ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 56 results for Rinaldi
Sort by:
Evening pumps
Rinaldi
ca. 1963
Evening dress
Callot Soeurs
ca. 1930
View of the Caelian Hill, Rome, with the church of Santi Giovanni e Paolo, seen from the Aventine, Rome
Joseph Vernet
ca. 1750
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Antique Naval Battle (recto); A Battle Scene (verso)
Lattanzio Gambara
ca. 1550–55
Mlle. Rinaldi, Paris, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Goodwin & Company
1886–90
Mlle. Rinaldi, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Goodwin & Company
1886–90
Mlle. Rinaldi, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Goodwin & Company
1886–90
Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian)
Timoteo Viti
ca. 1515
Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi
1546–47
The Departure of Saint Paula and Saint Eustochium for the Holy Land
Giuseppe Bottani
1740
The Marriage of the Virgin (Lunette)
Giorgio Picchi, the Younger
1580–1600
The Descent from the Cross
Gian Antonio Burrini
ca. 1720
Nude Male Figure with Upraised Right Arm
Girolamo Romanino
1550–60
Design for a Bucket-Like Vessel with a Handle of Interlaced Figures, on a Body Adorned with Bucrania, Garlands, and Three River Gods
Girolamo Genga
1540–50
The Birth of Venus, with Neptune, Cybele and the Chariot of the Sun (Homage to Venus)
Niccolò Berrettoni
ca. 1670–80
Sheet of Studies with Angels and Religious Figures (recto); Draft of a Letter (verso)
Anonymous, Italian, 17th century
17th century
Saint Leonard and Four Episodes from His Life
Francesco di Paolo da Montereale
ca. 1500–10
Raymond Diocrès Speaking During His Funeral (from the Life of Saint Bruno of Cologne)
Daniele Crespi
1628–29
Half-Length Study of a Monk Holding a Book and a Long Implement
Bernardo Strozzi
ca. 1637–40
Portrait of the Artist's Daughter Agata Dolci
Carlo Dolci
1676–80
Standing Pregnant Woman (Study for the Pregnant Virgin Mary)
Bartolomeo Cesi
1556–1629
Jupiter Fighting the Giants
Jacopo Zucchi
1540–96
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Carlo Maratti
1625–1713
Study for a Seated Prelate (Saint Gregory the Great)
Carlo Maratti
1685–86
Battle Scene
Belisario Corenzio
1590–1646
Mounted Warrior with a Baton Giving Orders to His Troops
Belisario Corenzio
1590–1646
A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso)
Denijs Calvaert
1574
The Crucifixion
Jacopo Palma the Younger
The Gems of the Great Exhibition, No. 3
George Baxter
1852
Design for a Bucket-Like Vessel with a Handle of Non-Figural Interlaces, on a Body Adorned with a River God and Two Putti
Girolamo Genga
1540–50
Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59
Burgonet with Falling Buffe
French
ca. 1550
Design for a Bucket-Like Vessel with a Handle of Strapwork, on a Body Adorned with Dancing and Music-Making Antique-Style Figures
Girolamo Genga
1540–50
Design for a Bucket-Like Vessel with a Handle of Two Interlaced Captives, on a Body Adorned with a Scroll, Garland, and a Spout with a Satyr's Head
Girolamo Genga
1540–50
The Virgin and Child
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
ca. 1515–17
Studies of Arms, Shoulders and Hands
Giacomo Franco
1548–1628
Diana the Huntress
Giampietrino (Giovanni Pietro Rizzoli)
Christ Healing the Blind
El Greco (Domenikos Theotokopoulos)
ca. 1570
Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577