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1-42 of 115 results for Robert Dighton the Elder
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A fencing master (recto); sketch of a man's head (verso), Robert Dighton the Elder British, Watercolor and gouache (recto); graphite (verso)
A fencing master (recto); sketch of a man's head (verso)
Possibly by Robert Dighton the Elder
Possibly by Richard Dighton
1790–1814
A coachman (recto); ships and rowboats (verso), Robert Dighton the Elder British, Watercolor and gouache (recto); graphite (verso)
A coachman (recto); ships and rowboats (verso)
Possibly by Robert Dighton the Elder
Possibly by Richard Dighton
1790–1814
The Pit Door / La Porte du Parterre, Robert Dighton the Elder British, Mezzotint
The Pit Door / La Porte du Parterre
After Robert Dighton the Elder
Publisher Carington Bowles I
November 9, 1784
Five in the Morning, Robert Dighton the Elder British, Mezzotint
Five in the Morning
After Robert Dighton the Elder
Publisher Haines & Son
June 18, 1795
I've Got de Monish, Robert Dighton the Elder British, Mezzotint; a reissue
I've Got de Monish
After Robert Dighton the Elder
Publisher Bowles & Carver
[1792] reissue 1793 or later
The-Late-Right Revd. Dr. Samuel Horsley, Lord Bishop of St. Asaph
Designed and etched by Robert Dighton the Elder
Publisher Richard Dighton
Subject Samuel Horsley Bishop of St Asaph
December 1802
The Lamplighter
After Robert Dighton the Elder
Publisher Carington Bowles I
November 9, 1790
The Lottery Contrast
After Robert Dighton the Elder
Publisher Bowles & Carver
Feburary 1794
A View of the Telegraph, Cambridge
Designed and etched by Robert Dighton the Elder
Publisher Robert Dighton the Elder
Subject Dick Vaughan
May 1809
The Return from Masquerade – A Morning Scene
After Robert Dighton the Elder
Publisher Carington Bowles I
[1784] later reissue
A Morning Ramble, or–The Milliners Shop
After Robert Dighton the Elder
Publisher Carington Bowles I
[1782] later reissue
A Hero of the Turf & his Agent
Multiple artists/makers
1806
A Yachtsman, Robert Dighton, the Younger British, Watercolor over graphite
A Yachtsman
Robert Dighton, the Younger
formerly attributed to Robert Dighton the Elder
1806–65
George the IIIrd – aged 72 – 1810, Reign'd 50 Years, A Royal Jubilee
Designed and etched by Robert Dighton the Elder
Publisher Robert Dighton the Elder
Subject George III, King of Great Britain and Ireland
October 5, 1810
Old Q-uiz, the old Goat of Piccadilly
Designed and etched by Robert Dighton the Elder
Publisher Robert Dighton the Elder
Subject William Douglas, 4th Duke of Queensberry
February 25, 1796
A Real Scene in St. Paul's Churchyard on a Windy Day
Robert Dighton the Elder
Publisher Bowles & Carver
[ca. 1783] reissued 1793 or later
Fortune's Favourites: or Happiness in every Situation
After Robert Dighton the Elder
Publisher Bowles & Carver
[1786] reissued 1793 or after
John Gilpin's return from Ware
After Robert Dighton the Elder
Publisher Bowles & Carver
[1785] reissue 1793 or later
A Journeyman Parson with a Bare Existence
After Robert Dighton the Elder
Publisher Bowles & Carver
[ca. 1782] reissued 1793 or later
Youthful Sport, or Boys taking a Bird's Nest
After Robert Dighton the Elder
Publisher Bowles & Carver
[1783–84] reissued January 2, 1797
A Lesson Westward - or a Morning Visit to Betsy Cole
After Robert Dighton the Elder
Publisher Carington Bowles I
[1782] later reissue
A Knowing One
After Robert Dighton the Elder
Publisher S. W. Fores
August 21, 1790
Death and Life Contrasted – or, An Essay on Man
After Robert Dighton the Elder
Publisher Bowles & Carver
[1784], reissued after 1793
My Ass in a Bandbox
Designed and etched by Robert Dighton the Elder
Publisher Robert Dighton the Elder
Subject Dick Vaughan
ca. 1790
A View from Jesus College, Oxford
Designed and etched by Robert Dighton the Elder
Publisher Robert Dighton the Elder
Subject Possibly David Hughes
May 1808
Mother Goose of Oxford
Designed and etched by Robert Dighton the Elder
Publisher Robert Dighton the Elder
Subject Rebecca Howse
July 1807
June / Juin, Richard Earlom British, Hand-colored mezzotint
June / Juin
Engraver Richard Earlom
After Robert Dighton the Elder
Publisher Carington Bowles I
[ca. 1781] later reissue
April / Avril, Richard Earlom British, Mezzotint, hand colored
April / Avril
Engraver Richard Earlom
After Robert Dighton the Elder
Publisher Carington Bowles I
ca. 1781
October / Octobre
Engraver Richard Earlom
After Robert Dighton the Elder
Publisher Carington Bowles I
[ca. 1781] later reissue
October / Octobre
Engraver Richard Earlom
After Robert Dighton the Elder
Publisher Carington Bowles I
[ca. 1781] later reissue
Princess Elizabeth (1596–1662), Later Queen of Bohemia, Robert Peake the Elder British, Oil on canvas
Princess Elizabeth (1596–1662), Later Queen of Bohemia
Robert Peake the Elder
ca. 1606
The Return of the Cattle, Hubert Robert French, Oil on canvas
The Return of the Cattle
Hubert Robert
ca. 1773–75
Venus with Cupid the Honey Thief, Lucas Cranach the Elder German, Oil on oak panel
Venus with Cupid the Honey Thief
Copy after Lucas Cranach the Elder
ca. 1580–1620
Antiquities of Mexico : comprising fac-similes of ancient Mexican paintings and hieroglyphics, preserved in the Royal Libraries of Paris, Berlin, and Dresden ; in the Imperial Library of Vienna; in the Vatican Library ; in the Borgian Museum at Rome ; in the Library of the Institute at Bologna ; and in the Bodleian Library at Oxford. Together with the Monuments of New Spain, by M. Dupaix: with their respective scales of measurement and accompanying descriptions. The whole illustrated by many valuable inedited manuscripts, Augostino Aglio, the elder Italian
Antiquities of Mexico : comprising fac-similes of ancient Mexican paintings and hieroglyphics, preserved in the Royal Libraries of Paris, Berlin, and Dresden ; in the Imperial Library of Vienna; in the Vatican Library ; in the Borgian Museum at Rome ; in the Library of the Institute at Bologna ; and in the Bodleian Library at Oxford. Together with the Monuments of New Spain, by M. Dupaix: with their respective scales of measurement and accompanying descriptions. The whole illustrated by many valuable inedited manuscripts
Multiple artists/makers
1831–48
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field, Robert Peake the Elder British, Oil on canvas
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field
Robert Peake the Elder
1603
The Cardplayer, Frans van Mieris the Elder Dutch, Black chalk, probably moistened in certain areas, and gray wash on vellum.
The Cardplayer
copy after Frans van Mieris the Elder
1655–81
Adoration of the Magi, Hans Reinhart the Elder , (Leipzig?, or Rhineland?) German, Silver, partially mercury-gilded.
Adoration of the Magi
Follower of Hans Reinhart the Elder
ca. 1580–1600
Queen Elizabeth I (1533–1603), John Bacon the Elder British, Coade stone with traces of blue/gray paint, British, Lambeth
Queen Elizabeth I (1533–1603)
Modeler Model attributed to John Bacon the Elder
Manufactory Coade Manufacture, Lambeth, London
Factory director Eleanor Coade
ca. 1780
The Betrothal of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
ca. 1770
Santa Francesca Romana Clothed by the Virgin, Antonio da Viterbo the Elder Italian, Tempera on wood, gold ground
Santa Francesca Romana Clothed by the Virgin
Attributed to Antonio da Viterbo the Elder
ca. 1445
The Fortune Teller, Simon Francis Ravenet, the elder French, Enamel on copper, British, Battersea
The Fortune Teller
Multiple artists/makers
ca. 1753–56
Santa Francesca Romana Holding the Christ Child, Antonio da Viterbo the Elder Italian, Tempera on wood, gold ground, inscriptions on parchment laid down on wood
Santa Francesca Romana Holding the Christ Child
Attributed to Antonio da Viterbo the Elder
ca. 1445