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Showing 597 results for Mora & Navarro & Mora & Nephew
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The Moras' Warehouses, North Pier Atlantic Dock, Brooklyn, New York (recto); The Revelation of the Sacred Heart of Jesus to St. Margaret Mary Alacoque (verso)
Multiple artists/makers
1858–85
Daughter Rosemary Watering Plants, Gaylordsville, Connecticut, F. Luis Mora American, born Uruguay, Watercolor and graphite on off-white wove paper, American
Daughter Rosemary Watering Plants, Gaylordsville, Connecticut
F. Luis Mora
Flowers of the Field, F. Luis Mora American, born Uruguay, Oil on canvas, American
Flowers of the Field
F. Luis Mora
1913
Mrs. F. Luis Mora and Her Sister, F. Luis Mora American, born Uruguay, Watercolor, gouache, and graphite on wove paper, mounted on cardboard, American
Mrs. F. Luis Mora and Her Sister
F. Luis Mora
1902
The National Academy Jury of 1907, F. Luis Mora American, born Uruguay, Oil on canvas, American
The National Academy Jury of 1907
F. Luis Mora
1907
Navajo Family, F. Luis Mora American, born Uruguay, Graphite on wove paper, American
Navajo Family
F. Luis Mora
ca. 1928
The Artist's Father in the Studio, F. Luis Mora American, born Uruguay, Watercolor and graphite traces on light gray wove paper, American
The Artist's Father in the Studio
F. Luis Mora
1901
The Artist's Father, F. Luis Mora American, born Uruguay, Graphite on off-white laid paper, American
The Artist's Father
F. Luis Mora
1894
Street Cafe—San Felio de Quixols, F. Luis Mora American, born Uruguay, Watercolor, gouache on dark brown Japanese paper, American
Street Cafe—San Felio de Quixols
F. Luis Mora
1909
Village Scene—San Felio de Codinas, F. Luis Mora American, born Uruguay, Watercolor on paper, American
Village Scene—San Felio de Codinas
F. Luis Mora
Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Poster celebrating the 63rd anniversary of Joseph Stalin's birth, Francisco Mora Mexican, Lithograph in black and red on yellow paper backed with linen
Poster celebrating the 63rd anniversary of Joseph Stalin's birth
Francisco Mora
Taller de Gráfica Popular, Mexico City
1942
Plate 1: Indigenous Mexicans being forced from their land, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 1: Indigenous Mexicans being forced from their land, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 35: Abraham González Casavantes who was assasinated on 7 March 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 35: Abraham González Casavantes who was assasinated on 7 March 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 24: Emiliano Zapata, leader the revolution, on horseback, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 24: Emiliano Zapata, leader the revolution, on horseback, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 70: a worker approaching a school of agriculture, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 70: a worker approaching a school of agriculture, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 74: the contribution of the people when Lázaro Cárdenas announced that oil found in Mexico belonged to the country and not the foreign companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 74: the contribution of the people when Lázaro Cárdenas announced that oil found in Mexico belonged to the country and not the foreign companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
The children heroes (Los niños heroes), Plate 25 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
The children heroes (Los niños heroes), Plate 25 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
The indigenous of Mexico are dispossed of their lands (Los indigenas de mexico son despojados de sus tierras), Plate 46 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
The indigenous of Mexico are dispossed of their lands (Los indigenas de mexico son despojados de sus tierras), Plate 46 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
Contradictions under Ruiz Cortines (Contradicciones bajo Ruiz Cortines), Plate 130 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
Contradictions under Ruiz Cortines (Contradicciones bajo Ruiz Cortines), Plate 130 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
Vicente Guerrero, Plate 19 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
Vicente Guerrero, Plate 19 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
El Santanismo, Plate 23 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
El Santanismo, Plate 23 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
The conservatives and the second empire (Los conservadores y el segundo imperio), Plate 31 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
The conservatives and the second empire (Los conservadores y el segundo imperio), Plate 31 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
Emiliano Zapata, leader of the agrarian revolution (Emiliano Zapata, lider de la revolucion agraria), Plate 65 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
Emiliano Zapata, leader of the agrarian revolution (Emiliano Zapata, lider de la revolucion agraria), Plate 65 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
Venustiano Carranza who protested against the Yankee invasion of 1914 (Venustiano Carranza protesta contra la invasion yanqui de 1914), Plate 84 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Francisco Mora Mexican, Offset lithograph
Venustiano Carranza who protested against the Yankee invasion of 1914 (Venustiano Carranza protesta contra la invasion yanqui de 1914), Plate 84 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1960
El Tranvia (Streetcar), Francisco Mora Mexican, Lithograph
El Tranvia (Streetcar)
Francisco Mora
1953
Las Prostitutas (The Prostitutes), Francisco Mora Mexican, Lithograph
Las Prostitutas (The Prostitutes)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1944
Emiliano Zapata, Francisco Mora Mexican, Linocut
Emiliano Zapata
Francisco Mora
1960
SIlver Mine Worker in Pachuca, from "Mexican People", Francisco Mora Mexican, Lithograph
SIlver Mine Worker in Pachuca, from "Mexican People"
Francisco Mora
1946
Side chair (sgabello a dorsale), Alois Überacher , Bolzano, Walnut., Italian, Bolzano or Milan
Side chair (sgabello a dorsale)
Alois Überacher
Fratelli Mora
late 19th century
Side chair (sgabello a dorsale), Alois Überacher , Bolzano, Walnut., Italian, Bolzano or Milan
Side chair (sgabello a dorsale)
Alois Überacher
Fratelli Mora
late 19th century
We Reject War
Francisco Mora
Taller de Gráfica Popular, Mexico City
1959
Don't let up
Multiple artists/makers
ca. 1918
Morale hastens victory
F. Luis Mora
ca. 1918
The Surrender of Cornwallis
Multiple artists/makers
1932
Sunshine and Deep Blue Sea
F. Luis Mora
ca. 1910–35
At the Big Show
F. Luis Mora
ca. 1895–1913
The Hair Dresser
F. Luis Mora
ca. 1920–27
The Greatest Birthday
F. Luis Mora
ca. 1910–27