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More than 10,000 results for Robert Walter Weir

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General Winfield Scott, Robert Walter Weir American, Oil on canvas, American — General Winfield Scott
Robert Walter Weir
ca. 1855

Study for "The Agony in the Garden", Robert Walter Weir American, Graphite on off-white wove paper, American — Study for "The Agony in the Garden"
Robert Walter Weir

Christ in the Garden of Gethsemane, Robert Walter Weir American, Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper, American — Christ in the Garden of Gethsemane
Robert Walter Weir

Shipwreck, Robert Walter Weir American, Graphite on off-white wove paper, American — Shipwreck
Robert Walter Weir

Sketches (from McGuire Scrapbook), Robert Walter Weir American, Pen and iron-gall ink on off-white wove paper, American — Sketches (from McGuire Scrapbook)
Robert Walter Weir

The Entrance to a Wood, Robert Walter Weir American, Watercolor and graphite on buff wove paper, American — The Entrance to a Wood
Robert Walter Weir
1836

Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX, Asher Brown Durand American, Engraving on chine collé — Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX
Asher Brown Durand
Robert Walter Weir
1831

The Dying Greek, Asher Brown Durand American, Engraving — The Dying Greek
Asher Brown Durand
Robert Walter Weir
ca. 1830

Robert C. Sands, Asher Brown Durand American, Steel engraving; second state of two — Robert C. Sands
Multiple artists/makers
ca. 1829

Evening: A Scene in the Highlands, New York

James Smillie

Robert Walter Weir

1834

Robert C. Sands

Multiple artists/makers

ca. 1829

Lunatic Asylum, New York, from "New York Mirror"

Multiple artists/makers

1834

North Battery, Foot of Hubert Street, New York, for the "New York Mirror"

Multiple artists/makers

1833

The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations, William Cullen Bryant American, Illustrations: engraving — The American Landscape, No. 1, Engraved from Nature Expressly for This Work, and from Well Authenticated Pictures, With Historical and Topographical Illustrations
Multiple artists/makers
1830

A Wood Scene, Hoboken

Multiple artists/makers

1832

Untitled, Robert Gober American, Bronze, shoe polish, plaster and painted resin — Untitled
Robert Gober
1994–2001

Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry — Tapestry Room from Croome Court
Multiple artists/makers
1763–71

Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British — Dining room from Lansdowne House
Multiple artists/makers
1766–69

Annunciation Triptych (Merode Altarpiece), Robert Campin Netherlandish, Oil on oak, Netherlandish — Annunciation Triptych (Merode Altarpiece)
Robert Campin
ca. 1427–32

The Factory Village, Julian Alden Weir American, Oil on canvas, American — The Factory Village
Julian Alden Weir
1897

Fruit, Julian Alden Weir American, Oil on canvas, American — Fruit
Julian Alden Weir
ca. 1888

Forging the Shaft, John Ferguson Weir American, Oil on canvas, American — Forging the Shaft
John Ferguson Weir
1874–77

The Morning Paper, John Ferguson Weir American, Oil on canvas, American — The Morning Paper
John Ferguson Weir
1868

The Green Bodice, Julian Alden Weir American, Oil on canvas, American — The Green Bodice
Julian Alden Weir
by 1898

Idle Hours, Julian Alden Weir American, Oil on canvas, American — Idle Hours
Julian Alden Weir
1888

The Red Bridge, Julian Alden Weir American, Oil on canvas, American — The Red Bridge
Julian Alden Weir
1895

The Wood Sawyer, Charles E. Weir American, Oil on board, American — The Wood Sawyer
Charles E. Weir
1842

In Mischief, Walter Shirlaw American, Scottish, Oil on canvas, American — In Mischief
Walter Shirlaw
1870 (?)

William Henry Huntington, Walter Gay American, Oil on wood, American — William Henry Huntington
Walter Gay
1887

Sugar Shovel, Walter Pitkin American, Silver, American — Sugar Shovel
Walter Pitkin
1830–50

Primitive Man, Edgar Walter American, Bronze — Primitive Man
Edgar Walter
ca. 1902–3, cast ca. 1905

The Tea Party, Robert Hancock British, Enameled copper, British, South Staffordshire — The Tea Party
Multiple artists/makers
ca. 1765–1770

Sweater, Walter Worldwide, cotton, British — Sweater
Walter Worldwide
Walter Van Beirendonck
fall/winter 1990–91

Silent Dawn, Walter Launt Palmer American, Oil on canvas, American — Silent Dawn
Walter Launt Palmer
by 1919

Model No. 992, Walter Scherf German, Stoneware, pewter — Model No. 992
Walter Scherf
Walter Scherf & Co., Nürnberg
ca. 1903

Bingham Copper Mining Pit—Utah / Reclamation Project, Robert Smithson American, Photostat and plastic overlay with wax pencil — Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
1973

Square Piano, Robert Nunns British, Rosewood, mother-of-pearl, tortoiseshell, abalone, felt, metal, paint, gilding, American — Square Piano
Robert Nunns
John Clark
1853

Winter Pool, Robert Rauschenberg American, Combine painting: oil, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder — Winter Pool
Robert Rauschenberg
1959

The Portico of a Country Mansion, Hubert Robert French, Oil on canvas — The Portico of a Country Mansion
Hubert Robert
1773

The Mouth of a Cave, Hubert Robert French, Oil on canvas — The Mouth of a Cave
Hubert Robert
1784