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Showing 121 results for Pellegrino Tibaldi
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Study for the Figure of Aeolus
Pellegrino Tibaldi
1549–51
Seated satyr, with enlarged head of same (recto); head of a woman (verso)
Pellegrino Tibaldi
1527–96
Saint John the Baptist Baptizing the Multitude
Pellegrino Tibaldi
1554–56
Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
1527–96
Design of a fireplace
Giovanni Battista Brustolon
1756
Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault
Bartolomeo Crivellari
1756
Minerva assisting Prometheus as he attempts to scale the heavens
Bartolomeo Crivellari
1756
Plate 15: mythological figure wearing a helmet and holding a shield
Bartolomeo Crivellari
1756
Plate 22: two nude figures wearing veils
Bartolomeo Crivellari
1756
Plate 17: two nude figures wearing veils
Bartolomeo Crivellari
1756
Plate 25: a shipwreck
Bartolomeo Crivellari
1756
Plate 20: bearded figure, half clothed
Bartolomeo Crivellari
1756
Plate 16: mythological figure holding a mirror
Bartolomeo Crivellari
1756
A standing man in a niche reaching forward with one arm
Bartolomeo Crivellari
1756
Plate 21: two nude figures wearing veils, seen from behind
Bartolomeo Crivellari
1756
A standing man in a niche looking toward the left
Bartolomeo Crivellari
1756
A standing man in a niche holding an open book
Bartolomeo Crivellari
1756
Plate 19: figure seen from behind with left hand raised
Bartolomeo Crivellari
1756
Plate 18: two nude figures wearing veils, seen from behind
Bartolomeo Crivellari
1756
A standing man in a niche with his elbow resting on a column
Bartolomeo Crivellari
1756
Three bearded men, one wearing fur
Bartolomeo Crivellari
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Bartolomeo Crivellari
1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Bartolomeo Crivellari
1756
Plate 40: the division of the elect from the reprobate
Bartolomeo Crivellari
1756
Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Bartolomeo Crivellari
1756
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Bartolomeo Crivellari
1756
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Bartolomeo Crivellari
1756
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Bartolomeo Crivellari
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Sebastiano Gamma
1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Bartolomeo Crivellari
1756
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Bartolomeo Crivellari
1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Bartolomeo Crivellari
1756
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Bartolomeo Crivellari
1756
Plate 5: view of the ceiling with its ornaments and frescoed paintings
Bartolomeo Crivellari
1756
Tobias and the Angel
Cherubino Alberti (Zaccaria Mattia)
1575
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
ca. 1540–70
Juvenis ascultans seni de divinis admonenti (My Son attend unto my Wisdom, and bow thine Ear to my Understanding (Proverbs V)): Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room
Giovanni Battista Brustolon
1756
Plate 2: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari
1756