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1-42 of 23,071 results for Robert Walter Weir
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General Winfield Scott, Robert Walter Weir American, Oil on canvas, American
General Winfield Scott
Robert Walter Weir
ca. 1855
Shipwreck, Robert Walter Weir American, Graphite on off-white wove paper, American
Shipwreck
Robert Walter Weir
Sketches (from McGuire Scrapbook), Robert Walter Weir American, Pen and iron-gall ink on off-white wove paper, American
Sketches (from McGuire Scrapbook)
Robert Walter Weir
Study for "The Agony in the Garden", Robert Walter Weir American, Graphite on off-white wove paper, American
Study for "The Agony in the Garden"
Robert Walter Weir
Christ in the Garden of Gethsemane, Robert Walter Weir American, Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper, American
Christ in the Garden of Gethsemane
Robert Walter Weir
The Entrance to a Wood, Robert Walter Weir American, Watercolor and graphite on buff wove paper, American
The Entrance to a Wood
Robert Walter Weir
1836
The Dying Greek, Asher Brown Durand American, Engraving
The Dying Greek
Asher Brown Durand
Robert Walter Weir
ca. 1830
Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX, Asher Brown Durand American, Engraving on chine collé
Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX
Asher Brown Durand
Robert Walter Weir
1831
Robert C. Sands, Asher Brown Durand American, Steel engraving; second state of two
Robert C. Sands
Multiple artists/makers
ca. 1829
Evening: A Scene in the Highlands, New York
James Smillie
Robert Walter Weir
1834
Robert C. Sands
Multiple artists/makers
ca. 1829
Lunatic Asylum, New York, from "New York Mirror"
Multiple artists/makers
1834
North Battery, Foot of Hubert Street, New York, for the "New York Mirror"
Multiple artists/makers
1833
The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations, William Cullen Bryant American, Illustrations: engraving
The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations
Multiple artists/makers
1830
A Wood Scene, Hoboken
Multiple artists/makers
1832
Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry
Tapestry Room from Croome Court
Multiple artists/makers
1763–71
Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British
Dining room from Lansdowne House
Multiple artists/makers
1766–69
Annunciation Triptych (Merode Altarpiece), Robert Campin Netherlandish, Oil on oak, Netherlandish
Annunciation Triptych (Merode Altarpiece)
Robert Campin
ca. 1427–32
The Factory Village, Julian Alden Weir American, Oil on canvas, American
The Factory Village
Julian Alden Weir
1897
Fruit, Julian Alden Weir American, Oil on canvas, American
Fruit
Julian Alden Weir
ca. 1888
The Red Bridge, Julian Alden Weir American, Oil on canvas, American
The Red Bridge
Julian Alden Weir
1895
The Tea Party, Robert Hancock British, Enameled copper, British, South Staffordshire
The Tea Party
Multiple artists/makers
ca. 1765–1770
Untitled, Robert Gober American, Bronze, shoe polish, plaster and painted resin
Untitled
Robert Gober
1994–2001
Sweater, Walter Worldwide, cotton, British
Sweater
Walter Worldwide
Walter Van Beirendonck
fall/winter 1990–91
Model No. 992, Walter Scherf German, Stoneware, pewter
Model No. 992
Walter Scherf
Walter Scherf & Co., Nürnberg
ca. 1903
Bingham Copper Mining Pit—Utah / Reclamation Project, Robert Smithson American, Photostat and plastic overlay with wax pencil
Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
1973
Winter Pool, Robert Rauschenberg American, Combine painting: oil, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder
Winter Pool
Robert Rauschenberg
1959
Square Piano, Robert Nunns British, Rosewood, mother-of-pearl, tortoiseshell, abalone, felt, metal, paint, gilding, American
Square Piano
Robert Nunns
John Clark
1853
The Return of the Cattle, Hubert Robert French, Oil on canvas
The Return of the Cattle
Hubert Robert
ca. 1773–75
The Swing, Hubert Robert French, Oil on canvas
The Swing
Hubert Robert
1777–79
Wandering Minstrels, Hubert Robert French, Oil on canvas
Wandering Minstrels
Hubert Robert
1777–79
The Portico of a Country Mansion, Hubert Robert French, Oil on canvas
The Portico of a Country Mansion
Hubert Robert
1773
Forging the Shaft, John Ferguson Weir American, Oil on canvas, American
Forging the Shaft
John Ferguson Weir
1874–77
The Morning Paper, John Ferguson Weir American, Oil on canvas, American
The Morning Paper
John Ferguson Weir
1868
Anna Dwight Weir Reading a Letter, Julian Alden Weir American, Watercolor, gouache, black ink, and graphite on white wove paper, American
Anna Dwight Weir Reading a Letter
Julian Alden Weir
ca. 1890
Boats, Julian Alden Weir American, Pastel and graphite on paper, American
Boats
Julian Alden Weir
The Alhambra, Granada, Spain, John Ferguson Weir American, Oil on canvas, American
The Alhambra, Granada, Spain
John Ferguson Weir
ca. 1901
Connecticut Village (Going to School), Julian Alden Weir American, Oil on canvas, American
Connecticut Village (Going to School)
Julian Alden Weir
after 1891
Copy after Botticelli, Julian Alden Weir American, Watercolor on paper, American
Copy after Botticelli
Julian Alden Weir
The Green Bodice, Julian Alden Weir American, Oil on canvas, American
The Green Bodice
Julian Alden Weir
by 1898
Idle Hours, Julian Alden Weir American, Oil on canvas, American
Idle Hours
Julian Alden Weir
1888
The Wood Sawyer, Charles E. Weir American, Oil on board, American
The Wood Sawyer
Charles E. Weir
1842