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1-42 of 11,762 results for Richard van Orley
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Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8), Richard van Orley Flemish, Pen and brown ink, gray wash, heightened with white gouache; framing line in pen and brown ink, by the artist; incised for transfer
Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8)
Richard van Orley
ca. 1700
Vertumnus and Pomona, Richard van Orley Flemish, Etching
Vertumnus and Pomona
Richard van Orley
Juno on Her Chariot Visiting a Young Woman and a Rivergod, Richard van Orley Flemish, Pen and brown ink, brush and gray ink, corrected with white gouache; framing line in pen and brown ink, possibly by the artist
Juno on Her Chariot Visiting a Young Woman and a Rivergod
Richard van Orley
late 17th–mid 18th century
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood
The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15
Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood
Virgin and Child with Angels
Bernard van Orley
ca. 1518
Rattle, Whistle, and Bells, Richard Van Dyck or American, Silver and coral, American
Rattle, Whistle, and Bells
Richard Van Dyck
Peter Van Dyck
1735–45
Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Flora from a set of the Triumph of the Gods
Multiple artists/makers
first half 18th century
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85
The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp
The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85
The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Multiple artists/makers
1525–1535
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
October from a set of Medallion Months
Bernard van Orley
ca. 1525–28
August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
August from a set of Medallion Months
Bernard van Orley
ca. 1525–28
Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels
Saint Veronica
Bernard van Orley
ca. 1525
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515
Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood
Four Scenes from the Passion
Bernard van Orley
Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels
Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat, Richard Holden British, Steel, gold, leather, textile, British, London; buff coat, European
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Richard Holden
Daniel Tachaux
ca. 1683 and later; buff coat, 17th–18th century
Division Viol, Richard Meares British, Spruce, ebony, maple, British
Division Viol
Richard Meares
ca. 1680
Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam
Cabinet on stand
Jan van Mekeren
ca. 1700–1710
The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood
The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38
The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30
Cann, Richard Van Dyck American, Silver, American
Cann
Richard Van Dyck
1750–70
The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist)
The Resurrection
Bernard van Orley
Master of Saint Michael
early 16th century
The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
The Adoration of the Magi
Bernard van Orley
early 16th–mid 16th century
Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk
Pilate Washing his Hands
Bernard van Orley
early 1530s
Queen Henrietta Maria, Anthony van Dyck Flemish, Oil on canvas
Queen Henrietta Maria
Anthony van Dyck
1636
Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas
Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh Dutch, Oil on canvas
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Vincent van Gogh
1887
Wheat Fields, Jacob van Ruisdael Dutch, Oil on canvas
Wheat Fields
Jacob van Ruisdael
ca. 1670
Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956), Theo Van Rysselberghe Belgian, Oil on canvas
Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956)
Theo Van Rysselberghe
1889
Madame Roulin and Her Baby, Vincent van Gogh Dutch, Oil on canvas
Madame Roulin and Her Baby
Vincent van Gogh
1888
The Crucifixion with Saints and a Donor, Joos van Cleve and a collaborator Netherlandish, Oil on wood
The Crucifixion with Saints and a Donor
Joos van Cleve
ca. 1520
Wheat Field with Cypresses, Vincent van Gogh Dutch, Oil on canvas
Wheat Field with Cypresses
Vincent van Gogh
1889