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1-42 of 72 results for Rijksmuseum
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Square vase with flowers of four seasons, Porcelain painted in polychrome enamels over black ground (Jingdezhen famille noire ware), China
Square vase with flowers of four seasons
China
18th–19th century
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
ca. 1740–50
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
1740–50
The Female Pharaoh Hatshepsut, Granite
The Female Pharaoh Hatshepsut
ca. 1479–1458 B.C.
Mirror, Johannes Hannart (or Jan Hanat), Oak veneered with ebony; boxwood and ebonized boxwood; modern mirror glass, Dutch
Mirror
Johannes Hannart (or Jan Hanat)
ca. 1685–1700
Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1447–65
Saint Catherine of Siena Receiving the Stigmata, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
Saint Catherine of Siena Receiving the Stigmata
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1447–65
Nautilus shell, Franchi and Son, Metal mounts, gilt; nautilus shell, British, London, after Dutch, Amsterdam or Utrecht original
Nautilus shell
Manufacturer Franchi and Son
19th century, after early 17th century original
Chandelier with tabernacle (Kapellenkrone), Brass, South Netherlandish, Dinant (?)
Chandelier with tabernacle (Kapellenkrone)
South Netherlandish, Dinant (?)
ca. 1450–70
The Blessed Andrea Gallerani (died 1251), Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
The Blessed Andrea Gallerani (died 1251)
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1447–65
The Blessed Ambrogio Sansedoni (1220–1286), Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
The Blessed Ambrogio Sansedoni (1220–1286)
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1447–65
Armchair (one of four), Royal Manufactory Beauvais 1664-1789, Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter), British and French, probably Beauvais
Armchair (one of four)
Factory Tapestry probably woven at Royal Manufactory Beauvais 1664-1789
1755–65
Armchair (one of four), Royal Manufactory Beauvais 1664-1789, Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter), British and French, probably Beauvais
Armchair (one of four)
Factory Tapestry probably woven at Royal Manufactory Beauvais 1664-1789
1755–65
Armchair (one of four), Royal Manufactory Beauvais 1664-1789, Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter), British and French, probably Beauvais
Armchair (one of four)
Factory Tapestry probably woven at Royal Manufactory Beauvais 1664-1789
1755–65
An Extensive Wooded Landscape, Philips Koninck Dutch, Oil on canvas
An Extensive Wooded Landscape
Philips Koninck
1670s
Armchair (one of four), Royal Manufactory Beauvais 1664-1789, Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter), British and French, probably Beauvais
Armchair (one of four)
Factory Tapestry probably woven at Royal Manufactory Beauvais 1664-1789
1755–65
The Massacre of the Innocents (Left side), with man on horseback at center left, women and children below, group of figures standing on steps above, Herod seated on throne at upper right, Domenico Campagnola Italian, Woodcut
The Massacre of the Innocents (Left side), with man on horseback at center left, women and children below, group of figures standing on steps above, Herod seated on throne at upper right
Domenico Campagnola
1517
The Lamentation, Master of the Virgin among Virgins Netherlandish, Oil on wood
The Lamentation
Workshop of the Master of the Virgin among Virgins
Doorknocker, Bronze, iron (hammer and suspension loop), Italian, Venice
Doorknocker
Italian, Venice
late 16th century or later
Incense burner, Bronze, Northern Italian, probably Padua
Incense burner
Northern Italian, probably Padua
ca. 1530–40
The Syndics, Léopold Flameng French, Etching; proof
The Syndics
Etcher Léopold Flameng
After Rembrandt (Rembrandt van Rijn)
1876
Neptune and Ceres
Possibly Abraham de Bruyn
Publisher Claes Jansz. Visscher
ca. 1577
Bit Boss with the Rape of Europa, Copper alloy, gold, German or Netherlandish
Bit Boss with the Rape of Europa
German or Netherlandish
first half 17th century
Wilton album, folio 11a: Mercury with the caduceus in his right hand, a coin pouch in his left and a heron
Andrea Schiavone (Andrea Meldola)
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540
A Young Man and Women in the Moor of Musashino; Parody of the Akuta River episode of the Tale of Ise (Ise monogatari), Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
A Young Man and Women in the Moor of Musashino; Parody of the Akuta River episode of the Tale of Ise (Ise monogatari)
Attributed to Suzuki Harunobu
ca. 1765–66
Statuette of a king united with a falcon, Faience
On loan to The Met
Statuette of a king united with a falcon
332–30 BCE
A Ship Wrecked on a Shore on a Stormy Night, with Survivors Salvaging Their Goods, Ludolf Backhuysen Dutch, Brush and gray and black wash, over a sketch in black chalk
A Ship Wrecked on a Shore on a Stormy Night, with Survivors Salvaging Their Goods
Ludolf Backhuysen
1695–1708
Pope Sylvester I in a Sedia Gestatoria and Saint Helen (Modello Drawing for the Donation of Constantine, Sala di Costantino), Giulio Romano Italian, Pen and two hues of brown ink, brush and brown wash, highlighted with white gouache, over leadpoint and grayish blaack-chalk underdrawing; pinpricks for measurements, ruling in pen and ink, and stylus construction; some pounce marks (spolvero underdrawing) in some architectural motifs; on two sheets of paper glued with overlapping seams (original paper support)
On loan to The Met
Pope Sylvester I in a Sedia Gestatoria and Saint Helen (Modello Drawing for the Donation of Constantine, Sala di Costantino)
Giulio Romano
ca. 1520-24
Portrait of an elegant lady, Frans van der Mijn Dutch, born Germany, Pastel on blue-gray paper
Portrait of an elegant lady
Frans van der Mijn
1750–70
Incense burner, Bronze, Northern Italian
Incense burner
Northern Italian
ca. 1550
The Feast of the Gods at the Marriage of Cupid and Psyche, Hendrick Goltzius Netherlandish, Engraving printed from three plates; second state
The Feast of the Gods at the Marriage of Cupid and Psyche
Hendrick Goltzius
After Bartholomeus Spranger
1587
Wilton album, folio 54c: The Virgin Reading to the Child in a Cradle
Multiple artists/makers
1589–1600
Study for a Kneeling Woman in the Foreground of the Transfiguration;Unrelated Design of a Cornice in Profile, Raphael (Raffaello Sanzio or Santi) Italian, Soft black chalk, charcoal, highlighted in brush and white gouache, some reworking of dark shadows in brush and diluted black chalk and stylus incisions to correct contours, over partial pounce marks, on off-white paper washed light grayish brown (figures); pen and grayish brown ink with ruling; verso is blank and severely abraded (cornice)
On loan to The Met
Study for a Kneeling Woman in the Foreground of the Transfiguration;Unrelated Design of a Cornice in Profile
Raphael (Raffaello Sanzio or Santi)
ca. 1519-20
Coif, Linen embroidered with silk and silver-gilt wrapped thread and spangles, British
Coif
British
early 17th century
Mechanical table, Jean-François Oeben French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French
Mechanical table
Jean-François Oeben
and Roger Vandercruse, called Lacroix
ca. 1761–63
Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup, Wood, carved, painted white and gilded, French
Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup
French
ca. 1771
Cabinet, Melchior Baumgartner (1621–1686) German, Oak, pine, walnut, cedar, ebony, and rosewood; ivory veneer and silver veneer; silver; silver-gilt moldings; gilded yellow-metal mounts; the drawers lined with aquamarine-colored silk, German, Augsburg
Cabinet
Cabinetry by the workshop of Melchior Baumgartner
Silversmith Jeremias Sibenbürger
Silver plaques possibly by a member of the Lencker family
ca. 1655–59, engraved decorations ca. 1825–50
Allegory of the Months February and March, Joos de Momper the Younger Netherlandish, Pen and brown ink and watercolor; framing lines in black ink
Allegory of the Months February and March
Joos de Momper the Younger
Former Attribution Pieter Stevens
1579–1635
Portrait of a Young Man (probably a self-portrait), Cornelis Visscher Dutch, Black chalk on antique laid paper, laid down
Portrait of a Young Man (probably a self-portrait)
Cornelis Visscher
1650–51
The Ruins of the Forum of Nerva, Rome, seen from the South-West, Matthijs Bril the Younger Netherlandish, Pen and brown ink
The Ruins of the Forum of Nerva, Rome, seen from the South-West
Matthijs Bril the Younger
ca. 1570–80
Winter Landscape with a Hunter and his Dog, Hendrick Avercamp Dutch, Pen and brown ink, with brush and gray ink and watercolor, over black chalk; framing line in black ink
Winter Landscape with a Hunter and his Dog
Follower of Hendrick Avercamp
17th century (?)
View of Vienne on the Rhone, Hendrick (Cornelisz) Vroom Netherlandish, Pen and brown ink; framing lines in pen and brown ink
View of Vienne on the Rhone
Hendrick (Cornelisz) Vroom
ca. 1587–89