marin
1816

Female Bust, Joseph-Charles Marin, Terracotta, on green marble pedastal. — Female Bust
Joseph-Charles Marin
ca. 1795

Female Bust, Joseph-Charles Marin, Terracotta, on green marble pedestal. — Female Bust
Joseph-Charles Marin
ca. 1795

The Repast of the Lion, Henri Rousseau (le Douanier) French, Oil on canvas — The Repast of the Lion
Henri Rousseau (le Douanier)
ca. 1907

Louise Bourgeois

1947–49, cast 1987

Trees, Rocks, Sea - Maine, John Marin American, Watercolor and fabricated chalk on paper mounted on paper with watercolor — Trees, Rocks, Sea - Maine
John Marin
1923

New York from Weehawken, New Jersey, John Marin American, Watercolor with traces of charcoal on paper — New York from Weehawken, New Jersey
John Marin
1910

Movement - Pertaining to Deer Isle, Maine - The Harbor I, John Marin American, Watercolor and fabricated chalk over graphite on paper — Movement - Pertaining to Deer Isle, Maine - The Harbor I
John Marin
1927

Mills and Footbridge, Meaux, John Marin American, Watercolor with graphite on paper — Mills and Footbridge, Meaux
John Marin
1908

Tree Forms, Maine, John Marin American, Watercolor and graphite on paper — Tree Forms, Maine
John Marin
1915

Rock and Scrub Pine, Small Point, Maine, John Marin American, Watercolor on paper — Rock and Scrub Pine, Small Point, Maine
John Marin
1916

Broadway Night, John Marin American, Watercolor, charcoal, and graphite on paper — Broadway Night
John Marin
1929

Storm, Taos Mountain, New Mexico, John Marin American, Watercolor over charcoal on paper — Storm, Taos Mountain, New Mexico
John Marin
1930

Phippsburg, Maine, John Marin American, Watercolor, charcoal, and graphite on paper — Phippsburg, Maine
John Marin
1932

A Town in Maine, John Marin American, Watercolor, charcoal, and graphite on paper mounted on paper with watercolor over graphite — A Town in Maine
John Marin
1932

Off Bald Head, Small Point, Maine, John Marin American, Watercolor, gouache, charcoal, and graphite on paper — Off Bald Head, Small Point, Maine
John Marin
1932

Headland, Cape Split, Maine, John Marin American, Watercolor, fabricated chalk, and graphite on paper — Headland, Cape Split, Maine
John Marin
1933

Young Man of the Sea, Maine, John Marin American, Watercolor and charcoal on paper — Young Man of the Sea, Maine
John Marin
1934

New York City, John Marin American, Graphite on paper — New York City
John Marin
1932

New York City, John Marin American, Watercolor and crayon and charcoal on board — New York City
John Marin
1932

New York City, John Marin American, Watercolor and crayon on paper — New York City
John Marin
1932

New York City, John Marin American, Watercolor and crayon on paper — New York City
John Marin
1932

Sea and Ledges, Green and Brown, Maine, John Marin American, Watercolor over fabricated chalk on paper — Sea and Ledges, Green and Brown, Maine
John Marin
1936

Motive, Telephone Building, New York (recto); Downtown Manhattan (verso), John Marin American, Watercolor, ink, charcoal, and graphite on paper — Motive, Telephone Building, New York (recto); Downtown Manhattan (verso)
John Marin
1936

Off Cape Split, Maine, John Marin American, Watercolor, opaque watercolor, charcoal, and graphite on paper — Off Cape Split, Maine
John Marin
1937

Bathers, Addison, Maine, John Marin American, Watercolor and opaque watercolor with graphite and orange colored pencil on paper — Bathers, Addison, Maine
John Marin
1941

Blue Mountain on the Circle Drive near Taos, John Marin American, Watercolor and opaque watercolor with traces of colored pencil on paper — Blue Mountain on the Circle Drive near Taos
John Marin
1929

Dance of the Santo Domingo Indians, John Marin American, Watercolor and crayon on paper — Dance of the Santo Domingo Indians
John Marin
1929