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Showing 4,598 results for Philippe Thomassin
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Allegorical thesis print with various figures, set in an architectural structure, Philippe Thomassin French, Engraving
Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin
Francesco Nappi
1608
The Entombment, Philippe Thomassin French, Engraving
The Entombment
Philippe Thomassin
Federico Barocci
1589
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels, Philippe Thomassin French, Engraving
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Multiple artists/makers
1611–12
Design for an Ornamental Bowl with the Battle of the Triton and the arms of Joannes Vitiello
Multiple artists/makers
ca. 1617–19
The Virgin in glory standing on a cloud surrounded by her attributes, after Barocci
Multiple artists/makers
1591
Dance of the Muses, with Apollo at center and a musician at each end
Philippe Thomassin
Baldassarre Tommaso Peruzzi
1615
Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left, Master of the Die Italian, Engraving
Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left
Master of the Die
Philippe Thomassin
1530–60
The victory of Scipio over Syphax, Master of the Die Italian, Engraving
The victory of Scipio over Syphax
Master of the Die
Philippe Thomassin
1530–60
The Triumph of Scipio who rides on a horse followed by captured slaves, Master of the Die Italian, Engraving
The Triumph of Scipio who rides on a horse followed by captured slaves
Master of the Die
Philippe Thomassin
1530–60
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Multiple artists/makers
1580–90
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Multiple artists/makers
1580–90
A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Multiple artists/makers
1580–90
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
The Ascension
Jacopo Zucchi
Philippe Thomassin
Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left, Master of the Die Italian, Engraving
Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left
Multiple artists/makers
1530–60
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', Master of the Die Italian, Engraving
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Multiple artists/makers
1530–60
The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left, Master of the Die Italian, Engraving
The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left
Multiple artists/makers
1530–60
The Rape of Ganymede, Anonymous, Engraving
The Rape of Ganymede
Multiple artists/makers
1542–60
Aeneas carrying Anchises on his shoulders while Troy burns in the background, Master of the Die Italian, Engraving
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Multiple artists/makers
1530–60
Aeneas carrying Anchises on his shoulders while Troy burns in the background, Master of the Die Italian, Engraving
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Multiple artists/makers
1530–60
Vase, Philippe Wolfers Belgian, Silver, partly gilded, Belgian, Brussels
Vase
Philippe Wolfers
Wolfers Freres
ca. 1896
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Hercules playing a lyre, a lionskin draped over his shoulder, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Hercules playing a lyre, a lionskin draped over his shoulder, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Two Women and Two Cupids, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Two Women and Two Cupids, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Man Playing Two Flutes and Woman on Lionskin, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Man Playing Two Flutes and Woman on Lionskin, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Woman and Man Seated on Lionskin, Man Pouring Wine, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Woman and Man Seated on Lionskin, Man Pouring Wine, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Three Cupids and Two Dolphins, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Three Cupids and Two Dolphins, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622