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Showing 565 results for Oishi Matora

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Dancer, Oishi Matora Japanese, Woodblock print (surimono); ink and color on paper, Japan — Dancer
Oishi Matora
1827

Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編, Ōishi Matora 大石真虎 Japanese, Woodblock printed book; ink and color on paper, Japan — Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編
Ōishi Matora 大石真虎
1829, (Bunsei 12)

Knife Handle (Kozuka), Akichika Oishi Japanese, Copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, copper, Japanese — Knife Handle (Kozuka)
Akichika Oishi
late 18th–early 19th century

Real Figures of the King of Mountains (Sannō shinkei) 山王真形, Ōishi Shūga 大石周我, Ink and color on paper, Japan — Real Figures of the King of Mountains (Sannō shinkei) 山王真形
Ōishi Shūga 大石周我
Spring 1822

Pūtōrino, Maori, matai (Podocarpus spicatus) wood, cord, Maori people — Pūtōrino
Maori
late 19th century

Lincoln Zephyr : "pour l'élite.", Matford SA — Lincoln Zephyr : "pour l'élite."
Matford SA
1935

Tekoteko (gable figure), Wood, pāua shell, Māori — Tekoteko (gable figure)
Māori
Mid-18th century

Epa (carved panel for a storehouse), Māori artist, Wood, Māori — Epa (carved panel for a storehouse)
Māori artist
18th century

Kooauau, wood, Maori — Kooauau
Maori
early 19th century

Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover), Baldassare Manara Italian, Maiolica (tin-glazed earthenware) — Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
Baldassare Manara
ca. 1530–40

Being With (Être Avec), Roberto Matta Chilean, Oil on canvas — Being With (Être Avec)
Roberto Matta
1946

Leitmotiv : boletin de hechos & ideas, Roberto Matta Chilean — Leitmotiv : boletin de hechos & ideas
Multiple artists/makers
1942-

Morte d'Arthur, Sir Thomas Malory British, Illustrated book, London: J. M. Dent and Co., 1893 — Morte d'Arthur
Sir Thomas Malory
Aubrey Vincent Beardsley
1893

Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei), Chōbunsai Eishi Japanese, Diptych of woodblock prints; ink and color on paper, Japan — Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Chōbunsai Eishi
1797–99

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons), Chōbunsai Eishi Japanese, Triptych of hanging scrolls; ink, color, and gold on silk, Japan — Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)
Chōbunsai Eishi
early 19th century

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)
Chōbunsai Eishi
1790s

Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)
Chōbunsai Eishi
ca. 1794–95

Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi), Chōbunsai Eishi Japanese, Polychrome woodblock ōban print; ink and color on paper, Japan — Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi)
Chōbunsai Eishi
ca. 1796–98

Three Beauties Viewing Cherry Blossoms, Chōbunsai Eishi Japanese, Hanging scroll; ink and color on silk, Japan — Three Beauties Viewing Cherry Blossoms
Chōbunsai Eishi
late 18th–19th century

Ono no Komachi Praying for Rain, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Ono no Komachi Praying for Rain
Chōbunsai Eishi
ca. 1791

Karakoto of Chojiya on Parade, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Karakoto of Chojiya on Parade
Chōbunsai Eishi
ca. 1790

A Girl with a Fan, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Girl with a Fan
Chōbunsai Eishi
ca. 1780

Fuji no Uraha, Chōbunsai Eishi Japanese, Two sheets from a triptych of woodblock prints; ink and color on paper, Japan — Fuji no Uraha
Chōbunsai Eishi
ca. 1790

Geisha Preparing for an Entertainment, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — Geisha Preparing for an Entertainment
Chōbunsai Eishi
ca. 1794

The Yoshiwara Parade in Autumn, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — The Yoshiwara Parade in Autumn
Chōbunsai Eishi
ca. 1793

Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara, Chōbunsai Eishi Japanese, Triptych of woodblock prints (trimmed); ink and color on paper, Japan — Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara
Chōbunsai Eishi
ca. 1794

A Cherry-Viewing Excursion by a Noble Lady and Attendants, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Cherry-Viewing Excursion by a Noble Lady and Attendants
Chōbunsai Eishi
ca. 1797

Watermill in the Mountains, Kishi Ganryo Japanese, Hanging scroll; ink and color on silk, Japan — Watermill in the Mountains
Kishi Ganryo
19th century

The Oiran Segawa of Matsubaya (the House of Pine), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Oiran Segawa of Matsubaya (the House of Pine)
Chōbunsai Eishi
ca. 1788

A Long-Tailed Fowl (Onagadori), from the series Twelve Assorted Birds (Shochō jūnikin), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — A Long-Tailed Fowl (Onagadori), from the series Twelve Assorted Birds (Shochō jūnikin)
Chōbunsai Eishi
ca. 1791

The Oiran Hinazuru of Chōjiya Holding a Round Fan (Uchiwa), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Oiran Hinazuru of Chōjiya Holding a Round Fan (Uchiwa)
Chōbunsai Eishi
ca. 1794

The Oiran Komurasaki of Kadotamaya Reading a Letter, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — The Oiran Komurasaki of Kadotamaya Reading a Letter
Chōbunsai Eishi
ca. 1794

A Parody of Yuranosuke in the Pleasure Quarters, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Parody of Yuranosuke in the Pleasure Quarters
Chōbunsai Eishi
ca. 1797

Print, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Print
Chōbunsai Eishi

Two Geisha, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Two Geisha
Chōbunsai Eishi
ca. 1792

Kayoi Komachi, from the series "Seven Elegant Episodes of the Poet Komachi" (Fūryū nanakomachi kayoi), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Kayoi Komachi, from the series "Seven Elegant Episodes of the Poet Komachi" (Fūryū nanakomachi kayoi)
Chōbunsai Eishi
ca. 1795

Group at a Tea-house on the Bank of the Sumida River, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Group at a Tea-house on the Bank of the Sumida River
Chōbunsai Eishi
ca. 1790

Parrot Komachi, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Parrot Komachi
Chōbunsai Eishi
ca. 1788

Three Women on a Veranda, Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Three Women on a Veranda
Chōbunsai Eishi
1756–1829

A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”, Chōbunsai Eishi Japanese, Triptych of woodblock prints; ink and color on paper, Japan — A Disguised Scene from The Tale of Genji (Fūryū Yatsushi Genji), Chapter 33, “Wisteria Leaves (Fuji no uraba)”
Chōbunsai Eishi
ca. 1794