Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Maso da San Friano (Tommaso Manzuoli)

Sort by:

Design for a Frescoed Altarpiece of The Resurrection, Maso da San Friano (Tommaso Manzuoli) Italian, Pen and dark brown ink, brush and gray-brown wash, highlighted with white gouache, over black chalk, and compass-constructed architecture, on blue paper — Design for a Frescoed Altarpiece of The Resurrection
Maso da San Friano (Tommaso Manzuoli)
ca. 1560–71

Entombment, Maso da San Friano (Tommaso Manzuoli) Italian, Pen and brown ink, brush and brown wash, over leadpoint — Entombment
Maso da San Friano (Tommaso Manzuoli)
16th century

Saint Anthony of Padua, Maso di Banco Italian, Tempera on wood, gold ground — Saint Anthony of Padua
Maso di Banco
ca. 1340

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling Netherlandish, Oil on oak — Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)
Hans Memling
ca. 1470

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

San Gen Da Kin, Asano Tōshichi Japanese, Wood, wire, string, Japanese — San Gen Da Kin
Asano Tōshichi
19th century

Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence — Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green — Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina. — Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530

San Gimignano, Elihu Vedder American, Oil on canvas, American — San Gimignano
Elihu Vedder

Man of Sorrows, Niccolò di Tommaso Italian, Fresco transferred to canvas, Italian — Man of Sorrows
Niccolò di Tommaso
ca. 1370

San Zaccaria, Venice, Thomas Struth German, Chromogenic print — San Zaccaria, Venice
Thomas Struth
1995

Piazza San Marco, Francesco Guardi Italian, Oil on canvas — Piazza San Marco
Francesco Guardi
late 1760s

Piazza San Marco, Venice, Luca Carlevaris Italian, Oil on canvas — Piazza San Marco, Venice
Luca Carlevaris
ca. 1709

Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence — Corbel
Giuliano da Sangallo
late 15th century

A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso), Maso Finiguerra Italian, Pen and brown ink, brush and brown wash, over black chalk or leadpoint (recto and verso) — A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso)
Maso Finiguerra
1460–64

Portrait of a Man, Tommaso Fiorentino (Tommaso di Stefano Lunetti) Italian, Oil on wood — Portrait of a Man
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521

The Last Supper, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) and his workshop Italian, Intarsia, Italian, Bologna — The Last Supper
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
Jacopo [Giacomo] Barozzi da Vignola
1548

A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper — A Bear Walking
Leonardo da Vinci
ca. 1482–85

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

The Rape of Ganymede, Giovanni Bernardi da Castel Bolognese Italian, Lead, Italian — The Rape of Ganymede
Giovanni Bernardi da Castel Bolognese
16th century

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

Chapel from Le Château de la Bastie d'Urfé, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) and his workshop Italian, Walnut and intarsia of various woods, Italian, Bologna — Chapel from Le Château de la Bastie d'Urfé
Multiple artists/makers
ca. 1547–48

Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan — Barbute
Bernardino da Carnago
ca. 1475

Barbute, Pietro da Castello Italian, Steel, Italian, Brescia — Barbute
Pietro da Castello
ca. 1470–80

La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito — La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881

Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole. — Tondo mirror frame
Benedetto da Maiano
ca. 1480

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Six Putti Dancing Around a Globe and a Palm from a set of the Giochi di Putti, Giovanni da Udine (Giovanni dei Ricamatori) Italian, Wool warps, wool and silk wefts, Italian, Rome — Six Putti Dancing Around a Globe and a Palm from a set of the Giochi di Putti
Multiple artists/makers
ca. 1635

The Betrayal of Christ, Bartolomeo di Tommaso Italian, Tempera on wood — The Betrayal of Christ
Bartolomeo di Tommaso
ca. 1445–50

The Lamentation and the Entombment, Bartolomeo di Tommaso Italian, Tempera on wood, gold ground — The Lamentation and the Entombment
Bartolomeo di Tommaso
ca. 1445–50

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn) Dutch, Red chalk — The Last Supper, after Leonardo da Vinci
Rembrandt (Rembrandt van Rijn)
1634–35

Panel with San Millán, Master Engelram and his son Redolfo Spanish, Elephant ivory, with glass inlay, Spanish — Panel with San Millán
Master Engelram and his son Redolfo
1060–80

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

Da Tongjiao (Trumpet), brass, Chinese — Da Tongjiao (Trumpet)
Chinese
late 19th century