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Showing 428 results for Poligrafa Obra Gráfica

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Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines), James Siena American, Etching — Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines)
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Rodones, James Siena American, Etching — Fletxes Rodones
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Ortogonals Decreixents, James Siena American, Etching — Fletxes Ortogonals Decreixents
James Siena
Poligrafa Obra Gráfica
2011

La Por (Fear), James Siena American, Etching — La Por (Fear)
James Siena
Poligrafa Obra Gráfica
2011

Membre (Member), James Siena American, Etching — Membre (Member)
James Siena
Poligrafa Obra Gráfica
2011

Cova (Cave), James Siena American, Etching — Cova (Cave)
James Siena
Poligrafa Obra Gráfica
2011

Línies Sortint de L'Obscuritat (Lines Out of the Darknesss), James Siena American, Etching — Línies Sortint de L'Obscuritat (Lines Out of the Darknesss)
James Siena
Poligrafa Obra Gráfica
2011

Línies Pesades i Infectades (Heavy, Infected Lines), James Siena American, Etching — Línies Pesades i Infectades (Heavy, Infected Lines)
James Siena
Poligrafa Obra Gráfica
2011

Poster celebrating the victory over the Nazis at the end of World War II, Ángel Bracho Mexican, Lithograph in black and red, letterpress, backed with linen — Poster celebrating the victory over the Nazis at the end of World War II
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1945

Portfolio of twenty prints published to celebrate the centenary of the birth of Emiliano Zapata

Multiple artists/makers

1979

Estampas de la revolución Mexicana (prints of the Mexican Revolution)

Taller de Gráfica Popular, Mexico City

1947

'Calacas' published by the Taller de Gráfica de Popular

Multiple artists/makers

1980

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

Poster celebrating the allied victory at the end of World War II, Alfredo Zalce Mexican, Linocut and letterpress printed in black and orange, backed with linen — Poster celebrating the allied victory at the end of World War II
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Poster calling for more equitable treatment for tram workers, Leopoldo Méndez Mexican, Linocut and letterpress printed in black and red, backed with linen — Poster calling for more equitable treatment for tram workers
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1943

Poster relating to solidarity, a soldier and two workers walking together, Alfredo Zalce Mexican, Linocut and letterpress printed on pink paper, backed with linen — Poster relating to solidarity, a soldier and two workers walking together
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1938

Poster celebrating National Teachers' Day, Alfredo Zalce Mexican, Linocut on green paper, backed with linen — Poster celebrating National Teachers' Day
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
Ca. 1938–40

Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut — Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1943

Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Woodcut — Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 10: the persecution of those involved in the Partido Liberal by the regime of president of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 10: the persecution of those involved in the Partido Liberal by the regime of president of Porfirio Díaz , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 12: many guns with bayonets, allegory relating to the tyranny and despotism of the regime of President Porforio Diaz and their oppression of indigenous Mexicans, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Pablo Esteban O'Higgins American, Linocut — Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1947

Plate 17: scene of prison and the death of malcontents from the north, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 17: scene of prison and the death of malcontents from the north, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 21: President Porfirio Díaz being terrified by the 'Plan of San Luis de Potosí' being held in front of him by Francisco I Madero, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Everardo Ramírez Mexican, Linocut — Plate 21: President Porfirio Díaz being terrified by the 'Plan of San Luis de Potosí' being held in front of him by Francisco I Madero, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Everardo Ramírez
Taller de Gráfica Popular, Mexico City
1947

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 24: Emiliano Zapata, leader the revolution, on horseback, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 24: Emiliano Zapata, leader the revolution, on horseback, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 25: Emiliano Zapata, tortured and fallen figures in front of him, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ángel Bracho Mexican, Linocut — Plate 25: Emiliano Zapata, tortured and fallen figures in front of him, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1947

Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 36: Venustiano Carranza addressing to rebel leaders, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 36: Venustiano Carranza addressing to rebel leaders, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 37: Francisco (Pancho) Villa, guerilla leader on horseback , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 37: Francisco (Pancho) Villa, guerilla leader on horseback , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 38: after capturing Matamoros the rebel (constitutionlist) troops distribute hacienda land to the peasantry , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 38: after capturing Matamoros the rebel (constitutionlist) troops distribute hacienda land to the peasantry , from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 53: the Convention of Aguascalientes on 10 October 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 53: the Convention of Aguascalientes on 10 October 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 54: the starving people in Mexico City, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 54: the starving people in Mexico City, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 55: a worker of the Revolution, standing, holding a rifle, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 55: a worker of the Revolution, standing, holding a rifle, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 57: the death of Emiliano Zapata on 10 April 1919, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Isidoro Ocampo, Mexican Mexican, Linocut — Plate 57: the death of Emiliano Zapata on 10 April 1919, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1947

Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 74: the contribution of the people when Lázaro Cárdenas announced that oil found in Mexico belonged to the country and not the foreign companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 74: the contribution of the people when Lázaro Cárdenas announced that oil found in Mexico belonged to the country and not the foreign companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947