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Showing 42 results for Ojibwa(?)

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Charm Bag, Wool yarn, plant fiber, Ojibwa — Charm Bag
Ojibwa
ca. 1875

Knife Case, Native-tanned skin, glass, silk, wool, Ojibwa — Knife Case
Ojibwa
ca. 1843

Pipe Bowl and Stem, Catlinite, chlorite, lead (bowl); wood, glass, beads, metal (stem), Ojibwa — Pipe Bowl and Stem
Ojibwa
ca. 1885

Pipe Tomahawk, Wood, metal, Ojibwa(?) — Pipe Tomahawk
Ojibwa(?)
1840–60

Lidded Mukak, Birchbark, spruce root, Native-tanned skin, Ojibwa — Lidded Mukak
Ojibwa
late 19th–early 20th century

Bandolier Bag, Wool, cotton, glass, Ojibwa — Bandolier Bag
Ojibwa
ca. 1870

Frame Drum, Ojibway Native American, wood, hide, Native American (Ojibwa) — Frame Drum
Ojibway
19th century

Firebag, Wool, silk, glass, metal, Ojibwa or Cree — Firebag
Ojibwa or Cree
ca. 1820

Shoulder bag (missing strap), Tanned leather, porcupine quills, dye, glass beads, silk ribbon, metal cones, and deer hair, Anishinaabe, possibly Mississauga Ojibwa, Native American — Shoulder bag (missing strap)
Anishinaabe, possibly Mississauga Ojibwa, Native American
ca. 1800

Woman's hood, James Bay Cree artist, Wool cloth, glass beads, and silk thread, James Bay Cree, Native American — Woman's hood
James Bay Cree artist
ca. 1865

Pipe Bowl and Stem, Wood, lead, Eastern Plains or Ojibwa — Pipe Bowl and Stem
Eastern Plains or Ojibwa
1840–50

Cici'Gwan, Wood, deerskin, cord, pebbles?, yarn, Native American (Chippewa - Ojibwa) — Cici'Gwan
Native American (Chippewa - Ojibwa)
19th century

Cici'Gwan (rattle), Wood, deerskin, cord, pebbles, metal, Native American (Chippewa - Ojibwa) — Cici'Gwan (rattle)
Native American (Chippewa - Ojibwa)
19th century

Rattle, wood, gourd, leather, glass beadwork, cord, Native American (Chippewa: Ojibwa) — Rattle
Native American (Chippewa: Ojibwa)
19th century

Shot pouch, Unrecorded Cree or Anishinaabe (Ojibwa) Artist First Nations, Hide, porcupine quills, animal hair, and natural pigment and dyes, Anishinaabe, Ojibwe or Cree, Native American — Shot pouch
Unrecorded Cree or Anishinaabe (Ojibwa) Artist
c. 1820

War club, Wood, pigment and nail, Anishinaabe, probably Ojibwa, Native American — War club
Anishinaabe, probably Ojibwa, Native American
ca. 1750

Shoulder bag, Tanned leather, porcupine quills, dye, metal cones, deer hair, vegetal fiber, and wool yarn, Anishinaabe, probably Ojibwa, Native American — Shoulder bag
Anishinaabe, probably Ojibwa, Native American
ca. 1780

Pib-be-gwun or Siyontanka, Wood, skin, Native American (Chippewa or Ojibwa) — Pib-be-gwun or Siyontanka
Native American (Chippewa or Ojibwa)
19th century

On loan to The Met

Woodlands: Anishnaabe, Ottawa or Ojibwa

c. 1820

White Painting, George Morrison Native American, Oil on canvas, Ojibwe — White Painting
George Morrison
1965

Jibba (tunic), Mahdist artist, Cotton, wool, dye, Mahdist peoples — Jibba (tunic)
Mahdist artist
late 19th–early 20th century

Jibba (tunic), Mahdist artist, Cotton, wool, dye, Mahdist peoples — Jibba (tunic)
Mahdist artist
1881–98

Hiawatha, Edmonia Lewis American, Marble, American — Hiawatha
Edmonia Lewis
1868

Minnehaha, Edmonia Lewis American, Marble, American — Minnehaha
Edmonia Lewis
1868

On loan to The Met

Ojibwe

ca. 1830

Rattle, Wood, horn, beads, leather, Native American (Chippewa - Ojibwe) — Rattle
Native American (Chippewa - Ojibwe)
19th century

Hiawatha, Augustus Saint-Gaudens American, Marble, American — Hiawatha
Augustus Saint-Gaudens
1871–72, carved 1874

One Hundred Comic Poems of the Flower, One of the Three Friends, Tsuki, the Moon, Yuki, the Snow, and Hana, the Flower (Sansai hana hyakushu) 三才花百首, Totoya Hokkei 魚屋北渓 Japanese, Three volumes; ink and color on paper, Japan — One Hundred Comic Poems of the Flower, One of the Three Friends, Tsuki, the Moon, Yuki, the Snow, and Hana, the Flower (Sansai hana hyakushu) 三才花百首
Totoya Hokkei 魚屋北渓
1828–30

Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu) 楳嶺百鳥畫譜, Kōno Bairei 幸野楳嶺 Japanese, Set of three polychrome woodblock printed books; ink and color on paper, Japan — Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu) 楳嶺百鳥畫譜
Kōno Bairei 幸野楳嶺
1881–84

Forty-eight Instructive Poems in Alphabetical Order (Ehon irohauta) 絵本以呂波歌, Suzuki Harunobu 鈴木春信 Japanese, Three volumes; ink on paper, Japan — Forty-eight Instructive Poems in Alphabetical Order (Ehon irohauta) 絵本以呂波歌
Suzuki Harunobu 鈴木春信
1788

Ichikawa Yonezō as the Ghost of Oiwa, Enjaku 猿雀 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical chūban, Japan — Ichikawa Yonezō as the Ghost of Oiwa
Enjaku 猿雀
1865

Construction in Fantasy, George Morrison Native American, Watercolor and ink on paper — Construction in Fantasy
George Morrison
1953

Nokomis and Nanaboozhoo

Rabbett Before Horses Strickland

2024

Untitled (frontispiece description: Tōfukumonin yogo ? kitsuke oiwa (celebration of Tofukumonin …)
, Woodblock-printed book, Japan — Untitled (frontispiece description: Tōfukumonin yogo ? kitsuke oiwa (celebration of Tofukumonin …)
Japan
19th century ?

Aje, Wood, cord, skin, Micronesian (Marshall Islands) — Aje
Micronesian (Marshall Islands)
late 19th century

Onoe Matsusuke as the Ghost of the Murdered Wife Oiwa, in "A Tale of Horror from the Yotsuya Station on the Tokaido Road", Utagawa Toyokuni I Japanese, Woodblock print; ink and color on paper, Japan — Onoe Matsusuke as the Ghost of the Murdered Wife Oiwa, in "A Tale of Horror from the Yotsuya Station on the Tokaido Road"
Utagawa Toyokuni I
1812

Ojibway Tribe, from the Indian Gum series (R73), issued by Goudey Gum

Goudey Gum Company

1933

Ojibway Tribe, from the Indian Gum series (R73), issued by Goudey Gum

Goudey Gum Company

1933

Case (Inrō) with Design of Clematis Vine on Bamboo Lattice, Gion Nankai Japanese, Lacquer sprinkled with gold and silver makie, and foil; Ojima: floral scrolls in openwork; silver and silver wire; Netsuke: chrysanthemum medallion; ivory, Japan — Case (Inrō) with Design of Clematis Vine on Bamboo Lattice
Gion Nankai
18th century

Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa, on a Broken Lantern, Referring to Katsushika Hokusai’s Hyaku monogatari (One Hundred Ghost Stories), Shunbaisai Hokuei 春梅斎北英 Japanese, Woodblock print; ink and color on paper, Japan — Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa, on a Broken Lantern, Referring to Katsushika Hokusai’s Hyaku monogatari (One Hundred Ghost Stories)
Shunbaisai Hokuei 春梅斎北英
1832