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19 results for Pietro di Giovanni d'Ambrogio
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For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
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Saint Michael, Pietro di Giovanni d'Ambrogio Italian, Tempera and silver on wood, gold ground
Saint Michael
Pietro di Giovanni d'Ambrogio
mid-1430s
Saint Nicholas of Bari, Pietro di Giovanni d'Ambrogio Italian, Tempera and silver on wood, gold ground
Saint Nicholas of Bari
Pietro di Giovanni d'Ambrogio
mid-1430s
Saint Francis Receiving the Stigmata, Lo Spagna (Giovanni di Pietro) Italian, Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown.
Saint Francis Receiving the Stigmata
Lo Spagna (Giovanni di Pietro)
early 16th century
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi), Lo Spagna (Giovanni di Pietro) Italian, Charcoal or black chalk; outlines pricked and pounced for transfer
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro)
1514–16
Plan des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Multiple artists/makers
1761
Palazzo Salviati
Multiple artists/makers
1655
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Multiple artists/makers
1892
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
Multiple artists/makers
1761
Adoring Angel, Piero di Giovanni Tedesco Italian, Marble (Carrara marble), Central Italian
Adoring Angel
Piero di Giovanni Tedesco
ca. 1395–96
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Noah, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Noah
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
Abraham, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Abraham
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
David, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
David
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
Moses, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Moses
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
The Intercession of Christ and the Virgin, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on canvas, Italian
The Intercession of Christ and the Virgin
Lorenzo Monaco (Piero di Giovanni)
before 1402
The Crucified Christ between the Virgin and Saint John the Evangelist, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni)
ca. 1406
Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment
Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple., Lorenzo Monaco (Piero di Giovanni) Italian, Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.
Lorenzo Monaco (Piero di Giovanni)
1408–11