Tickets
DonateMembership
Tickets

Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
Showing 503 results for Pirro Ligorio
Sort by:
Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso), Pirro Ligorio Italian, Red chalk on beige paper (recto); pen and brown ink (verso)
Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)
Pirro Ligorio
ca. 1540
Two Princes of the House of Este: Ernest VI and Francis II, Pirro Ligorio Italian, Pen and brown ink, brush and yellow-brown wash, over black chalk
Two Princes of the House of Este: Ernest VI and Francis II
Pirro Ligorio
1513–83
Plan of Ancient Rome, from "Speculum Romanae Magnificentiae", Pirro Ligorio Italian, Engraving
Plan of Ancient Rome, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
16th century
Theater of Marcellus, from "Speculum Romanae Magnificentiae", Pirro Ligorio Italian, Engraving
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Michele Tramezzino
16th century
A Domestic Scene, Pirro Ligorio Italian, Black chalk point of brush and gray wash, highlighted with white, on red prepared paper
A Domestic Scene
Pirro Ligorio
1513–83
Caryatid Facing Right, Pirro Ligorio Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk
Caryatid Facing Right
Pirro Ligorio
mid-16th Century
Caryatid Facing Left, Pirro Ligorio Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Caryatid Facing Left
Pirro Ligorio
mid-16th century
Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Bolognino Zaltieri
mid-16th century
Baths of Diocletian, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Bolognino Zaltieri
mid-16th century
Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae", Giovanni Ambrogio Brambilla Italian, Etching
Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1581
Circus Maximus, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving
Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Circus Maximus, from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Circus Flaminius, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving
Circus Flaminius, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Circus Maximus, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving; first state of three (Robert-Dumesnil)
Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae", Anonymous, Etching
Ornithon Sive Aviarum, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1558
Circus Maximus, from "Speculum Romanae Magnificentiae", Nicolas Beatrizet French, Engraving; first state of three
Circus Maximus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Fabulae Centum
Multiple artists/makers
1565
Palazzo Lancellotti
Multiple artists/makers
1655
De Arte Gymnastica...
Multiple artists/makers
1573
Circus Flaminius in Rome, from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Circus Flaminius in Rome, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1581
Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1554
Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae", Giulio de Musi Italian, Engraving
Birdseye View of the Port of Rome, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1554
Soft bound copy of Antonio Cariola's 'Ritratti De' Ser.mi Principi d'Este Sig.ri di Ferrara' (1641)
Multiple artists/makers
1641
Wilton album, folio 50b: An Allegory of Painting; a winged female figure, left, painting a tablet, helped by a putto
Bartolomeo Passerotti
1550–60
Pandora Opening the Box
Multiple artists/makers
1557
Veduta del Palazzo dal Piano del Giardino con le sue Fontane, from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 4, 'Le Fontane del Giardino Estense in Tivoli' (plate 3), Giovanni Francesco Venturini Italian, Etching
Veduta del Palazzo dal Piano del Giardino con le sue Fontane, from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 4, 'Le Fontane del Giardino Estense in Tivoli' (plate 3)
Giovanni Francesco Venturini
Giovanni Giacomo De Rossi
1691 or after
Palazzo Pirro in Rome, section (recto) Palazzo Pirro in Rome, sections; profiles (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Pirro in Rome, section (recto) Palazzo Pirro in Rome, sections; profiles (verso)
Anonymous, French, 16th century
early to mid-16th century
Curb Bit, Iron alloy, probably Italian
Curb Bit
probably Italian
mid-16th century
The Descent from the Cross, Gian Antonio Burrini Italian, Pen and brown ink, brush and brown and red wash, over red chalk
The Descent from the Cross
Gian Antonio Burrini
ca. 1720
A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
Pipe Bowl (Epaepa or Pioro), Whale ivory, Marquesan (Enata) people
Pipe Bowl (Epaepa or Pioro)
Marquesan (Enata) people
early 19th century
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
The Young Saint John the Baptist, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil on wood
The Young Saint John the Baptist
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1480–82
The Return from the Hunt, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil on wood
The Return from the Hunt
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci) Italian, Tempera on wood
Portrait of a Woman
Piero del Pollaiuolo (Piero di Jacopo Benci)
ca. 1480
Adoring Angel, Piero di Giovanni Tedesco Italian, Marble (Carrara marble), Central Italian
Adoring Angel
Piero di Giovanni Tedesco
ca. 1395–96
Piero I Medici (1464–69), Massimiliano Soldani Italian, Bronze, possibly Italian
Piero I Medici (1464–69)
Massimiliano Soldani
17th–18th century
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Dish with arms of the Strozzi and Ridolfi families, Piero Bergantini and Italian, Maiolica (tin-glazed earthenware), Italian, Faenza
Dish with arms of the Strozzi and Ridolfi families
Piero Bergantini
Paolo Bergantini
ca. 1525
"Architettura", Piero Fornasetti Italian, Screen-printed wood fiberboard, mahogany, brass, wire, electric light
"Architettura"
Piero Fornasetti
Gio Ponti
designed 1951; manufactured 1975