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Jérusalem, Fontaine de Saint-Philippe, Auguste Salzmann French, Salted paper print from paper negative
Jérusalem, Fontaine de Saint-Philippe
Auguste Salzmann
Printer Imprimerie photographique de Blanquart-Évrard, à Lille
1854
Saint Philippe, Michel Aubert French, Etching and engraving
Saint Philippe
Michel Aubert
After François Boucher
1726
Sunday at the Church of Saint-Philippe-du-Roule, Paris, Jean Béraud French, Oil on canvas
Sunday at the Church of Saint-Philippe-du-Roule, Paris
Jean Béraud
1877
Mantel clock (pendule à console), Jean-Philippe Gosselin French, Case: bronze, formerly gilded, silvered or lacquered; dial: white enamel, with black numerals; movement: brass and steel, French, Paris
Mantel clock (pendule à console)
Clockmaker: probably Jean-Philippe Gosselin
Case maker: Jean-Joseph de Saint Germain
ca. 1750
Evening dress, Yves Saint Laurent French, silk, bird-of-paradise feathers, French
Evening dress
Design House Yves Saint Laurent
Designer Yves Saint Laurent
fall/winter 1969–70
Saint Matthew, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint Matthew
Enameler Attributed to Jean III Pénicaud
ca. 1550
Saint Mark, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint Mark
Enameler Attributed to Jean III Pénicaud
ca. 1550
Saint Luke, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint Luke
Enameler Attributed to Jean III Pénicaud
ca. 1550
Saint John the Evangelist, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint John the Evangelist
Enameler Attributed to Jean III Pénicaud
ca. 1550
Glass cooler (seau à verre), Saint-Cloud factory French, Soft-paste porcelain decorated in polychrome enamels, gold, French, Saint-Cloud
Glass cooler (seau à verre)
Factory Saint-Cloud factory
ca. 1725–30
Fire screen (écran), Georges Jacob French, Carved, gilded and silvered beech; 18th-century silk brocade (not original to frame), French, Paris
Fire screen (écran)
Georges Jacob
Fabric panel in the style of Philippe de Lasalle
ca. 1786
Looking through Pont Marie to Pont Louis Philippe, Paris, Brassaï French, born Romania (Transylvania), Gelatin silver print
Looking through Pont Marie to Pont Louis Philippe, Paris
Brassaï
1930–32, printed ca. 1960
Saint Louis Vignette, Pierre Philippe Choffard French, Etching and engraving
Saint Louis Vignette
Pierre Philippe Choffard
1772
Pair of candelabra with Winged Victories, Pierre Philippe Thomire French, Gilt bronze, French
Pair of candelabra with Winged Victories
Pierre Philippe Thomire
ca. 1810–15
Set of four three-light sconces (bras de lumière), Etienne-Jean Forestier, Gilt bronze, French, Paris
Set of four three-light sconces (bras de lumière)
Multiple artists/makers
1788
Penitent Saint Mary Magdalene in a Landscape, Silk, metal thread and pearls on silk, Flemish, Antwerp
Penitent Saint Mary Magdalene in a Landscape
Flemish, Antwerp
ca. 1650
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784
Saint Paul, Jean Morin French, Etching
Saint Paul
Jean Morin
After Philippe de Champaigne
Leggings, Yves Saint Laurent French, born Algeria, wool, leather, French
Leggings
Designer Attributed to Yves Saint Laurent
ca. 1963
Culottes, Yves Saint Laurent French, silk, French
Culottes
Design House Yves Saint Laurent
Designer Yves Saint Laurent
ca. 1963
Evening suit, Yves Saint Laurent French, cotton, glass, French
Evening suit
Design House Yves Saint Laurent
Designer Yves Saint Laurent
1965–66
Portrait of Louis-Philippe, duc d'Orléans, Augustin de Saint-Aubin French, Etching and engraving; fourth state of four (Bocher)
Portrait of Louis-Philippe, duc d'Orléans
Augustin de Saint-Aubin
After Charles Nicolas Cochin II
1778
Saint Paul, Jean Morin French, Etching
Saint Paul
Jean Morin
After Philippe de Champaigne
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784
Saint Pierre, Jean Morin French, Etching
Saint Pierre
Jean Morin
After Philippe de Champaigne
Saint Pierre, Jean Morin French, Etching
Saint Pierre
Jean Morin
After Philippe de Champaigne
Saint Pierre, Jean Morin French, Etching
Saint Pierre
Jean Morin
After Philippe de Champaigne
17th century
Standing cup (coupe Chenavard), Sèvres Manufactory French, Hard-paste porcelain, French, Sèvres
Standing cup (coupe Chenavard)
Manufactory Sèvres Manufactory
Designer Watercolor design sketch by Aimé Chenavard
Modeler Plaster model by Hyacinthe Régnier
1837
L'Abbé de Saint Cyran, Anonymous, Engraving
L'Abbé de Saint Cyran
Anonymous
After Philippe de Champaigne
L'Abbé de Saint Cyran, Jean Morin French, Engraving
L'Abbé de Saint Cyran
Jean Morin
After Philippe de Champaigne
17th century
Le petit saint Bernard, Jean Morin French, Etching, second state
Le petit saint Bernard
Jean Morin
After Philippe de Champaigne
Saint Bernard de Clairvaux, Jean Morin French, Etching
Saint Bernard de Clairvaux
Jean Morin
After Philippe de Champaigne
Head of a Young Woman in Profile to Left, Jacques Philippe Joseph de Saint Quentin French, Red chalk, stumped, heightened with white; framing lines in pen and brown ink
Head of a Young Woman in Profile to Left
Jacques Philippe Joseph de Saint Quentin
n.d.
Studies for "The Conversion of the Jailer before Saint Paul and Silas", Nicolas de Plattemontagne French, Red, black, and white chalks
Studies for "The Conversion of the Jailer before Saint Paul and Silas"
Nicolas de Plattemontagne
1666
The martyrdom of Saint Sebastian, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint
The martyrdom of Saint Sebastian
Anne Claude Philippe de Tubières, comte de Caylus
After Daniel Seiter
ca. 1729
Portable Icon with the Virgin Eleousa, Miniature mosaic set in wax on wood panel, with gold, multicolored stones, and gilded copper, Byzantine
Portable Icon with the Virgin Eleousa
Byzantine
early 1300s
Saint Anthony preaching to fish
Printmaker Jacques Philippe Le Bas
After Salvator Rosa
1735
Study for Saint Gervasius, Eustache Le Sueur French, Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink
Study for Saint Gervasius
Eustache Le Sueur
ca. 1652
View of Lyon, Philippe Auguste Hennequin French, Pen and brown ink, brush and gray wash, over traces of black chalk on two joined sheets of paper
View of Lyon
Philippe Auguste Hennequin
ca. 1793–95