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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Richard van Orley

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Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8), Richard van Orley Flemish, Pen and brown ink, gray wash, heightened with white gouache; framing line in pen and brown ink, by the artist; incised for transfer — Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8)
Richard van Orley
ca. 1700

Juno on Her Chariot Visiting a Young Woman and a Rivergod, Richard van Orley Flemish, Pen and brown ink, brush and gray ink, corrected with white gouache; framing line in pen and brown ink, possibly by the artist — Juno on Her Chariot Visiting a Young Woman and a Rivergod
Richard van Orley
late 17th–mid 18th century

Vertumnus and Pomona, Richard van Orley Flemish, Etching — Vertumnus and Pomona
Richard van Orley

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood — The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15

The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood — The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15

Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood — Virgin and Child with Angels
Bernard van Orley
ca. 1518

Rattle, Whistle, and Bells, Richard Van Dyck or American, Silver and coral, American — Rattle, Whistle, and Bells
Richard Van Dyck
Peter Van Dyck
1735–45

Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Flora from a set of the Triumph of the Gods
Multiple artists/makers
first half 18th century

The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp — The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp — The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels — The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Multiple artists/makers
1525–1535

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — August from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels — Saint Veronica
Bernard van Orley
ca. 1525

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515

The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — October from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood — Four Scenes from the Passion
Bernard van Orley

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515

Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels — Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532

Cann, Richard Van Dyck American, Silver, American — Cann
Richard Van Dyck
1750–70

Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat, Richard Holden British, Steel, gold, leather, textile, British, London; buff coat, European — Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Richard Holden
Daniel Tachaux
ca. 1683 and later; buff coat, 17th–18th century

Division Viol, Richard Meares British, Spruce, ebony, maple, British — Division Viol
Richard Meares
ca. 1680

Plate, Richard Lee American, Pewter, American — Plate
Richard Lee
Richard Lee Jr.
1788–1820

Porringer, Richard Lee American, Pewter, American — Porringer
Richard Lee
Richard Lee Jr.
1788–1816

Ladle, Richard Lee American, Pewter, wood, American — Ladle
Richard Lee
Richard Lee Jr.
1788–1820

Spoon, Richard Lee American, Pewter, American — Spoon
Richard Lee
Richard Lee Jr.
1788–1816

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist — The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30

The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist) — The Resurrection
Bernard van Orley
Master of Saint Michael
early 16th century

The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper — The Adoration of the Magi
Bernard van Orley
early 16th–mid 16th century

Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk — Pilate Washing his Hands
Bernard van Orley
early 1530s

Wheat Fields, Jacob van Ruisdael Dutch, Oil on canvas — Wheat Fields
Jacob van Ruisdael
ca. 1670

Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas — Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622