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1-42 of 24,662 results for Perino del Vaga (Pietro Buonaccorsi)
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The Holy Family with the Infant Saint John the Baptist, Perino del Vaga (Pietro Buonaccorsi) Italian, Oil on wood
The Holy Family with the Infant Saint John the Baptist
Perino del Vaga (Pietro Buonaccorsi)
ca. 1524–26
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Minerva from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Joost van Herzeele
Designed 1545, woven ca. 1550
Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels
Neptune from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Anonymous Workshop
designed 1545, woven ca. 1550
Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi)
ca. 1546
Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, highlighted with white gouache, on brownish paper
Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?
Perino del Vaga (Pietro Buonaccorsi)
1522–23
Saints Peter and John Healing a Cripple at the Gate of the Temple, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on brownish paper
Saints Peter and John Healing a Cripple at the Gate of the Temple
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Design for a Festival Float or Barge, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on faded blue paper
Design for a Festival Float or Barge
Perino del Vaga (Pietro Buonaccorsi)
Prospero Fontana
ca. 1530–40
Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, reworked with black ink (recto); pen and brown and black ink (verso)
Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso)
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Jupiter Appearing to Semele, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with yellow gouache, on brown-washed paper
Jupiter Appearing to Semele
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash highlighted with white; squared in black chalk
Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, over black chalk (recto); pen and brown sketch of a right hand at upper left, and circle in red chalk at lower right (verso)
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple
Perino del Vaga (Pietro Buonaccorsi)
1534–47
Study for Allegorical Figure of Prudence, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash, over traces of black chalk
Study for Allegorical Figure of Prudence
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Two Standing Male Figures, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on brownish paper
Two Standing Male Figures
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, squared in black chalk, on brownish paper. The empty triangular corners are tinted in gray-green wash, the right diagonal border tinted in gray wash
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above)
Perino del Vaga (Pietro Buonaccorsi)
1520
Seated Triton, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised
Seated Triton
Perino del Vaga (Pietro Buonaccorsi)
1545–47
Christ and the Daughter of the Centurion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Christ and the Daughter of the Centurion
Perino del Vaga (Pietro Buonaccorsi)
Anonymous, Italian, 16th century
16th century
Allegory or Goddess (Juno?), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Allegory or Goddess (Juno?)
Perino del Vaga (Pietro Buonaccorsi)
16th century
Design for Candlestick or for a Crucifix Base, Perino del Vaga (Pietro Buonaccorsi) (studio) Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for Candlestick or for a Crucifix Base
Perino del Vaga (Pietro Buonaccorsi)
Luzio Luzzi (also known as Luzio Romano, Luzio da Todi)
ca. 1540–47
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown and gray wash
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion
Perino del Vaga (Pietro Buonaccorsi)
1521–47
Design for a Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Design for a Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Design for Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Design for Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
early 16th century
Plate depicting scene of Vulcan, Venus and Mars, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, Urbino
Plate depicting scene of Vulcan, Venus and Mars
Multiple artists/makers
dated 1542
Ixion attempting to seduce Juno, surrounded by clouds with ruins below, Giovanni Jacopo Caraglio Italian, Engraving
Ixion attempting to seduce Juno, surrounded by clouds with ruins below
Giovanni Jacopo Caraglio
Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–39
Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi Italian, Pen and brown ink, with head in upper left corner drawn in red chalk
Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
Perino del Vaga (Pietro Buonaccorsi)
1527–96
Two Designs for a Flower Pedestal, Guglielmo della Porta Italian, Pen and brown ink, brush and purple wash
Two Designs for a Flower Pedestal
Guglielmo della Porta
Perino del Vaga (Pietro Buonaccorsi)
ca. 1550–70
Saint Mark writing his gospel, winged lion at the right, Giulio Bonasone Italian, Engraving
Saint Mark writing his gospel, winged lion at the right
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
1531–76
Saint Paul Preaching, an oval composition, Giulio Bonasone Italian, Engraving
Saint Paul Preaching, an oval composition
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
1547
St Paul overcoming the viper, within an architectual setting, an oval composition, Giulio Bonasone Italian, Engraving
St Paul overcoming the viper, within an architectual setting, an oval composition
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
ca. 1540–70
Saint Mark writing his Gospel, a winged lion at the right, Giulio Bonasone Italian, Engraving
Saint Mark writing his Gospel, a winged lion at the right
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
1531–76
The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above, Master of the Die Italian, Engraving
The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1532
The Assumption of the Virgin, below the apostles surround the tomb, Master of the Die Italian, Engraving
The Assumption of the Virgin, below the apostles surround the tomb
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1530–60
A panel of ornament with a putto in the centre holding a windmill, Master of the Die Italian, Engraving
A panel of ornament with a putto in the centre holding a windmill
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1532
Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right, Giorgio Ghisi Italian, Engraving
Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, Enea Vico Italian, Engraving
Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin
Enea Vico
Perino del Vaga (Pietro Buonaccorsi)
1543
Venus and Vulcan Seated on a Bed and Three Putti, Giorgio Ghisi Italian, Engraving
Venus and Vulcan Seated on a Bed and Three Putti
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
mid-1550s
Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving
Venus and Vulcan at the Forge
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
mid-1550s
Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving
Venus and Vulcan at the Forge
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
ca. 1555
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning, Girolamo Fagiuoli Italian, Engraving
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning
Girolamo Fagiuoli
Perino del Vaga (Pietro Buonaccorsi)
ca. 1539–49
Design for a Decorated Wall and Ceiling of a Gallery, marked with the monogram of the French King Henri III or IV, Toussaint Dubreuil French, Pen and brown ink, brush and brown wash, heightened with white, over black chalk
Design for a Decorated Wall and Ceiling of a Gallery, marked with the monogram of the French King Henri III or IV
Toussaint Dubreuil
Perino del Vaga (Pietro Buonaccorsi)
ca. 1580–1600
Christ healing the paralytic, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in gray-blue
Christ healing the paralytic
Niccolò Vicentino
Perino del Vaga (Pietro Buonaccorsi)
1540–50
Three separate studies for the miracles of the loaves, showing Christ standing in different positions surrounded by a large crowd; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after drawings by Perino del Vaga, Anne Claude Philippe de Tubières, comte de Caylus French, Etching
Three separate studies for the miracles of the loaves, showing Christ standing in different positions surrounded by a large crowd; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after drawings by Perino del Vaga
Anne Claude Philippe de Tubières, comte de Caylus
Perino del Vaga (Pietro Buonaccorsi)
ca. 1729–40