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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Michiel van der Voort

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Men Shoveling Chairs (Scupstoel), Vranke van der Stockt Netherlandish, Pen and brown ink over traces of black chalk. — Men Shoveling Chairs (Scupstoel)
Vranke van der Stockt
1444–50

Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th century

Design for a tomb, Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk, brown and gray wash — Design for a tomb
Multiple artists/makers
late 17th–early 18th century

Design for a sculptural group with God the Father in a niche, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite — Design for a sculptural group with God the Father in a niche
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk — Design for a sepulchral monument with an allegory of Time
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso), Pieter Verbruggen the Younger Flemish, Black and red chalk, red and brown wash (recto); pen and brown ink, over red chalk, black chalk (verso) — Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk (recto); black chalk (verso) — Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, over black chalk or graphite, brown wash (recto); red chalk (verso) — Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite — Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso)
Multiple artists/makers
late 17th–early 18th century

Design for an altar, Hendrik-Frans Verbruggen Flemish, Pen and black ink, gray and red wash, over black chalk or graphite — Design for an altar
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a portrait bust, Hendrik-Frans Verbruggen Flemish, Pen and brown ink, red and brown wash, red chalk, over black chalk or graphite — Design for a sepulchral monument with a portrait bust
Multiple artists/makers
1673

Design for a reliquary, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown and gray wash, red chalk, over black chalk — Design for a reliquary
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, brown and red wash, over black chalk or graphite (recto); black chalk or graphite (verso) — Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with two figures, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown-gray wash, over red and black chalk or graphite — Design for a sepulchral monument with two figures
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk or graphite, red chalk and wash (recto); black chalk or graphite, red chalk (verso) — Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown brownish gray wash (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Design for a monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso) — Design for a sepulchral monument (recto); Design for a monument (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument (recto); Fragment of a letter and notes (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash — Design for a sepulchral monument (recto); Fragment of a letter and notes (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a monument (recto); Architectural sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk or graphite (recto); black chalk or graphite, locally strengthened with pen and brown ink (verso) — Design for a monument (recto); Architectural sketches (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, some white gouache (?) (recto); pen and brown ink, over black chalk or graphite (verso) — Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Multiple artists/makers
late 17th–early 18th century

Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink (recto); pen and brown ink, counterproof of a red chalk drawing (verso) — Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso)
Multiple artists/makers
late 17th–early 18th century

Francesco d'Este (born ca. 1429, died after 1486), Rogier van der Weyden Netherlandish, Oil on wood — Francesco d'Este (born ca. 1429, died after 1486)
Rogier van der Weyden
ca. 1460

Clothing the Naked, Michiel Sweerts Flemish, Oil on canvas — Clothing the Naked
Michiel Sweerts
ca. 1661

Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969, Jan van der Marck — Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969
Jan van der Marck
Museum of Contemporary Art, Chicago
1969

Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas — Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622

The Farrier, Aert van der Neer Dutch, Oil on wood — The Farrier
Aert van der Neer
early or mid-1650s

Sports on a Frozen River, Aert van der Neer Dutch, Oil on wood — Sports on a Frozen River
Aert van der Neer
ca. 1660

Man in Prayer, Rogier van der Weyden Netherlandish, Oil on wood — Man in Prayer
Rogier van der Weyden
ca. 1440

Portrait of a Man, Hugo van der Goes Netherlandish, Oil on wood — Portrait of a Man
Hugo van der Goes
ca. 1475

A Benedictine Monk, Hugo van der Goes Netherlandish, Oil on wood — A Benedictine Monk
Hugo van der Goes

Portrait of an Old Man, Hugo van der Goes Netherlandish, Oil on paper, laid down on wood — Portrait of an Old Man
Hugo van der Goes
ca. 1470–75

[Chicago Defender News Truck with Three Men Holding Papers], James Van Der Zee American, Gelatin silver print — [Chicago Defender News Truck with Three Men Holding Papers]
James Van Der Zee
1928

[Nude Draped with Cloth Surrounded by Flowers], James Van Der Zee American, Gelatin silver print with applied color — [Nude Draped with Cloth Surrounded by Flowers]
James Van Der Zee
1920s–40s

[G.G.G. Studio and Van Der Zee Residence at 272 Lenox Avenue], James Van Der Zee American, Gelatin silver print — [G.G.G. Studio and Van Der Zee Residence at 272 Lenox Avenue]
James Van Der Zee
1940s

Jacob van Dalen (1570–1644), Called Vallensis, Michiel Jansz. van Mierevelt Netherlandish, Oil on wood — Jacob van Dalen (1570–1644), Called Vallensis
Michiel Jansz. van Mierevelt
1640

Man Holding a Jug, Michiel Sweerts Flemish, Oil on canvas — Man Holding a Jug
Michiel Sweerts
ca. 1660

Margaretha van Clootwijk (born about 1580/81, died 1662), Michiel Jansz. van Mierevelt Netherlandish, Oil on wood — Margaretha van Clootwijk (born about 1580/81, died 1662)
Michiel Jansz. van Mierevelt
1639

[Kate and Rachel Van Der Zee]

James Van Der Zee

1909–10

Emma Van Name, Joshua Johnson American, Oil on canvasPainting — Emma Van Name
Joshua Johnson
ca. 1805

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710