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Showing 428 results for Poligrafa Obra Gráfica

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Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines), James Siena American, Etching — Camí de fletxes entre línies paral.leles (Way of arrows between parallel lines)
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Rodones, James Siena American, Etching — Fletxes Rodones
James Siena
Poligrafa Obra Gráfica
2011

Fletxes Ortogonals Decreixents, James Siena American, Etching — Fletxes Ortogonals Decreixents
James Siena
Poligrafa Obra Gráfica
2011

La Por (Fear), James Siena American, Etching — La Por (Fear)
James Siena
Poligrafa Obra Gráfica
2011

Membre (Member), James Siena American, Etching — Membre (Member)
James Siena
Poligrafa Obra Gráfica
2011

Cova (Cave), James Siena American, Etching — Cova (Cave)
James Siena
Poligrafa Obra Gráfica
2011

Línies Sortint de L'Obscuritat (Lines Out of the Darknesss), James Siena American, Etching — Línies Sortint de L'Obscuritat (Lines Out of the Darknesss)
James Siena
Poligrafa Obra Gráfica
2011

Línies Pesades i Infectades (Heavy, Infected Lines), James Siena American, Etching — Línies Pesades i Infectades (Heavy, Infected Lines)
James Siena
Poligrafa Obra Gráfica
2011

Poster celebrating the victory over the Nazis at the end of World War II, Ángel Bracho Mexican, Lithograph in black and red, letterpress, backed with linen — Poster celebrating the victory over the Nazis at the end of World War II
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1945

Estampas de la Revolución Mexicana (Prints of the Mexican Revolution)

Taller de Gráfica Popular, Mexico City

1947

Portfolio of twenty prints published to celebrate the centenary of the birth of Emiliano Zapata

Multiple artists/makers

1979

'Calacas' published by the Taller de Gráfica de Popular

Multiple artists/makers

1980

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 6: Mexicans being taken from their home and enslaved (result of 'The Agreements'), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Woodcut — Plate 9: an allegory relating to the lack of freedom in the press efffected during the presidency of Porfirio Díaz, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Pablo Esteban O'Higgins American, Linocut — Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Pablo Esteban O'Higgins
Taller de Gráfica Popular, Mexico City
1947

Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1946

Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican — Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 23: the strategists plotting to combat the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 23: the strategists plotting to combat the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 24: Emiliano Zapata, leader of the revolution, on horseback, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 24: Emiliano Zapata, leader of the revolution, on horseback, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 25: Emiliano Zapata, tortured and fallen figures in front of him, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ángel Bracho Mexican, Linocut — Plate 25: Emiliano Zapata, tortured and fallen figures in front of him, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1947

Plate 33: The American ambassador Lane Wilson playing with toy figures referring to his meddling in the affairs of Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 33: The American ambassador Lane Wilson playing with toy figures referring to his meddling in the affairs of Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 54: the starving people in Mexico City, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Leopoldo Méndez Mexican, Linocut — Plate 54: the starving people in Mexico City, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Leopoldo Méndez
Taller de Gráfica Popular, Mexico City
1947

Plate 55: a worker of the Revolution, standing, holding a rifle, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Jesús Escobedo Mexican, Linocut — Plate 55: a worker of the Revolution, standing, holding a rifle, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1947

Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 57: the death of Emiliano Zapata on 10 April 1919, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Isidoro Ocampo, Mexican Mexican, Linocut — Plate 57: the death of Emiliano Zapata on 10 April 1919, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Isidoro Ocampo, Mexican
Taller de Gráfica Popular, Mexico City
1947

Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading supporters, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading supporters, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 60: the benefits of education instigated through the programs of Alvaro Obregon (1920–23) and Plutarco Elias Calles (1924–28), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 60: the benefits of education instigated through the programs of Alvaro Obregon (1920–23) and Plutarco Elias Calles (1924–28), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 61: the apostolic representative being carried on a sedan to the monument of Christ the King, the beginning of the Cristero agitation, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alberto Beltrán Mexican, Linocut — Plate 61: the apostolic representative being carried on a sedan to the monument of Christ the King, the beginning of the Cristero agitation, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán
Taller de Gráfica Popular, Mexico City
1947

Plate 62: the result of a pastoral ministry, the Cristero uprising, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 62: the result of a pastoral ministry, the Cristero uprising, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 63: an attack on a train directed by a priest (cura Angulo), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Mariana Yampolsky American, Linocut — Plate 63: an attack on a train directed by a priest (cura Angulo), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Mariana Yampolsky
Taller de Gráfica Popular, Mexico City
1947

Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 67: Lázaro Cárdenas with a farmer looking at a plan for agrarian reform, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Luis Arenal Mexican, Linocut — Plate 67: Lázaro Cárdenas with a farmer looking at a plan for agrarian reform, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Luis Arenal
Taller de Gráfica Popular, Mexico City
1947

Plate 74: the contribution of the people when Lázaro Cárdenas announced that oil found in Mexico belonged to the country and not the foreign companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 74: the contribution of the people when Lázaro Cárdenas announced that oil found in Mexico belonged to the country and not the foreign companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Manifesto of the town of Soconusco, Ángel Bracho Mexican, Linocut, letterpress on green paper, backed with linen — Manifesto of the town of Soconusco
Ángel Bracho
Taller de Gráfica Popular, Mexico City
1938