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Showing 7,403 results for Nicolas Le Sueur
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Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right, Nicolas Le Sueur French, Etching and aquatint in blue-gray
Saint Philip Neri, kneeling at left, with the Virgin and child appearing at upper right
Nicolas Le Sueur
Luigi Garzi
ca. 1729
The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio, Nicolas Le Sueur French, Etching and aquatint with tone woodblock
The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio
Nicolas Le Sueur
Bernardo di Betto Pinturicchio
ca. 1729–64
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri, Nicolas Le Sueur French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri
Multiple artists/makers
ca. 1729–40
Studies for the School of Athens, after Raphael
Paul Ponce Antoine Robert-de-Seri
Nicolas Le Sueur
ca. 1729–33
The Sacrifices of Elijah and the Prophets of Baal, after Mathurin Jousse
Paul Ponce Antoine Robert-de-Seri
Nicolas Le Sueur
ca. 1729–33
Timocleus before Alexander, after Perino del Vaga
Anne Claude Philippe de Tubières, comte de Caylus
Nicolas Le Sueur
ca. 1729–33
Three angels carrying Gideon's fleece; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Orazi, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Three angels carrying Gideon's fleece; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Orazi
Multiple artists/makers
ca. 1729–64
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni
Multiple artists/makers
ca. 1729–40
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi
Multiple artists/makers
ca. 1729–64
The Rape of Tamar, Eustache Le Sueur French, Oil on canvas
The Rape of Tamar
Eustache Le Sueur
probably ca. 1640
The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green over etching
The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri
Multiple artists/makers
ca. 1729
Alexander the Great seated on a throne, ordering the release of Timoclea from her chains
Multiple artists/makers
1769
Alexander the Great resting in bed, surrounded by his doctor and armed guards
Multiple artists/makers
1769
A mass being performed in a church, a priest at left standing before the altar, followers gathered behind him, after Polidoro da Caravaggio
Multiple artists/makers
ca. 1729–1764
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat'
Multiple artists/makers
ca. 1729–40
The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of Guadalupe with the Four Apparitions
Nicolás Enríquez
1773
Blind Orion Searching for the Rising Sun, Nicolas Poussin French, Oil on canvas
Blind Orion Searching for the Rising Sun
Nicolas Poussin
1658
The Abduction of the Sabine Women, Nicolas Poussin French, Oil on canvas
The Abduction of the Sabine Women
Nicolas Poussin
probably 1633–34
Flintlock Gun of Louis XIII (1601–1643), King of France, Pierre Le Bourgeois French, Steel, brass, silver, gold, wood (walnut), mother-of-pearl, French, Lisieux
Flintlock Gun of Louis XIII (1601–1643), King of France
Pierre Le Bourgeois
Marin Le Bourgeois
ca. 1620
Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican
Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710
Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories, Nicolas Noël Boutet French, Steel, wood (walnut, mahogany), silver, gold, horn, velvet, French, Versailles
Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories
Nicolas Noël Boutet
ca. 1800
Seasons and Elements (Air) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris
Seasons and Elements (Air) (set of four)
Multiple artists/makers
ca. 1683
Grand Salon from the Hôtel de Tessé, Paris, Nicolas Huyot, Carved, painted, and gilded oak; marble; plaster, French, Paris
Grand Salon from the Hôtel de Tessé, Paris
Multiple artists/makers
ca. 1768–72, with later additions
God the Father, Eustache Le Sueur French, Black and white chalk on brown paper. Framing lines in pen and brown ink.
God the Father
Eustache Le Sueur
mid-17th century
Study for Saint Gervasius, Eustache Le Sueur French, Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink
Study for Saint Gervasius
Eustache Le Sueur
ca. 1652
Design for a Medallion: Huntress Kneeling before an Armed Goddess, Eustache Le Sueur French, Black chalk; squared in black chalk; framing lines in pen and brown ink
Design for a Medallion: Huntress Kneeling before an Armed Goddess
Eustache Le Sueur
17th century
Minerva Presenting Two Portraits to Apollo, Eustache Le Sueur French, Black chalk, squared in red chalk. Contours incised for transfer; framing lines in pen and brown ink
Minerva Presenting Two Portraits to Apollo
Eustache Le Sueur
17th century
The Jabach Family, Charles Le Brun French, Oil on canvas
The Jabach Family
Charles Le Brun
ca. 1660
The Return of the Holy Family from Egypt, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Return of the Holy Family from Egypt
Nicolás Enríquez
1773
The Virgin of El Camino with St. Fermín and St. Saturnino, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of El Camino with St. Fermín and St. Saturnino
Nicolás Enríquez
1773
The Baptism of Christ, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Baptism of Christ
Nicolás Enríquez
1773
The Apparition of the Virgin of El Pilar to St. James, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Apparition of the Virgin of El Pilar to St. James
Nicolás Enríquez
1773
Panel (part of a set), Nicolas Castille, Carved oak, French
Panel (part of a set)
Nicolas Castille
ca. 1510
Sugar caster (one of a pair), Nicolas Besnier French, Silver, French, Paris
Sugar caster (one of a pair)
Nicolas Besnier
1728–29
Spice box with grater, Nicolas Mahon, Silver, French, Paris
Spice box with grater
Nicolas Mahon
1723–24
Sugar caster (one of a pair), Nicolas Besnier French, Silver, French, Paris
Sugar caster (one of a pair)
Nicolas Besnier
1728–29
Clock-watch with alarm and calendar, Nicolas Forfaict French, Movement: gilded breass and steel, partly blued; case and dial: brass, silvered brass, silver; hand: steel, French, Paris
Clock-watch with alarm and calendar
Nicolas Forfaict
ca. 1600–1610
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Nicolas Castille
ca. 1508–10
Choir screen panel (one of six), Nicolas Castille, Carved oak, French, Normandy
Choir screen panel (one of six)
Nicolas Castille
ca. 1508–10