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Showing 26 results for Pollaiuolo

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Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence — Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80

Hercules (?), Antonio Pollaiuolo Italian, Bronze, Italian, Florence — Hercules (?)
Antonio Pollaiuolo
last quarter 15th century

Runner, Antonio Pollaiuolo Italian, Embroidered net, Italian — Runner
Antonio Pollaiuolo
19th century

Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci) Italian, Tempera on wood — Portrait of a Woman
Piero del Pollaiuolo (Piero di Jacopo Benci)
ca. 1480

Battle of the Nude Men, Antonio Pollaiuolo Italian, Engraving — Battle of the Nude Men
Antonio Pollaiuolo
ca. 1470–90

Hercules and the Giants

Antonio Pollaiuolo

15th century

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Cristofano di Michele Martini (Il Robetta) Italian, Engraving — Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky
Cristofano di Michele Martini (Il Robetta)
Antonio Pollaiuolo
ca. 1500–1520

Battle of Hercules and the Giants, Anonymous, Italian, 15th century Italian, Engraving; first state — Battle of Hercules and the Giants
Anonymous, Italian, 15th century
Antonio Pollaiuolo
15th century

Saint Jerome in penitence, with two ships in the harbor

Anonymous, Italian, Florentine, 15th century

Antonio Pollaiuolo

ca. 1480

Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi) Italian, Fresco — Saint Christopher and the Infant Christ
Domenico Ghirlandaio (Domenico Bigordi)

A Seated Saint Reading from a Book, Francesco Botticini (Francesco di Giovanni) Italian, Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or early 16th century. — A Seated Saint Reading from a Book
Francesco Botticini (Francesco di Giovanni)
late 15th century

Marsyas, Bronze, mounted on an ancient architectural fragment, probably Italian — Marsyas
probably Italian
19th century, cast after a 15th century composition

Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence — Angel (one of a pair)
Italian, probably Florence
late 15th century

Angel (one of a pair), Bronze, fire-gilt, Italian, probably Florence — Angel (one of a pair)
Italian, probably Florence
late 15th century

Unknown Lady (Elvira)

Multiple artists/makers

1908 (?)

The Martyrdom of Saint Sebastian, with three archers, Anonymous, Italian, Florentine, 15th century Italian, Engraving — The Martyrdom of Saint Sebastian, with three archers
Anonymous, Italian, Florentine, 15th century
ca. 1480–90

Samson and the Lion, Bronze, with red-brown natural patina, remains of dark brown lacquer, probably Italian — Samson and the Lion
probably Italian
17th century

A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso), Maso Finiguerra Italian, Pen and brown ink, brush and brown wash, over black chalk or leadpoint (recto and verso) — A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso)
Maso Finiguerra
1460–64

Hercules and Antaeus, Bronze, Northern Italian — Hercules and Antaeus
Northern Italian
composition 17th century or later

Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso), Francesco di Simone Ferrucci Italian, Pen and brown ink, over leadpoint or black chalk, on rose-washed paper — Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels (verso)
Francesco di Simone Ferrucci
1487–88

Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger Italian, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements — Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
1530–35

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso) — Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci
ca. 1506–8

Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence — Corbel
Giuliano da Sangallo
late 15th century

Hercules and the Centaur, Bronze, Italian — Hercules and the Centaur
Italian
late 15th century

Hercules and the Centaur, Bronze, Italian — Hercules and the Centaur
Italian
late 15th century