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Showing 2,124 results for Michele Tramezzino

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Opera di M. Bartolomeo Scappi, cuoco secreto di Papa Pio V, Bartolomeo Scappi Italian, Printed book with engraved plates — Opera di M. Bartolomeo Scappi, cuoco secreto di Papa Pio V
Bartolomeo Scappi
Michele Tramezzino
1570

Castrum, from "Speculum Romanae Magnificentiae", Anonymous, Engraving — Castrum, from "Speculum Romanae Magnificentiae"
Anonymous
Michele Tramezzino
16th century

Theater of Marcellus, from "Speculum Romanae Magnificentiae", Pirro Ligorio Italian, Engraving — Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Michele Tramezzino
16th century

Bird's Eye View of Rome, Giulio de Musi Italian, Engraving — Bird's Eye View of Rome
Giulio de Musi
Michele Tramezzino
1553

Circus Maximus, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving; first state of three (Robert-Dumesnil) — Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae", Anonymous, Etching — Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1558

Circus Flaminius, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving — Circus Flaminius, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Circus Maximus, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving — Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Circus Maximus, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving; first state of three — Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553

Elogia Veris Clarorum Virorum

Paolo Giovio

Michele Tramezzino

1546

Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman) — Harpsichord
Multiple artists/makers
ca. 1670

Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"

Multiple artists/makers

1554

Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae", Giulio de Musi Italian, Engraving — Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1554

Allegory of Sacred and Profane Love, Michele Desubleo Flemish, Oil on canvas — Allegory of Sacred and Profane Love
Michele Desubleo
1665–75

The Man of Sorrows, Michele Giambono (Michele Giovanni Bono) Italian, Tempera and gold on wood — The Man of Sorrows
Michele Giambono (Michele Giovanni Bono)
ca. 1430

Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609), Michele Mazzafirri, Bronze, cast, Italian, Florence — Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609)
Michele Mazzafirri
1588

Repeating Flintlock Pistol, Michele Lorenzoni Italian, Steel, wood, silver, Italian, Florence — Repeating Flintlock Pistol
Michele Lorenzoni
ca. 1690–1700

Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano), Michele Gordigiani Italian, Oil on canvas — Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano)
Michele Gordigiani
1864

Standing Apostle or Saint, Michele Giambono (Michele Giovanni Bono) (?) Italian, Pen and brown ink, touches of brush and darker brown wash, over black chalk. — Standing Apostle or Saint
Michele Giambono (Michele Giovanni Bono)
Bartolomeo Vivarini
mid-fifteenth century

Madonna and Child with the Infant Saint John the Baptist, Michele da Verona (Michele di Zenone) Italian, Tempera and oil on wood — Madonna and Child with the Infant Saint John the Baptist
Michele da Verona (Michele di Zenone)
probably late 1490s

The entry of Marcantonio Colonna and the Christian army in Rome after victory at the battle of Lepanto, December 11, 1571, Francesco Tramezzino Italian, Etching — The entry of Marcantonio Colonna and the Christian army in Rome after victory at the battle of Lepanto, December 11, 1571
Francesco Tramezzino
1571

Bag, Michele Oka Doner American, sterling silver, leather, synthetic, American — Bag
Michele Oka Doner
Nancy Gonzalez
2006

"Gleaner", Michele Oka Doner American, crocodile skin, silver, American — "Gleaner"
Michele Oka Doner
Nancy Gonzalez
2007

Necklace, Michele Oka Doner and American, Sterling silver, American — Necklace
Michele Oka Doner
Jordan Doner
spring/summer 1991

Necklace, Michele Oka Doner and American, sterling silver, American — Necklace
Michele Oka Doner
Jordan Doner
spring/summer 1991

"Coral Reef at Night", Michele Oka Doner American, bronze, diamond, American — "Coral Reef at Night"
Michele Oka Doner
2007

A Gentleman, a Young Woman, and a Dog, Michele da Verona (?), Brush and gray and brown ink, heightened with white, on light brown paper. — A Gentleman, a Young Woman, and a Dog
Michele da Verona
early 16th century

Madonna and Child with Saints Roch and Sebastian, Michele da Verona, Tip of the brush and brown ink, brown and some blue wash, heightened with white, on paper tinted brown. — Madonna and Child with Saints Roch and Sebastian
Michele da Verona
early 16th century

Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown. — Saint Paul
Michele da Verona
ca. 1510

Carafe, Michele De Lucchi Italian, Silverplate, poly(vinyl chloride) (PVC) and cellulose nitrate (CN) paint — Carafe
Michele De Lucchi
1980

Mesere (Mesero, Mesaro), Giovanni and Michele Speich, Cotton, Italian — Mesere (Mesero, Mesaro)
Giovanni and Michele Speich
early 19th century

Mesere (Mesero, Mesaro), Giovanni and Michele Speich, Cotton, Italian — Mesere (Mesero, Mesaro)
Giovanni and Michele Speich
ca. 1840

Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825), Royal Arms Manufactory at Torre Annunziata Italian, Steel, gold, wood (walnut), silver, Italo-Spanish, Naples — Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825)
Multiple artists/makers
ca. 1768

The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace, Michele Lucchese Italian, Etching and engraving — The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace
Multiple artists/makers
1550–60

L'Asinaria (Allegory of Stupidity), Michele Lucchese Italian, Engraving — L'Asinaria (Allegory of Stupidity)
Michele Lucchese
1564

Naval Battle, from "Speculum Romanae Magnificentiae", Michele Lucchese Italian, Etching and engraving — Naval Battle, from "Speculum Romanae Magnificentiae"
Michele Lucchese
Polidoro da Caravaggio
16th century

Plate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus), Michele Marieschi Italian, Etching; second state of four (Succi) — Plate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus)
Michele Marieschi
1741

Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5), Michele Beneditti British, Italian, Stipple engraving and etching — Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5)
Multiple artists/makers
May 30, 1793

Roman Charity, with Pero, holding a small child, offering her right breast to the shackled Cimon, Michele Benedetti Italian, Stipple etching — Roman Charity, with Pero, holding a small child, offering her right breast to the shackled Cimon
Michele Benedetti
Carlo Cignani
1792

The church of Santa Maria della Salute seen across the water with gondolas in the foreground, Michele Marieschi Italian, Etching — The church of Santa Maria della Salute seen across the water with gondolas in the foreground
Michele Marieschi
1741