Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Perino del Vaga (Pietro Buonaccorsi)

Sort by:

The Holy Family with the Infant Saint John the Baptist, Perino del Vaga (Pietro Buonaccorsi) Italian, Oil on wood — The Holy Family with the Infant Saint John the Baptist
Perino del Vaga (Pietro Buonaccorsi)
ca. 1524–26

Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache — Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35

Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels — Minerva from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Joost van Herzeele
Designed 1545, woven ca. 1550

Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels — Neptune from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Anonymous Workshop
designed 1545, woven ca. 1550

Design for Candlestick or for a Crucifix Base, Perino del Vaga (Pietro Buonaccorsi) (studio) Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for Candlestick or for a Crucifix Base
Perino del Vaga (Pietro Buonaccorsi)
Luzio Luzzi (also known as Luzio Romano, Luzio da Todi)
ca. 1540–47

Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown and gray wash — Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Design for a Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink — Design for a Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Design for Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink — Design for Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
early 16th century

Seated Triton, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised — Seated Triton
Perino del Vaga (Pietro Buonaccorsi)
1545–47

Study for Allegorical Figure of Prudence, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash, over traces of black chalk — Study for Allegorical Figure of Prudence
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Allegory or Goddess (Juno?), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink — Allegory or Goddess (Juno?)
Perino del Vaga (Pietro Buonaccorsi)
16th century

Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink — Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi)
ca. 1546

Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, highlighted with white gouache, on brownish paper — Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?
Perino del Vaga (Pietro Buonaccorsi)
1522–23

Saints Peter and John Healing a Cripple at the Gate of the Temple, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on brownish paper — Saints Peter and John Healing a Cripple at the Gate of the Temple
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Two Standing Male Figures, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on brownish paper — Two Standing Male Figures
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, squared in black chalk, on brownish paper. The empty triangular corners are tinted in gray-green wash, the right diagonal border tinted in gray wash — Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above)
Perino del Vaga (Pietro Buonaccorsi)
1520

Design for a Festival Float or Barge, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on faded blue paper — Design for a Festival Float or Barge
Perino del Vaga (Pietro Buonaccorsi)
Prospero Fontana
ca. 1530–40

Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, reworked with black ink (recto); pen and brown and black ink (verso) — Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso)
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Jupiter Appearing to Semele, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with yellow gouache, on brown-washed paper — Jupiter Appearing to Semele
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash highlighted with white; squared in black chalk — Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi)
1501–47

Saint Peter and Saint John Healing a Cripple at the Gate of the Temple, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, over black chalk (recto); pen and brown sketch of a right hand at upper left, and circle in red chalk at lower right (verso) — Saint Peter and Saint John Healing a Cripple at the Gate of the Temple
Perino del Vaga (Pietro Buonaccorsi)
1534–47

Christ and the Daughter of the Centurion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk — Christ and the Daughter of the Centurion
Perino del Vaga (Pietro Buonaccorsi)
Anonymous, Italian, 16th century
16th century

Plate depicting scene of Vulcan, Venus and Mars, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, Urbino — Plate depicting scene of Vulcan, Venus and Mars
Multiple artists/makers
dated 1542

A panel of ornament with a woman holding a vase in centre, Master of the Die Italian, Engraving — A panel of ornament with a woman holding a vase in centre
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1532

Caryatid, after Perino del Vaga drawing in Albertina, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, wash. — Caryatid, after Perino del Vaga drawing in Albertina
Anonymous, Netherlandish, 16th century
Perino del Vaga (Pietro Buonaccorsi)
ca. 1520

Saint Paul Preaching, an oval composition, Giulio Bonasone Italian, Engraving — Saint Paul Preaching, an oval composition
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
1547

A panel of ornament with a putto in the centre holding a windmill, Master of the Die Italian, Engraving — A panel of ornament with a putto in the centre holding a windmill
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1532

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, Enea Vico Italian, Engraving — Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin
Enea Vico
Perino del Vaga (Pietro Buonaccorsi)
1543

Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right, Giorgio Ghisi Italian, Engraving — Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)

Two Designs for a Flower Pedestal, Guglielmo della Porta Italian, Pen and brown ink, brush and purple wash — Two Designs for a Flower Pedestal
Guglielmo della Porta
Perino del Vaga (Pietro Buonaccorsi)
ca. 1550–70

Venus and Vulcan Seated on a Bed and Three Putti, Giorgio Ghisi Italian, Engraving — Venus and Vulcan Seated on a Bed and Three Putti
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
mid-1550s

Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving — Venus and Vulcan at the Forge
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
mid-1550s

Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving — Venus and Vulcan at the Forge
Giorgio Ghisi
Perino del Vaga (Pietro Buonaccorsi)
ca. 1555

Ixion attempting to seduce Juno, surrounded by clouds with ruins below, Giovanni Jacopo Caraglio Italian, Engraving — Ixion attempting to seduce Juno, surrounded by clouds with ruins below
Giovanni Jacopo Caraglio
Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–39

The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above, Master of the Die Italian, Engraving — The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1532

The Assumption of the Virgin, below the apostles surround the tomb, Master of the Die Italian, Engraving — The Assumption of the Virgin, below the apostles surround the tomb
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1530–60

St Paul overcoming the viper, within an architectual setting, an oval composition, Giulio Bonasone Italian, Engraving — St Paul overcoming the viper, within an architectual setting, an oval composition
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
ca. 1540–70

Saint Mark writing his Gospel, a winged lion at the right, Giulio Bonasone Italian, Engraving — Saint Mark writing his Gospel, a winged lion at the right
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
1531–76

Saint Mark writing his gospel, winged lion at the right, Giulio Bonasone Italian, Engraving — Saint Mark writing his gospel, winged lion at the right
Giulio Bonasone
Perino del Vaga (Pietro Buonaccorsi)
1531–76

Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi Italian, Pen and brown ink, with head in upper left corner drawn in red chalk — Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
Perino del Vaga (Pietro Buonaccorsi)
1527–96